Texts on Hélène Cixous

Compiled by

Eddie Yeghiayan

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A Top -- Up

Abel, Lionel. "It Isn't True, & It Doesn't Rhyme: Our New Criticism." Encounter (July 1978), 51(1): 38.
Adams, Carol J. The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory, p. 147. New York: Continuum, 1990.
Adams, Hazard and Leroy Searle. "Hélène Cixous." In Hazard Adams and Leroy Searle, eds., Critical Theory Since 1965, p. 308. Tallahassee: University Pressses o f Florida/Florida State University Press, 1986.
Adamson, Ginette." "Introduction." In Eunice Myers and Ginette Adamson, eds., Continental Latin-American and Francophone Women Writers, pp. xi, xii. Selected papers from the Wichita State Unive rsity Conference on Foreign Literature, 1984-85. New York & London: University Press of America, 1987.
Aebischer, Verena. "Knowledge as a Result of Conflicting Intergroup Relations." In Mary McCanney Gergen, ed., Feminist Thought and the Structure of Knowledge, p. 146. New York & London: New York University Press, 1988.
Agosin, Marjorie. "Whispers and Triumphs: Latin American Women Writers Today." (Cola Franzen, tr.) Women's Studies International Forum (1986), 9(4): 431, 433.
Aiken, Susan Hardy. "Scripture and Poetic Discourse in The Subjection of Women." PMLA (May 1983), 98(3): 370n13, 372.
_____. "Writing (in) Exile: Isak Dinesen and the Poetics of Displacement." In Mary Lynn Broe and Angela Ingram, ed., Women's Writing in Exile, pp. 121, 130. Chapel Hill & London: University of North Carolina Press, 1989.
Aiken, Susan Hardy, et al. "Trying Transformations: Curriculum Integration and the Problem of Resistance." Signs (Winter 1987), 2(2): 268.
Albérès, René- Marill. "Jeux de miroirs." Review of Hélène Cixous' Prénoms de personne (1974). Les Nouvelles Littéraires (November 25-December 1, 1974), 53(2461): 5.
Alexander, Flora. Contemporary Women Writers, p. 9. Modern Fiction. London: Arnold, 1989.
Allen Jeffner. "An Introduction to Patriarchal Existentialism: A Proposal for a Way Out of Existential Patriarchy." In Jeffner Allen and Iris Marion Young, eds., The Thinking Muse: Feminism and Modern French Ph ilosophy, pp. 81-82. Bloomington & Indianapolis: Indiana University Press, A Midland Book, 1989.
_____. "Poetic Politics: How the Amazons Took the Acropolis." Hypatia (Summer 1988), 3(2): 107-122.
_____. "Women Who Beget Women Must Thwart Major Sophisms." Philosophy & Social Criticism (1987), 13(4): 320, 324n10.
Allen, Jeffner and Iris Marion Young. "Introduction." In Jeffner Allen and Iris Marion Young, eds., The Thinking Muse: Feminism and Modern French Philosophy, pp. 2, 5, 7-9, 15. Bloomington & ; Indianapolis: Indiana University Press, A Midland Book, 1989.
Alonso, H. Review of Hélène Cixous' and Catherine Clément's The Newly Born Woman (1986). Choice (December 1986), 24(4): 619.
Alonzo, Anne-Marie. "Écrire pivoine et penser fleur." La Nouvelle Barre du Jour (April 1973), 125: 77-80.
_____. Review of Hélène Cixous' With, ou l'Art de l'innocence (1981). La Nouvelle Barre du Jour (January 1982), 109: 89-91.
Andermatt, Verena. "Doll's Story: Autobiography." New Literary History (1977), 9(1): 181-188.
_____. "Hélène Cixous and the Uncovery of a Feminine Language." Women & Litterature (Winter 1979), 7(1): 38-48.
_____. "Writing the Letter: The Lower Case of Hélène Cixous." Visible Language (Summer 1978), 12(3): 305-318. See also Conley, Verena Andermatt.
Andersen, Margaret. "La Jouissance--Principe d'écriture." L'Esprit Créateur (Summer 1979), 19(2): 3n3, 5, 6-7.
Andersen, Marguerite. Review of Hélène Cixous' Entre l'Écriture (1986). Resources for Feminist Research/Documentation sur la Recherche Féministe (Toronto) (March 1988), 17(1) : 12-13.
Anderson, Linda. "At the Threshold of the Self: Women and Autobiography." In Moira Monteith, ed., Women's Writing: A Challenge to Theory, pp. 56-57, 58, 70, 71nn9, 13, 30. Brighton, Sussex & ; New York: Harvester, 1986.
"`Les Années de colères et de rêves': L'Indiade, d'Hélène Cixous et Ariane Mnouchkine." Le Monde (September 24, 1987), 13267: 21.
Araújo, Helena. "Narrativa femenina latinoamericana." Hispamerica (1982), 11(32): 31n14, 34.
Armbruster, Carol. "Hélène-Clarice: Nouvelle Voix." Contemporary Literature (Summer 1983), 24(2): 145-157. Special issue on "L'Écriture féminine. "< /p>
Atherton, J.S. "Between Fact and Fiction." Review of Hélène Cixous' The Exile of James Joyce (1976). TLS [Times Literary Supplement] (August 13, 1976), 3883: 1015.
Attridge, Derek and Daniel Ferrer. "Introduction: Highly Continental Evenements." In Derek Attridge and Daniel Ferrer, eds., Post-Structuralist Joyce: Essays from the French, p. 13n14. Cambridg e: Cambridge University Press, 1984.
Auburtin, Graziella. Tendenzen der zeitgenössischen Frauenliteratur in Frankreich. Ein Beitrag zum literarischen Aspekt der weiblichen Identitätsfindung. Frankfurt: Haag und Herchen, 1 979.

B Top -- Up

Babcock, Barbara A. "Taking Liberties, Writing from the Margins, and Doing It with a Difference." Journal of American Folklore (October-December 1987), 100(398): 394, 409.
Backès-Clément, Catherine. Introduction to Hélène Cixous' "La Déroute du sujet, ou le voyage imaginaire de Dora." Littérature (October 1971), 1(3): 79-80.
_____. "La Taupe et le phénix." Review of Hélène Cixous' Neutre (1972). Les Lettres Françaises (June 14-20, 1972), 1440: 4. See also Clément, Catherine.
Bair, Deirdre. Simone de Beauvoir: A Biography, p. 552. New York: Summit Books, 1990.
Barnet, Andrea. Review of Hélène Cixous' and Catherine Clément's The Newly Born Woman (1986). New York Times Book Review (August 24, 1986), 7: 19.
Barr, Marleen. "Feminist Fabulation: The Feminist Anglo- American Critical Empire Strikes Back." Restant: Tijdschrift voor Recente Semiotische Teorievorming en de Analyse van Teksten (1987), 15(3): 105-119.
_____. "Science Fiction and the Fact of Women's Repressed Creativity: Anne McCaffrey Portrays a Female Artist." Exrapolation (Spring 1982), 23(1): 75, 76n12.
Barreca, Regina. "Introduction." Women's Studies International Forum (1988), 15(13): 14, 16, 17, 18, 21.
_____. "Metaphor into Narrative: Being Very Careful with Words." Women's Studies (1988), 15(1- 3): 245, 254, 255.
Bartkowski, Frances. "Feminism and Deconstruction: `A Union Forever Deferred'." Enclitic (Fall 1980), 4(2): 71, 74, 75, 76, 77n2.
_____. Feminist Utopias, pp. 85, 92, 136, 162, 183. Lincoln & London: University of Nebraska Press, 1989.
Barzilai, Shuli. "Unmasking the Words That Make Us: Doris Lessing's `How I Finally Lost My Heart'." Style (Winter 1988), 22(4): 595, 605, 607n1, 609n12.
Bassnett, Susan. "Textuality/Sextuality." Essays in Poetics (April 1984), 9(1): 12, 13, 15n15.
Bauer, Dale M. Feminist Dialogics: A Theory of Failed Community, pp. 3, 174n5. Albany: State University of New York Press, 1988.
Baym, Nina. "The Madwoman and Her Languages: Why I Don't Do Feminist Literary Theory." Tulsa Studies in Women's Literature (Spring-Fall 1984), 3(1-2): 49, 50, 58n10.
Beauvoir, Simone de. "Interview with Alice A. Jardine." Signs (Autumn 1979), 5(1): 224, 229-231.
_____. "Interview with Hélène V. Wenzel." (Hélène V. Wenzel, tr.) Yale French Studies (1986), 72: 11. Published earlier as "Interview with Simone de Beauvoir: Reflections and Recollections." (Hélène V. Wenzel and Linda Gardiner, trs.) Women's Review of Books (March 1986), 3(6): 11.
Becker, Lucille Frackman. Twentieth-Century French Women Novelists, pp. 3, 14, 28, 32, 136, 157, 167-176, 204-206. Twayne's World Authors Series, 813. Boston: Twayne, 1989. See also "Chronology" at beginning of the book.
Bédard, Nicole. "L'Oscillé(e)." La Barre du Jour (Quebec) (Winter 1975), 50: 105-122.
Beer, Gillian. George Eliot, pp. 12, 15-16, 196, 197, 232. Key Women Writers. Bloomington: Indiana University Press, 1986.
_____. "Representing Women: Re-Presenting the Past." In Catherine Belsey and Jane Moore, eds., The Feminist Reader: Essays in Gender and the Politics of Literary Criticism, pp. 65, 69, 223-224n1, 224n7. Houndmills, Basingstoke, Hamsphire: Macmillan Education; New York: Blackwell, 1989.
Begnal, Michael H. Review of Hélène Cixous' The Exile of James Joyce (1972). ÉireIreland (Winter 1975), 10(4): 149-150.
Beitchman, Philip. I am a Process with No Subject, pp. 266n9, 289. Gainesville: University of Florida Press, 1988.
Beizer, Janet. "The Body in Question: Anatomy, Textuality, and Fetishism in Zola." L'Esprit Créateur (Spring 1989), 29(1): 59n3.
Beja, Morris. "One Good Look at Themselves: Epiphanies in Dubliners." In Richard F. Peterson, Alan M. Cohn, and Edmund L. Epstein, eds., Work in Progress: Joyce Centenary Essays, p. 13n1. Ca rbondale: Southern Illinois University Press, 1983.
Bell, A. Review of Hélène Cixous' The Exile of James Joyce (1972). Dublin Magazine (Summer 1973): 106.
Belmans, Jacques. "Hélène Cixous: Limonade tout était si infini." Marginales (AprilMay-June 1983), 38(206): 48.
Belsey, Catherine and Jane Moore. "Introduction: The Story So Far," and "Glossary." In Catherine Belsey and Jane Moore, eds., The Feminist Reader: Essays in Gender and the Politics of Literary Criticis m, pp. 13-14, 219n15, 248. Houndmills, Basingstoke, Hamsphire: Macmillan Education; New York: Blackwell, 1989.
Benitez Rojo, Antonio and Hilda O. Benitez. "Eréndira liberada: la subversión del mito del macho occidental." Revista Iberoamericana (July- December 1984), 50(128129): 10 72n13.
Ben-Merre, Diana Arbin. "Bloom and Milly: A Portrait of the Father and the `Jews Daughter'." James Joyce Quarterly (Summer 1981), 18(4): 440, 444nn8, 9.
Benmussa, Simone. "Introduction: `Portrait of Dora': Stage Work and Dream Work." In Benmussa Directs: Portrait of Dora, by Hélène Cixous, pp. 9-19. London: Calder; Dall as: Riverrun Press, 1979.
_____. "Présentation." Cahiers Renaud-Barrault (1974), 87: 1-2.
Bennett, Donna. "Naming the Way Home." In Shirley Neuman and Smaro Kamboureli, eds., A Mazing Space: Writing Canadian Women Writing, p. 238. Edmonton: Longspoon/NeWest, 1986.
Bensky, Roger-Daniel. "Avignon '77: A Spectator's Notebook." Sub-Stance (1977), 18-19: 36.
Bensky, Roger-Daniel. Cixous/Mesguich: Reprises d'amour: Journal de bord de "L'Histoire (qu'on connaîtra jamais)," Théâtre de la Ville, mars-mai 1994. Preface by Robert Abirached. Paris: Librarie Nizet, 1994.
Benstock, Shari. "Women's Literary History to be Continued: From the Editor's Perspective." Tulsa Studies in Women's Literature (Fall 1986), 5(2): 174, 182n9.
Berger, Anne. "Let's Go to the Fountain: On George Sand and Writing." In Susan Sellers, ed., Writing Differences: Readings from the Seminar of Hélène Cixous, pp. 54-65. Gender in Writing. Milton Keynes: Open University Press, 1988.
Bergonzi, Bernard. "Joyce without Laughs." Review of Hélène Cixous' The Exile of James Joyce (1976). Observer (London) (March 14, 1976), 9632: 31.
Berliner, Bolette. "Kon og skrift i Varulven: En `forskelsfeministisk' Sandemoselaesning." Edda (Oslo) (1988), 2: 139-153.
Bernheimer, Charles. "Introduction." In Charles Bernheimer and Claire Kahane, eds, In Dora's Case: Freud--Hysteria-- Feminism, pp. 1, 13, 31, 32n13. Gender and Culture. New York: Col umbia University Press, 1985.
Bernheimer, Charles and Claire Kahane. "Preface," "Bibliography." In Charles Bernheimer and Claire Kahane, eds., In Dora's Case: Freud--Hysteria-- Feminism, pp. ix, 278. Gender and Cu lture. New York: Columbia University Press, 1985.
Beshers, Olga Espejo. "Clarice Lispector: A Bibliography." Revista Interamericana de Bibliografia/Inter-American Review of Bibliography (1984), 34(3-4): 395.
Birch, Dinah. "Ruskin's `Womanly-Mind'." Essays in Criticism (October 1988), 38(4): 321-322, 324nn10, 11.
Birden, Lorene M. "Making English Clairielle: An Introduction and Translation for Hélène Cixous' Neutre." M. A. Thesis, University of Massachusetts, Amherst, 1988.
Birn, Raymond. "Deconstructing Popular Culture: The Bibliothèque bleue and its Historians." Australian Journal of French Studies (January-April 1986), 23(1): 42, 47n28.
Blashak, Faiza. "L'Écriture féminine dans Anankè d'Hélène Cixous." Ph.D. Dissertation, University of Pennyslvania, 1988. Abstract in Dissertation Abstracts Intern ational (March 1989), 49(9): 2677A.
Blau, Herbert. The Audience, p. 326. Baltimore: Johns Hopkins University Press, 1990.
_____. "Disseminating Sodom." Salmagundi (Fall 1982-Winter 1983), 58-59: 226n4, 244-245, 247n28.
Blue, Denise E. "Joyce and Poetic Identity." Review of Hélène Cixous' The Exile of James Joyce (1972). Comparative Literature (Spring 1975), 27(2): 184-188.
Body, Jacques. "Sur l'Idée et sur des projets de théâtre national." RLC: Revue de Litérature Comparée (October-December 1980), 54(2): 395n10.
Böhmer, Ursula. "Se dire - s'écrire: Frauen, Literatur, Psychoanalyse in den siebziger Jahren in Frankreich." Lili: Zeitschrift für Literaturwissenschaft und Linguistik (1979), 9(35): 63, 64, 66, 67-69, 80.
Bollard, Margaret Lloyd. "The `Newspaper Landscape' of Williams' Paterson." Contemporary Literature (Summer 1975), 16(3): 327.
Bolli, Michèle. "L'Autre dans la dogmatique: Une incontourable figure?" Revue d'Histoire et de Philosophie Religieuses (April-June 1984), 64(2): 124n1, 128n4.
Bonnefoy, Claude. "Les Aventures du texte." Review of Hélène Cixous' Neutre (1972) and Philippe Sollers' Lois. Les Nouvelles Littéraires (June 12-18, 1972), 50(2333): 5.
_____. "Les Pouvoirs de l'écriture." Review of Hélène Cixous' Tombe (1973) and Dominique Rollin's Lettre au vieil homme. Les Nouvelles Littéraires (April 23-29, 7.
Bordo, Susan. "Feminist Skepticism and the `Maleness' of Philosophy." Journal of Philosophy (November 1988), 85(11): 622, 623n10.
Bosco, Monique. "Contrainte Manifeste." Études Françaises (Montreal) (1980), 16(34): 128.
Bott, François. "Un Roman d'amour fou: Dedans d'Hélène Cixous." Le Monde (September 13, 1969), 7672:i-ii [in the section "Le Monde des Livres."]
Boucourechliev, André. "Un Compositeur et `ses' écrivains: Entretien avec André Boucourechliev." Revue des Sciences Humaines (January-March 1987), 76(205): 131-14 4. Françoise Escal interviews André Boucourechliev. See Hélène Cixous' Le Nom d'Oedipe: Chant du corps interdit (1978).
Bouraoui, H. A. "Le Vide enfin dépassé." Review of Hélène Cixous' Dedans (1969). Études Françaises (Montreal) (February 1971), 7(1): 79-84 .
Boutin, Richard. "Le Courrier du coeur." Review of Hélène Cixous' Le Livre de Promethea (1983). La Nouvelle Barre du Jour (Quebec) (February 1984), 135: 66-74.
Bowlby, Rachel. "The Feminine Female." Social Text (Spring-Summer 1983), 7: 55, 56, 57, 58, 62, 63, 64, 65, 67, 68.
_____. "Flight Reservations: Cross-Cultural Positions in Contemporary Feminist Theory." Oxford Literary Review (1988), 10(1-2): 67, 71nn7, 10, 71-72n16.
Boyle, Robert. "James Joyce." Review of Hélène Cixous' The Exile of James Joyce (1972). Contemporary Literature (Spring 1974), 15(2): 264-265.
Brée, Germaine. "Foreword." Contemporary Literature (Summer 1983), 24(2): 115.
_____. "Germaine Brée: Teacher, Scholar, Humanist." Contemporary French Civilization (Winter 1980), 4(2): 243, 257, 259-260. Yolanda Astarita Patterson and Carol V. Richards interview G er maine Brée.
_____. Twentieth-Century French Literature, pp. 235, 308. Chicago & London: University of Chicago Press, 1983.
Translation by Louise Guiney of Littérature Française, Vol. 2: Le XXe Siècle II: 1920-1970.
_____. Le XXe siècle, II: 1920-1970, pp. 266, 336, 412. Littérature Française, 16. Paris: Arthaud, 1978.
_____. Women Writers in France: Variations on a Theme, pp. 67, 81. New Brunswick, New Jersey: Rutgers University Press, 1973.
Brée, Germaine and Edouard Morot-Sir. Littérature Française, Vol. 9, Du Surréalisme à l'Empire de la Critique, pp. 176, 295, 408. Collection Littérature Française/Po che. Paris: Les Éditions Arthaud, 1984.
Brelin, Christa. "Cixous, Hélène." In Susan Trosky, ed., Contemporary Authors, Vol. 126, pp. 47-49. Detroit, Michigan: Gale Research, 1989.
Brewer, Mária Minich. "A Loosening of Tongues: From Narrative Economy to Women Writing." MLN (December 1984), 99(5): 1146, 1147, 1160n16, 1161n28.
Brinkemper, Peter. "Ingeborg Bachmanns Der Fall Franza als Paradigma weiblicher Ästhetik." Modern Austrian Literature (1985), 18(3-4): 179n11.
Brivic, Sheldon. Joyce Between Freud and Jung, pp. 8, 9, 17, 18, 44, 92-93, 144, 217n12, Port Washington, N.Y. & London: Kennikat Press, 1980.
_____. "Joyce in Progress: A Freudian View." James Joyce Quarterly (Spring 1976), 13(3): 317, 327n28.
_____. Review of Hélène Cixous' The Exile of James Joyce (1972). Journal of Modern Literature (February 1974), 3(3): 678-679.
Brooke-Rose, Christine. "Paris Letter: Dramatics." Spectator (February 28, 1976), 236(7705): 25.
_____. "The Squirm of the True: A Structural Analysis of Henry James's The Turn of the Screw." PTL (October 1976), 1(3):, 516n5, 523n10, 545.
. "Woman as a Semiotic Object." Poetics Today (1985), 6(1-2): 12, 20.
Brown, Mary Ellen. "The Dialectic of the Feminine: Melodrama and Commodity in the Ferraro Pepsi Commercial." Communication (1987), 9(3- 4): 344, 350, 354.
Brown, Richard. James Joyce and Sexuality, pp. 43, 94, 176n121, 183n18, 193. Cambridge & New York: Cambridge University Press, 1985.
Bruckner, Pascal. "Wilhelm Reich et le contrat homosexuel de l'orgasme." Critique (April 1976), 32(347): 387n1.
Brügmann, Margaret. "Weiblichkeit im Spiel der Sprache: Über das Verhältnis von Psychoanalyse und `écriture féminine'." In Hiltrud Gnüg and Renate Möhrmann, eds., Frauen--L iteratur--Geschichte: schreibende Frauen vom Mittelalter bis zur Gegenwart, pp. 396, 398-399, 409, 410-413, 414, 415. Stuttgart: Metzler, 1985.
Bürger, Christa. "Ich und wir: Ingeborg Bachmanns Ludwig Austritt aus der ästhetischen moderne." In Heinz Ludwig Arnold, ed., Ingeborg Bachmann, pp. 21-23, 27nn40-49. Supplement to Te xt + Kritik. Munich: Text + Kritik, 1984.
Burke, Carolyn Greenstein. "Report from Paris: Women's Writing and the Women's Movement." Signs (Summer 1978), 3(4): 848, 850-851, 853, 854.
Burke, Helen M. "Wycherley's `Tendentious Joke': The Discourse of Alterity in The Country Wife." Eighteenth Century: Theory and Interpretation (Fall 1988), 29(3): 236, 24 1n 20.
Burmeister, Brigitte. "Frauentexte und Weiblichkeitsmythos: Zum Postulat einer écriture féminine am Beispiel von Hélène Cixous's Anankè. Lendemains (Berlin) (1982), 7(25-26): 127-138.
_____. "Weibliches Schreiben: Zu einigen Aspekten französischer Frauentexte der siebziger Jahre." Weimarer Beiträge (1985), 31(10): 1647n18, 1648nn28-30, 3538, 40-42, 1649nn44-54, 56-58.
Butler, Judith P. Gender Trouble: Feminism and the Subversion of Identity, pp. 103, 165n23. New York & London: Routledge, 1989.
Butler-Evans, Elliott. Race, Gender, and Desire: Narrative Strategies in the Fiction of Toni Cade Bambara, Toni Morrison, and Alice Walker, pp. 105, 202n15. Philadelphia: Temple University Press, 1989.
Byers-Pevitts, Beverley. "Introduction: Imagining Women in Theatre: Departures from Dramatic Tradition." Theatre Annual (1985), 40: 6.

C Top -- Up

C., G. "Un Roi et deux dames: Avec `Sihanouk' Hélène Cixous, auteur réputé difficile a joué la clarté: Un nouveau miracle signé Ariane Mnouchkine." Matin de Paris (October 29, 1985), 2692: 19. Review of Hélène Cixous' play L'Histoire terrible mais inachevée de Norodom Sihanouk, roi du Cambodge (1985), staged by Ariane Mnouchkine and the Théâtre du Soleil.
Cafferty, Helen and Jeanette Clausen. "Who's Afraid of Feminist Theory?: A Postscript from the Editors." In Helen Cafferty and Jeanette Calusen, eds., Women in German Yearbook: Feminist Studies and German Culture, 5, p. 133. Lanham, MD: University Press of America, 1989.
Calle-Gruber, Mireille, ed. Verena Andermatt Conley, et al. Du feminin. Trait d'union. Sainte-Foy, Quebec: Le Griffon d'argile, 1992.
Calle-Gruber, Mireille, ed. Verena Andermatt Conley, et al. On the Feminine. Atlantic Highlands, N.J.: Humanities Press, 1996.

Translation by Catherine McGann of Du femimin.
Calle-Gruber, Mireille with Hélène Cixous. Hélène Cixous, photos de racines. Paris: Des femmes, 1994.
Calle-Gruber, Mireille with Hélène Cixous. Hélène Cixous Rootprints: Memory and Life Writing. London & New York: Routledge, 1997.
Translation by Eric Prenowitz of Hélène Cixous, photos de racines.

Calle-Gruber, Mireille. "We are Already in the Jaws of the Book," (Interview with Cixous) "Portrait of the Writing," "Chronicle." In Hélène Cixous and Mireille Calle-Gruber's Hélène Cixous Rootprints: Memory and Life Writing, pp. 1-115, 137-161, 209-213. Translated by Eric Prenowitz. London & New York: Routledge, 1997.

Camelin, Colette. "La `Scène de la fille' dans Illa d'Hélène Cixous." Littérature (October 1987), 67: 84-101.

Cameron, Beatrice. "Letter to Hélène Cixous." Sub-Stance (1977), 6(17): 159-165.

Camp, André. "Ouvrages de dames." L'Avant-Scène Theatre (November 15, 1987), 818: 43-44. On Hélène Cixous' L'Indiade (1987).

Campbell, Jill. "`The Exact Picture of His Mother': Recognizing Joseph Andrews." ELH (Fall 1988), 55(3): 659, 664n29.

Caraher, Brian G. "A Question of Genre: Generic Experimentation, Self-Composition, and the Problem of Egoism in Ulysses." ELH (Spring 1987), 54(1): 214n38.

Carapanos, Frosso. "Identité and identification dans la nouvelle de J. Joyce `Un petit nuage'." La Revue Française de Psychanalyse (March-April 1984), 48(2): 595, 599n11.

Caravaca, Francisco. "Los Premios Literarios franceses de 1969: Hélène Cixous: Dedans. Arbor (Madrid) (April 1970), 75(292): 421-423. Review of Dedans (1969).

Carpenter, Deborah W. "L'Autrebiographie: Translator's Note on Hélène Cixous' The Book of Promethea. Frank (Winter-Spring 1987), 6-7: 40-41.

_____. "Hélène Cixous and North African Origin: Writing L'Orange." Revue Celfan= Celfan Review (November 1986), 6(1): 1-4.

_____. "Translator's Introduction to `Her Presence through Writing', by Hélène Cixous." Literary Review ( (Spring 1987), 30(3): 441-444.

Carton, Dana and Anthony Caprio. "Cixous, Hélène." In Columbia Dictionary of Modern European Literature, 2d ed., revised and enlarged, p. 164. New York: Columbia University Press, 1980.

Casanova, Nicole. Review of Hélène Cixous' La (1976). Esprit (May 1976), 5: 1021-1023. In French.

Case, Sue-Ellen and Jeanie K. Forte. "From Formalism to Feminism." Theater (Spring 1985), 16(2): 65.

Caughie, Pamela L. "Women Reading, Reading Women: A Review of Some Recent Books on Gender and Reading." Papers on Language & Literature (Summer 1988), 24(3): 329-330n22.

Cesbron, Georges. Review of Claudine Guégan Fisher's La Cosmogonie d'Hélène Cixous. Lettres Romanes (1989), 43(1-2): 130-131.

Champroux, Huguette. "Dora Debout." Sorcières (July 1976), 4: 60. Review of Hélène Cixous' Portrait de Dora at the Théâtre d'Orsay.

Chapsal, Madeleine. "Dora: Un rêve de Freud." L'Express (March 1-7, 1976), 1286: 20. A review of Hélène Cixous' play Portrait de Dora, staged by Simon e Benmussa at the Petit Théâtre d'Orsay.

_____. "Hélène Cixous contre Freud." Review of Hélène Cixous' La (1976). L'Express (June 28-July 4, 1976), 1303: 64.

_____. "Hélène Cixous: Noces de nymphes." Review of Hélène Cixous' Préparatifs de noces au delà de l'abïme (1978). L'Express (June 19-25, 1978), 1406: 85-86.

Chatenoud-Guillon, Marie-France. "Cixous, Hélène." In Pierre de Boisdeffre, ed., Histoire de la Littérature de Langue Française des années 1930 aux années 1980, Vol. 2, p. 885. Paris: Librairie Académique Perrin, 1985.

Christ, Ronald. Review of Hélène Cixous' The Exile of James Joyce (1972). Books Abroad (Summer 1973), 47(3): 564-565.

Christensen, Bente. "Åkomme til skriften--fra begge sider." Vinduet (1986), 4: 29-32. In Danish.

"Cixous, Hélène." Grand Dictionnaire Encyclopédique Larousse, Vol. 3, p. 2276. Paris: Librairie Larousse, 1982.

"Cixous, Hélène." In Janet K. Boles and Diane Long Hoeveler, eds., From the Goddess to the Glass Ceiling: A Dictionary of Feminism, pp. 84-85. Lanham: Madison Books, 1996.

"Cixous, Hélène." In Jennifer S. Uglow, ed., The Macmillan Dictionary of Women's Biography, p. 112. London: Macmillan, 1982.

"Cixous, Hélène." In Jennifer S. Uglow, ed., The Continuum Dictionary of Women's Biography, New expanded ed., pp. 125-126. New York: Continuum, 1989.

Clark, Suzanne. "The Unwarranted Discourse: Sentimental Community, Modernist Women, and the Case of Millay." Genre (Summer 1987), 20(2): 148, 151.

Clarke, Danielle. "Cixous, Hél`ne." In Michael Payne, ed., A Dictionary of Cultural and Critical Theory, pp. 103-104. Oxford & Cambridge, Mass.: Blackwell Reference, 1996.

Clédat, Françoise. "L'Écriture du corps." Magazine Littéraire (January 1982), 180: 2022. Special issue on "Femme, une autre écriture?"

Clément, Catherine. "`Échange'. Dialogue entre Hélène Cixous et Catherine Clément." In their La Jeune née, pp. 247-296. Série "Féminin fu tur." Paris: Union Générale d'Éditions, Collection "10/18," 1975.

_____. "`Exchange'. Dialogue between Hélène Cixous and Catherine Clément." In their The Newly Born Woman, pp. 135-160. Introduction by Sandra Gilbert. Theory and History of Literature, 24. Minneapolis: University of Minnesota Press; Manchester: Manchester University of Press, 1986. Translation by Betsy Wing of La Jeune née (1975).

_____. "Le Temps pour vivre et la durée pour respirer." L'Art du Théâtre (Fall 1988), 9: 74, 76, 77. See also Backès-Clément, Catherine.

Cliche, Élène. "Clarice Lispector: Débusquer l'intangible." Voix & Images (Autumn 1986), 12(1): 28, 37n3.

Cohan, Steven. "Figures Beyond the Text: A Theory of Readable Character in the Novel." Novel (Fall 1983), 17(1): 7, 21

Cohen, Danielle. Review of Hélène Cixous' and Catherine Clément's La Jeune née (1975). Sorcières (January 1976), 1: 57-58.

Cohen, Keith. "Translator's Note: Prolegomania and Excerption." TriQuarterly (Winter 1977), 38: 95-98.

Cohen, Ralph. "Introduction." In Ralph Cohen, ed., The Future of Literary Theory, pp. xix-xx. New York & London: Routledge, 1989.

Cohn Ruby. "Benmussa's Planes." Theater (Fall-Winter 1981-82), 13(1): 51-54.

Coldwell, Joan. "The Beauty of the Medusa: Twentieth Century." English Studies in Canada (December 1985), 11(4): 432, 437nn43, 44.

Coleman, Patrick. "1976, 15 November: The Separatist Parti Québécois, Having Captured the Majority of Seats in the Principal National Assembly, Comes to Power in Quebec: `Hubert Aquin and Quebec Literature'." In D enis Hollier, ed., A New History of French Literature, p. 1053. Cambridge, Mass.: Harvard University Press, 1989.

Collecott, Diana. "Mirror-Images: Images of Mirrors...in Poems by Sylvia Plath, Adrienne Rich, Denise Levertov and H.D." Revue Française d'Etudes Americaines (1986), 30: 451, 459. Issue i s on "Les Femmes écrivains aux États-Unis."

"Colloques et débats." Le Monde (May 16, 1975), 9433: 20. "...Le PEN français organise le jeudi 22 mai, en hommage à ses confrères étrangers et a l'Anné ;e internationale de la femme, une journée littéraire consacrée à la femme créatrice de valeurs...Le public est invite à participer aux débats qu'ouvriront les témoignage de Mmes...Hélène Cixous et Gisèle Halimi ( France)."

Collins, Michelle. "Translating Feminine Discourse: Mediating the Immediate." Translation Review (1985), 17: 21, 22, 23, 24nn4, 5, 11, 12.

Colvile, Georgiana M.M. Review of Hélène Cixous' and Catherine Clément's La Jeune née (1975). French Review (March 1977), 50(4): 666-667. In French.

_____. "Hélène Cixous: La." French Review (December 1977), 11(2): 325-326.

Conley, Verena Andermatt. "Approaches." Boundary 2 (Winter 1984), 12(2): 1-7.

_____. "Hélène Cixous." In Catharine Savage Brosman, ed., French Novelists Since 1960, pp. 52-61. Dictionary of Literary Biography, 83. Detroit, Michigan: Gale Resear ch, A Bruccoli Clark Layman Book, 1989.

_____. Hélène Cixous: Writing the Feminine. Lincoln & London: University of Nebraska Press, 1984. Includes an appendix: "An Exchange with Hélène Cixous," pp. 129-161, and a bibliography, pp. 173-178. The exchange or interview took place in 1982.

_____. "Missexual Misstery." Review of Hélène Cixous' and Catherine Clément's La Jeune née (1975). Diacritics (Summer 1977), 7(2): 70-82. See also Andermatt, Vere na.

Cornell, Sarah. "Hélène Cixous' Le Livre de Promethea: Paradise Refound." In Susan Sellers, ed., Writing Differences: Readings from the Seminar of Hélène Cixous, p p. 126-140. Gender in Writing. Milton Keynes: Open University Press, 1988.

Corredor, Eva L. "The Fantastic and the Problem of Re- presentation in Hélène Cixous's Feminist Fiction." Papers in Romance (Spring 1979), 1(1): 173-179.

Costaz, Gilles. "Evènements: Soleil au Cambodge." Acteurs (October 1985): 13-15.

Coste, Didier. "Rehearsal: An Alternative to Production/Reproduction in French Feminist Discourse." In Ihab Hassan and Sally Hassan, eds., Innovation/Renovation: New Perspectives on the Humanities, pp. < !-- PG-->249, 257, 258, 259-260, 261, 262nn15, 18 Madison: University of Wisconsin Press, 1983.

Cotnoir, Louise. "Woman/Women on Stage." (A.J. Holden Verburg, tr.) In Shirley Neuman and Smaro Kamboureli, eds., A Mazing Space: Writing Canadian Women Writing, p. 309. Edmonton: Longspoon/NeWest, 1986.

Cottenet-Hage, Madeleine. "Magnetic Fields II: From Breton to Duras." French Review (March 1985), 58(4): 540n5, 547.

Courtivron, Isabelle de. "Le Repos du guerrier: New Perspectives on Rochefort's Warrior." L'Esprit Créateur (Summer 1979), 19(2): 29-32, 34.

_____. Review of Verena Andermatt Conley's Hélène Cixous: Writing the Feminine. French Review (April 1986), 59(5): 800-801.

_____. "Weak Men and Fatal Women: The Sand Image." In George Stambolian and Elaine Marks, eds., Homosexualities and French Literature: Cultural Contexts/Critical Texts, pp. 224-225. Ithaca & Cornell University Press, 1979.

_____. "Women and Mouvement(s): 1968-1978." In A. Maynor Hardee and Freeman G. Henry, eds., Manifestoes and Movements, pp. 79-80, 84-86. French Literature Series, 7. Columbia: University of So uth Carolina, Department of Foreign Languages & Literatures, 1980.

Cousineau, Diane. "Division and Difference in A Lost Lady." Women's Studies (1984), 11: 319, 322n14.

Crépu, Michel. "Pour Joyce: Dans les corridors de Babel." Esprit (July-August 1981), 55-56: 11n15, 13, 21.

Crisman, William. "E.T.A. Hoffmann's `Einsiedler Serapion' and `Rat Krespel' as Models of Reading." JEGP (January 1986), 85(1): 50n2.

Crowder, Diane Griffin. "Amazons and Mothers? Monique Wittig, Hélène Cixous and Theories of Women's Writing." Contemporary Literature (Summer 1983), 24(2): 117-144.

_____. Review of Verena Andermatt Conley's Hélène Cixous: Writing the Feminine. Tulsa Studies in Women's Literature (Spring 1985), 4(1): 147-149.

Cudjoe, Selwyn R. "Apartheid's Prisoner." Review of Jacques Derrida and Mustapha Tlili, ed., For Nelson Mandela (1987). New York Times Book Review (November 1, 1987), 7: 35.

Cunningham, Lucía. See Guerra-Cunningham, Lucía.

Curb, Rosemary K. "R/cognition, Re/presentation, Re/creation in Woman-Conscious Drama: The Seer, The Seen, The Scene, The Obscene." Theatre Journal (October 1985), 37(3): 311.

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Dallery, Arleen B. "Sexual Embodiment: Beauvoir and French Feminism (Écriture féminine)." Women's Studies International Forum (1985), 8(3): 197-202.
Daly, Pierrette. "De Sand à Cixous: La "Venue à l'écriture" au féminin." In Simone Vierne. ed., George Sand, pp. 149-157. Colloquium held in July, 1981 at Centre Culturel International de Cerisy-la-Salle. Paris: CDU & SEDES, 1983.
Dameron, J. Lasley, Thomas E. Carlson and John E. Reilly. "Current Poe Bibliography." Poe Studies (June 1975), 8(1): 16.
Danahy, Michael. "Marceline Desbordes-Valmore and the Engendered Canon." Yale French Studies (1988), 75: 130.
Daubenton, Annie. "L'Ovale du portrait: La fonction de l'écriture chez Edgar Poe." Poétique (February 1979), 37: 108.
_____. "Le Sang et l'essence." Review of Hélène Cixous' Portrait du soleil (1973). Les Nouvelles Littéraires (April 8-14, 1974), 52(2428): 7.
David, Deirdre. Intellectual Women and Victorian Patriarchy: Harriet Martineau, Elizabeth Barrett Browning, George Eliot, pp. 248n1, 257. London: Macmillan, 1987.
Davis, Robert Con. "Woman as Oppositional Reader: Cixous on Discourse." Papers on Language & Literature (Summer 1988), 24(3): 265-282.
Davis, Robert Con and Ronald Schliefer. "Feminism," and "Hélène Cixous." In their Contemporary Literary Criticism: Literary and Cultural Studies, pp. 450-452, 454, and 479. New Yo rk & London: Longman, 1989.
Davis-Floyd, Robbie E. "The Technological Model of Birth." Journal of American Folklore (October-December 1987), 100(398): 489, 494.
Day, Robert Adams. "James Joyce à la mode." Review of Hélène Cixous' The Exile of James Joyce (1972). Sewanee Review (January- March 1974), 82(1);130-138.
_____. "Joyce, Stoom, King Mark: `Glorious Name of Irish Goose'." James Joyce Quarterly (Spring 1975), 12(3): 249n62.
De Lauretis, Teresa. Alice Doesn't: Feminism, Semiotics, Cinema, pp. 110-135-136, 201n12. Bloomington: Indiana University Press, 1984.
Dean, John. "The Use of Wilderness in American Science Fiction." Science-Fiction Studies (March 1982), 9(1)[26]:81n38.
Defromont, Françoise. "Faire la femme: Différence sexuelle et énonciation." Fabula (1985), 5: 95-112.
_____. "Le Jardin des délices ou Limonade tout était si infini." Fruits (December 1983), 1: 49-59. Review of Hélène Cixous' Limonade tout é ;t ait si infini (1982).
Deibe, Carlos Feal. "La voz femenina en Los pazos de Ulloa." Hispania (May 1987), 70(2): 221n4.
DeJean, Joan. Fictions of Sappho, 1546-1937, pp. 6-7, 25-26, 361. Chicago & London: University of Chicago Press, 1989.
_____. "Lafayette's Ellipses: The Privileges of Anonymity." PMLA (October 1984), 99(5): 884, 902.
_____. "Staël's Corinne: The Novel's Other Dilemma." Stanford French Review (Spring 1987), 11(1): 79, 80, 81, 82.
Dekoven, Marianne. "Gertrude Stein and Modern Painting: Beyond Literary Cubism." Contemporary Literature (Winter 1981), 22(1): 89.
Deleuze, Gilles. "Hélène Cixous ou l'écriture stroboscopique." Le Monde (August 11, 1972), 8576: 10. On Hélène Cixous' Neutre (1972).< /p >
_____. "Littérasophie et Philosofiture." Interview with Hélène Cixous. Dialogues (November 13, 1973), 30. Text transcribed from a radio broadcast of Roger Pillaudin on FranceCulture.
Denis, Marie. "Des espaces dilatés." Review of Hélène Cixous' Illa (1980). Revue Nouvelle (November 1980), 72(11): 502-505.
Derrida, Jacques. "Deux mots pour Joyce." In Jacques Aubert and Fritz Senn, eds., James Joyce, p. 203. Cahiers de l'Herne, 50. Paris: Éditions de l'Herne, 1985. "Ce texte est la transcription d'une intervention, pour une large part improvisée, présentée lors de l'hommage à James Joyce organisé au Centre national d'Art et de Culture Georges Pompidou, dans le cadre de la Revue parlée, le 15 novembre 1982." See Hélène Cixous' "Devant le pome" (1985) in the same publication.
_____. "Sendoffs." (Thomas Pepper, tr.) Yale French Studies (1990), 77: 25.
_____. "Two Words for Joyce." In Derek Attridge and Daniel Ferrer, eds., PostStructuralist Joyce: Essays from the French, p. 145. Cambridge & New York: Cambridge University Press, 1984. Translation by Geoff Bennington of "Deux mots pour Joyce" (1985).
_____. Ulysse gramaphone: Deux mots pour Joyce, pp. 11, 16. Collection "La philosophie en effet." Paris: Éditions Galilée, 1987. A reprint of "Deux mots pour Joyce" (1985) and "Ulysse gramaphone: L'oui-dire de Joyce" (1985) from Claude Jacquet, ed., Genèse de Babel: Joyce et la création, pp. 227-264. Paris: CNRS, 1985.
De Sà, Olga. "Instants: Notes sur l'oeuvre de Clarice Lispector." Europe (AugustSeptember 1982), 60(640-641): 101, 106n8.
Deschamps, Nicole. "Histoire d'E: Lecture politique de La Fille de Christophe Colomb." Études Françaises (Montreal) (October 1975), 11(3-4): 327n4.
Dezon-Jones, Elyane. "Marie de Gournay/le je/u/ palimpseste." L'Esprit Créateur (Summer 1983), 23(2): 30n8.
Diamond, Elin. "(In)Visible Bodies in Churchill's Theatre." Theatre Journal (May 1988), 40(2): 188, 189, 203.
Didier, Béatrice. "La Chambre et la mère." Review of Hélène Cixous' Limonade, tout était si infini (1982). Corps Écrit (December 1983), 8: 164-165.
Doane, Mary Ann. "Film and the Masquerade: Theorising the Female Spectator." Screen (September-October 1982), 23(3-4): 79.
Dobrian, Susan Lucas. "La autorizacion de lo femenino: Discursos de deseo y subversion en la narrativa femenina." Ph.D. Dissertation, University of Iowa, 1988.
(Abstract in Dissertation Abstracts International (1988), 50(4A):959.)
Donovan, Josephine. "Silence or Capitulation: Prepatriarchal `Mothers' Gardens' in Jewett and Freeman." Studies in Short Fiction (Winter 1986), 23(1): 44.
_____. "Toward a Women's Poetics." Tulsa Studies in Women's Literature (Spring-Fall 1984), 3(1-2): 109n9.
Doubrovsky, Serge. "Une Écriture tragique." Poetique (September 1981), 47: 351-352, 354.
Doyle, Laura Anne. "The Body Poetic: Language and Materiality in Modern Women's Narrative." Ph.D. Dissertation, pp. 2, 21-22, 55, 181n53, 184n10, 190. Brandeis University, 1987.
Duchen, Claire. Feminism in France: From May '68 to Mitterand, pp. 24, 71, 84, 87, 90, 91-93, 95-96, 137, 155nn14-22, 24, 161. London, Boston & Henley: Routledge & Kegan Paul, 1986.
_____. Review of Hélène Cixous' Angst (1985). Modern Language Review (January 1987), 82(1): 214-215.
Dumais, Monique. "Voyage vers les sources: Quelques discours féministes sur la nature." Studies in Religion/Sciences Religieuses (Summer 1984), 13(3): 345, 347-349.
Dumur, Guy. "Les Ambiguïtés du sexe: Un Shakespeare libre comme l'air avec ses personnages et un Freud ligoté par un des ses `patientes'." Review of Shakespeare's Twelfth Night and Hél&egr ave;ne Cixous' Portrait de Dora. Le Nouvel Obervateur (March 8-14, 1976), 591: 74-75. Reviews the Hélène Cixous text and the play as staged by Simone Benmussa at the Petit d'Orsay.
_____. "De l'ombre de Brecht au soleil de Gandhi: `Baal', `Dans la jungle des villes' et `l'Indiade'. Georges Lavaudant et Ariane Mnouchkine élèvent le niveau de la rentrée théâtrale." L e Nouvel Observateur (October 16-22, 1987), 1197: 54.
Dumur, Guy. See also Mnouchkine, Ariane.
Duperray, Françoise. "Approche de Cixous." In Jacques Plessen and A.J.A. Van Zoest, eds., Analyses de textes, pp. 146-159. C.R.I.N. [Cahiers de recherches interuniversitaires néer landaises], 4/5. Groningen: Institut de Langues Romanes [Instituut voor Romanse Talen], 1982. On La Jeune née (1975).
DuPlessis, Rachel Blau and Members of Workshop 9. "For the Etruscans: Sexual Difference and Artistic Production--The Debate over a Female Aesthetic." In Hester Eisenstein and Alice Jardine, eds., The Future of D ifference, p. 151. Boston: G.K. Hall, 1980. Reprinted in The Douglas Series on Women's Lives and the Meaning of Gender. New Brunswick & London: Rutgers University Press, 1985.
Duportail, Guy-Félix. "Une Ouïe multiforme." Review of Hélène Cixous' With ou l'Art de l'innocence (1981). La Quinzaine Littéraire (November 16-30, 1981), 359 : 14.
Durand, Régis. "La Voix et le dispositif théâtral." Études Littéraires (December 1980), 13(3): 387, 395n2.
Duras, Marguerite. "An Interview with Susan Husserl-Kapit." Signs (Winter 1975), 1(2): 425ff.
Duren, Brian. "Cixous' Exorbitant Texts." Sub-Stance (1981), 10(32): 39-51.
Durr-Chamley, Monique. "Vers une étude de Voss: Quelques Jalons." Études Anglaises (October-December 1976), 29(4): 571.
"Écrits de femmes." La Nouvelle Revue Française (November 1976), 48(287): 106-107.

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Eggers, Tilly. "Darling Milly Bloom." James Joyce Quarterly (Summer 1975), 12(4): 387, 395nn12-14.
_____. "What Is A Woman...a Symbol of?" James Joyce Quarterly (Summer 1981), 18(4): 394n1.
Ego, Ariane. "L'Exil au fond de soi." Review of Hélène Cixous' Dedans (1969). L'Express (November 24-30, 1969), 959: 56.
Eisenstein, Hester. "Introduction." In Hester Eisenstein and Alice Jardine, eds., The Future of Difference, p. xxi. Boston: G.K. Hall, 1970. Reprinted in The Douglas Series on Women's Lives and the Meaning of Gender. New Brunswick & London: Rutgers University Press, 1985.
Elbaz, André. "Dedans, ou l'exil intérieur de Hélène Cixous." Liberté (Montreal) (March-April 1970), 12(2): 136-141.
Epstein, Julia L. Review of Verena Andermatt Conley's Hélène Cixous: Writing the Feminine. Library Journal (October 15, 1984), 109(17): 1947.
Eribon, Didier. Michel Foucault (1926-1984), pp. 216, 244, 247, 387. Paris: Flammarion, 1989.
Ertel, Evelyne. "Entre l'imitation et la transposition." Théâtre/Public (March-April 1986), 68: 25-29. On Hélène Cixous' L'Histoire terrible mais ina ch evée de Norodom Sihanouk, roi du Cambodge (1985).
Eslin, Jean-Claude. "La Chute de la Maison Cambodge." Esprit (February 1986), 2: 97-98. Review of L'Histoire terrible mais inachevée de Norodom Sihanouk, roi d u Cambodge by Hélène Cixous, staged by Arian Mnouchkine at the Théâtre du Soleil in Cartoucherie de Vincennes.
Evans, Martha Noël. "Hélène Cixous: The Hysteric." In her Masks of Tradition: Women and the Politics of Writing in Twentieth-Century France, pp. 157-184. Ithaca & London: Cornell University Press, 1987. See also pp. 5, 10-11, 16n14, 20, 23, 25, 29, 185, 197, 210, 221-222, 224, 225.
_____. "Portrait of Dora: Freud's Case History as Reviewed by Hélène Cixous." SubStance (1982), 11(36): 64-71.
_____. Review of Jane Gallop's The Daughter's Seduction: Feminism and Psychoanalysis. French Review (April 1984), 57(5): 703.
Ezergailis, Inta. "Vizma Belsevica--A Soviet Latvian Poet's Imagery of Woman and the House." Journal of Baltic Studies (Summer 1986), 17(2): 145, 155nn7, 8.

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Fabre-Luce, Anne. "L'Aventure du texte." Review of Hélène Cixous' Neutre (1972). La Quinzaine Littéraire (May 1-15, 1972), 140: 5-6.
Faris, Wendy B. "Desyoización: Joyce, Cixous, Fuentes and the Multi-Vocal Text." Latin American Review (Fall- Winter 1981), 10(19): 31-39.
Faure, Christiane. "The Twilight of the Goddesses, or The Intellectual Crisis of French Feminism." In New French Feminisms, pp. 81-86. In Elaine Marks and Isabelle de Courtivron, eds., Ne w French Feminisms, pp. 81-86. Amherst: University of Massachusetts, 1980. Reprinted, New York: Schocken, 1981.
"Feminität, Schreiben-- Veränderung?: Leserzuschriften." Alternative (OctoberDecember 1976), 19(110-111): 236-249. Letters to the editor on the previous issue, entitled "Das Lachen der Medusa," to which Hélène Cixous contributed 3 articles.
Féral, Josette. "Du texte au sujet: Condition pour une écriture et un discours au féminin." Revue de l'Université d'Ottawa/University of Ottawa Quarterly (January-March 39-46.
_____. "Ecriture et déplacement: La femme au théâtre." French Review (December 1982), 56(2): 281-292.
_____. "The Powers of Difference." In Hester Eisenstein and Alice Jardine, eds., The Future of Difference, pp. 90-94. Boston: G.K. Hall, 1970. Reprinted in The Douglas Seri es on Women's Lives and the Meaning of Gender. New Brunswick & London: Rutgers University Press, 1985.
_____. "Towards a Theory of Displacement." (Kristina Dragaitis, tr.) Sub-Stance (1981), 10(32): 52-64.
_____. "Writing and Displacement: Women in Theatre." Modern Drama (December 1984), 27(4): 549-563.
Ferrer, Olga Prjevalinskaya. Review of Hélène Cixous' Illa (1980). World Literature Today (Spring 1981), 55: 268-269.
_____. Review of Hélène Cixous' Partie (1976). World Literature Today (Summer 1977), 51: 404-405.
Finas, Lucette. "Le Critique exilé." Review of Hélène Cixous' L'Exil de James Joyce ou l'art du remplacement (1968). Critique (November 1969), 25(270): 992-999.
_____. "`L'Etrange traversée d'Hélène Cixous': Le nouveau livre d'Hélène Cixous, Angst, relate une étrange traversée. Lucette Finas tente, avec l'auteur, d'en relever l'itin&e acute;raire." Le Monde (May 13, 1977), 10042: 21.
_____. "Hélène Cixous." Encyclopaedia Universalis: Universalia 1977: Les Evénements, les hommes, les problèmes en 1976, pp. 432-433. Paris: Encyclopaedia Universalis, 1977.
. "Introduction" In Hélène Cixous' Les Commencements: Roman, pp. 9-15. Paris: Éditions Grasset, 1970.
. "Introduction." In Hélène Cixous' Le Troisième Corps: Roman, pp. i-xii. Paris: Éditions Grasset, 1970.
_____. "`Le Pourpre du neutre'. Artefact en trois actes et douze scènes." Review of Hélène Cixous' Neutre (1972). Critique (October 1972), 28(305): 876-891. Reprinted in her Le Bruit d'Iris, pp. 303-323. Essais - Digraphe. Paris: Flammarion, 1978.
Finke, Laurie A. "Painting Women: Images of Femininity in Jacobean Tragedy." Theatre Journal (October 1984), 36(3): 366
Finucci, Valeria. "Between Acquiescence and Madness: Neera's Teresa." Stanford Italian Review (1987), 7(1-2): 223, 234, 238.
Fisher, Claudine Guégan. La Cosmogonie d'Hélène Cixous. Faux Titre, 35. Amsterdam: Rodopi, 1988.
_____. "Hélène Cixous' Window of Daring Through Clarice Lispector's Voice." In Eunice Myers, Ginette Adamson, eds., Continental Latin-American and Francophone Women Writers, pp. 21-27. Sele cted papers from the Wichita State University Conference on Foreign Literature, 1984-85. New York & London: University Press of America, 1987.
_____. "Refractions Shakespeariennes et Humour noir chez Hélène Cixous." Thalia: Studies in Literary Humor (Spring-Summer 1988), 10(1): 30-34.
_____. "Le Vivant de la mort chez Hélène Cixous." Bérénice (Rome), (March 1984), 5(10): 345-351.
Fitz, Earl E. "Bibliografía de y sobre Clarice Lispector." Revista Iberoamericana (January- March 1984), 50(126): 297.
_____. "A Discourse of Silence: The Postmodernism of Clarice Lispector." Contemporary Literature (Winter 1987), 28(4): 433.
Flammang, Janet A. "Feminist Theory: The Question of Power." In Scott G. McNall, ed., Current Perspectives in Social Theory: A Research Annual, Vol. 4, pp. 52, 77. Greenwich, Connecticut: JAI Press, 1983.
Flannigan, Arthur. "Mme de Villedieu's Les Désordres de l'Amour: The Feminization of History." L'Esprit Créateur (Summer 1983), 23(2): 100n7, 106.
Flax, Jane. "Postmodernism and Gender Relations in Feminist Theory." Signs (Summer 1987), 12(4): 638n31.
_____. "Re-Membering the Selves: Is the Repressed Gendered?" Michigan Quarterly Review (Winter 1987), 26(1): 102, 108.
Fletcher, John. "The Difficult Dialogue: Conflicting Attitudes to the Contemporary Novel." Journal of European Studies (September 1974), 4(3): 286n12.
_____. Review of Hélène Cixous' Un Vrai jardin (1971). French Review (March 1973), 46(4): 851-852.
Fleuret, Maurice. "Oedipe en Avignon: Un opéra au plein sens du terme où une large place est laisée au théâtre." Le Nouvel Observateur (August 12-18, 1978), 71 8: 54. Review of Hélène Cixous' Le Nom d'Oedipe (1978).
Flinn, Carol. "The `Problem' of Femininity in Theories of Film Music." Screen (November-December 1986), 27(6): 61, 67.
Forte, Jeanie. "Women's Performance Art: Feminism and Postmodernism." Theatre Journal (May 1988), 40(2): 225-227, 230.
Forrester, Viviane. "Les Relectures d'Hélène Cixous." Review of Prénoms de personne (1974). La Quinzaine Littéraire (January 16- 31, 1975), 202: Fournier, Danielle. "Jouir auprès des femmes." Spirale (Quebec) (June 1983), 35: 22. On Hélène Cixous' Limonade tout était si infini (1982).
_____. "L'Oeil louche, L'amour. Oh, l'amour." Spirale (May 1984), 43: 12. On Hélène Cixous' Le Livre de Promethea (1983).
Fournier, Hannah S. "La Voix textuelle des Sonets Spirituels d'Anne de Marquets." Études Littéraires (Autumn 1987), 20(2): 82, 92n13.
Fox-Genovese, Elizabeth. "Women's Rights, Affirmative Action, and the Myth of Individualism." George Washington Law Review (January-March 1986), 54(23): 351n42.
Franck, Martine. "Le Théâtre du Soleil: L'Indiade. Hélène Cixous." Double Page (France) (1987), 49: 1-48. Color photographs by Martine Franck taken duri ng the performance of L'Indiade. The scenario of the play is included.
Franko, Mark. "Repeatability, Reconstruction and Beyond." Theatre Journal (March 1989), 41(1): 65n25.
Fraser, Nancy and Linda Nicholson. "Social Criticism Without Philosophy: An Encounter Between Feminism and Postmodernism." Communicatation (1988), 10(3-4): 361, 364n7.
Frederiksen, Elke and Tamara Archibald. " Der Blick in die Ferne: Zur Reiseliteratur von Frauen." In Hiltrud Gnüg and Renate Möhrmann, eds., Frauen Literatur Geschichte: Schreibende Frauen vom Mittelal ter bis zur Gegenwart, p. 116. Stuttgart: Metzler, 1985.
Freedman, Barbara. "Frame-Up: Feminism, Psychoanalysis, Theatre." Theatre Journal (October 1988), 40(3): 386, 393.
Freeman, Barbara. "`Plus corps donc plus écriture': Hélène Cixous and the Mind-Body Problem." Paragraph (March 1988), 11(1): 58-70.
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_____. "Creativity and the Childbirth Metaphor: Gender and Difference in Literary Discourse." Feminist Studies (Spring 1987), 13(1): 50, 51, 76, 77nn3, 8.
_____. "Gender and Gender Anxiety: Elizabeth Barrett Browning and H.D. as Epic Poets." Tulsa Studies in Women's Literature (Fall 1986), 5(2): 226n28.
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_____. "Rewriting Genesis: Gender and Culture in Twentieth-Century Texts." Tulsa Studies in Women's Literature (Fall 1988), 7(2): 219n15.
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_____. Feminism and Psychoanalysis: The Daughter's Seduction. London: Macmillan, 1982. See Chapter 9: Keys to Dora.
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_____. "1975: The Journal L'Arc devotes Its Sixty-First Issue to `Simone de Beauvoir et la lutte des femmes': `French Feminism'." In Denis Hollier, ed., A New History of French Literature, pp. 1045-1049, 1053, 1056. Cambridge, Mass.: Harvard University Press, 1989.
_____. "Reading the Mother Tongue: Psychoanalytic Feminist Criticism." In Françoise Meltzer, ed., The Trial(s) of Psychoanalysis, pp. 126, 129. Chicago & London: University of Chicago Press, 1988
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_____. "Suspicion and Scepticism." Review of Nathalie Sarraute's Childhood. Women's Review of Books (March 1986), 3(6): 15.
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_____. No Man's Land: The Place of the Woman Writer in the Twentieth Century, Vol. 1: The War of the Words, pp. 230, 259, 301n3, 306n68. Vol. 2: Sexchanges, pp. 36, 41, 94, 129, 245, 370, 371, 385n97, 396n35, 435n107. New Haven, CT: Yale University Press, 1988.
_____. "Sexchanges." College English (November 1988), 50(7): 777, 778, 782.
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Godard, Colette. "Douces images d'un déchirement: En images poétiques, en détails réalistes, en cris d'espoirs et de révoltes, en rires et en soupirs, le Théâtre du Soleil raconte les rêves de ceux qui ont lutté pour l'indépendance de l'Inde." Le Monde (April 9-10, 1989), 13748: 11b [in the section "Le Monde: Radio- TélévisionCommunication."] On the television broadcast, in two parts, on c ha nnel FR 3, on April 12 and 19, 1989 of L'Indiade ou l'Inde de leurs rêves, the play by Hélène Cixous, staged by Ariane Mnouchkine and the company of Théâtre du Soleil.
_____. "Images cruelles d'un rêve de paix: L'Indiade par le Théâtre du Soleil." Le Monde (October 10, 1987), 13280: 19.
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_____. "Portrait of Dora: Woman's Play." Manchester Guardian Weekly (May 16, 1976), 114(20): 14. English translation of previous item.
Gölter, Waltraud. "Regression oder Träume nach vorwärts." Lendemains (Berlin) (1982), 7(25-26): 139-148.
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_____. "The Censored World and the Body Politic: Reconsidering the Fiction of MarieClaire Blais." Journal of Popular Culture (Winter 1981), 15(3): 14, 27n4.
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Granjon, Marie-Christine. "Les Femmes, le langage et `l'écriture'." Raison Présente (July- September 1976), 39: 25-27, 32n2.
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_____. "Of Mice and Women: Reflections on a Discourse in Kafka's `Josefine, die Sängerin oder Das Volk der Mäuse'." Germanic Review (Spring 1985), 60(2): 62, 68nn21, 22, 23.
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Guerra-Cunningham, Lucía. "Estrategias femeninas en la elaboración del sujeto romántico en la obra de Gertrudis Gómez de Avellaneda." Revista Iberoamericana (1985), 51: "Visión de lo femenino en la obra de María Luisa Bombal: una dualidad contradictoria del ser y el deber-ser." Revista Chilena de Literatura (April 1925), 25: 89.

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Haase-Dubosc, Danielle. "La Filiation maternelle et la femme-sujet au 17ème siècle: Lecture plurielle de La Princesse de Clèves." Romanic Review (November 1987 ), 78(4): 432n1, 433n4.
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Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at `The Yellow Wallpaper'." Women's Studies (1986), 12(2): 117, 123, 125n9, 127n14.
Hankel, Tilman. "Essen: Halbe Flucht voraus: Hélène Cixous' `Die schrekliche, aber unvollendete Geschichte von Norodom Sihanouk, König von Kambodscha', Deutsche Erstaufführung." Theater He ute (July 1988), 11(7): 50.
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_____. "`One Good Turn Deserves Another': Theatrical Cross-Dressing in Joyce's `Circe' Episode." Journal of Modern Literature (July 1984), 11(2): 270, 274.
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_____. "Gender and War Narrative in La Route des Flanders." L'Esprit Créateur (Winter 1987), 27(4): 24, 26n16.
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_____. "A Mother's Discourse: Incorporation and Description in La Princesse de Clèves." Yale French Studies (1981), 62: 72.
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Ingram, Julia Simon. "The Feminized Other of Philosophical Dialogue: Critical Studies in the French Englightenment." Ph.D., Dissertation, pp. ix, 209nn12, 13, 210n18. University of California, San Diego, 19 88.
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Jacobs, Gabriel. Review of Verena Andermatt Conley's Hélène Cixous: Writing the Feminine. Romance Quarterly (May 1987), 34(2): 242-243.
Jacobus, Mary. "The Buried Letter: Feminism and Romanticism in Villette." In Mary Jacobus, ed., Women Writing and Writing about Women, p. 59n1. The Oxford Women's Series. London: < !-- PB-->Croom Helm; New York: Barnes & Noble, 1979.
_____. "The Difference of View." In Mary Jacobus, ed., Women Writing and Writing about Women, p. 21n3. The Oxford Women's Series. London: Croom Helm; New York: Barnes & Noble, 1979. Reprinted in Catherine Belsey and Jane Moore, eds., The Feminist Reader: Essays in Gender and the Politics of Literary Criticism, p. 222n3. Houndmills, Basingstoke, Hamsphire: Macmillan Education; New York: Blackwell, 1989.
_____. "Introduction." Yale French Studies (1981), 62: 10.
_____. "Is There a Woman in This Text?" New Literary History (Autumn 1982), 14(1): 139, 141n29.
_____. "The Question of Language : Men of Maxims and The Mill on the Floss." Critical Inquiry (Winter 1981), 8(2): 207. Reprinted in Elizabeth Abel, ed., Writing and Sexual Di fference, p. 37. Chicago: University of Chicago Press, 1982.
_____. "Villette's Buried Letter." Essays in Criticism (July 1978), 28(3): 244n1.
Jameson, Fredric. "The Ideology of Form: Partial Systems in La Vieille Fille." Sub-Stance (1976), 15: 49n17.
Jansen, Sue Carry. "A Collective Intervention." Review of Cary Nelson and Lawrence Grossberg, eds., Marxism and the Interpretation of Culture. Journal of Communication (Winter 1989) , 39(1): 189n1.
Jardine, Alice A. "Death Sentences: Writing Couples and Ideology." Poetics Today (1985), 6(1-2): 120, 124-125, 130. Reprinted in Susan Rubin Suleiman, ed., The Female Body in We st ern Culture: Contemporary Perspectives. Cambridge, Mass.: Harvard University Press, 1986.
_____. "Gynesis." Diacritics (Summer 1982), 12(2): 55, 59, 64.
_____. Gynesis: Configurations of Woman and Modernity, pp. 20, 62, 72, 261-262, 263, 267. Ithaca, New York & London: Cornell University Press, 1985.
_____. "Interview with Simone de Beauvoir." Signs (Autumn 1979), 5(1): 224, 229231.
_____. "Pre-texts for the Translantic Feminist." Yale French Studies (1981), 62: 220, 223n10, 233.
_____. Review of Verena Andermatt Conley's Hélène Cixous: Writing the Feminine. Romanic Review (November 1985), 76(4): 450-452.
_____. "Theories of the Feminine: Kristeva." Enclitic (Fall 1980), 4(2): 13.
_____. "Woman in Limbo: Deleuze and His Br(others)." Sub-Stance (1984), 13(34)[44- 45]:51-52, 60n18.
Jardine, Alice A. and Anne M. Menke. "Exploding the Issue: `French' `Women' `Writers' and `The Canon'?: Fourteen Interviews." Yale French Studies (1988), 75: 232.
Jay, Gregory S. "Freud: The Death of Autobiography." Genre (Summer 1986), 19(2): 121, 127.
Jean, Raymond. "L'Incantation d'Hélène Cixous." Review of Hélène Cixous' Préparatifs de noces au delà de l'abîme (1978). Le Monde (August 4, 19 78), 10423: 12.
_____. "Les Mythologies d'Hélène Cixous: Une ethnographie imaginaire." Review of Hélène Cixous' Tombe (1973). Le Monde (May 10, 1973), 8808: 19. Reprinted in his Pratique de la littérature--see next item.
_____. "Le Texte-amant de Cixous [Tombe]." In his Pratique de la littérature: Roman/poésie, pp.115-119. Paris: Éditions du Seuil, 1978.
_____. "La Voix d'Hélène Cixous." Matin de Paris (April 15, 1977).
Johnson, Barbara. "Writing." In Frank Lentricchia and Thomas McLaughlin, eds., Critical Terms for Literary Study, p. 47. Chicago & London: University of Chicago Press, 19 90.
Jones, Ann Rosalind. "Inscribing Femininity: French Theories of the Feminine." In Gayle Green and Coppélia Kahn, eds., Making a Difference: Feminist Literary Criticism, pp. 80-112. New A ccents. London & New York: Methuen, 1985.
_____. "Writing the Body: Toward an Understanding of L'Écriture féminine." Feminist Studies (Summer 1981), 7(2): 247-263.
Reprinted in Elaine Showalter, ed., The New Feminist Criticism: Essays on Women, Literature and Theory, pp. 361-377. New York: Pantheon Books, 1985.
Also in Judith Newton and Deborah Rosenfelt, eds., Feminist Criticism and Social Change: Sex, Class and R ace in Literature and Culture, pp. 86-101. New York & London: Methuen, 1985.

Jones, Ann Rosalind and Nancy J. Vickers. "Canon, Rule and the Restoration Renaissance." Yale French Studies (1988), 75: 17n10.

Jones, Ellen Carol. "The Letter Selfpenned to One's Other: Joyce's Writing, Deconstruction, Feminism." In Morris Beja and Shari Benstock, eds., Coping with Joyce: Essays from the Copenhagen Symposium, pp. 181, 193. Columbus: Ohio State University Press, 1989.

Jordan, Elaine. "Women's History/Feminist Criticism." Review of Hélène Cixous' and Catherine Clément's The Newly Born Woman (1986). Literature and History (Autumn 1988) , 14(2): 220-221.

Jordis, Christine. "Katherine Mansfield." La Nouvelle Revue Française (April 1984), 375: 85n1.

_____. Review of William Golding's Parade sauvage. La Nouvelle Revue Française (February 1982), 59(349): 155n1.

Jourlait, Daniel F. Review of Hélène Cixous' Dedans (1969). French Review (October 1970), 44(1): 174. In French.

Jouve, Dominique and Françoise Clédat. Review of Hélène Cixous' La (1976). Sorcières (July 1976), 4: 55-56.

Jouve, Nicole Ward. "`Her Legs Bestrid the Channel': Writing in Two Languages." In Moira Monteith, ed., Women's Writing: A Challenge to Theory, pp. 41, 52, 53n3. Brighton, Sussex & Harvester, 1986.

"Joyce in Exile." Review of Hélène Cixous' L'Exil de James Joyce (1968). TLS [Times Literary Supplement] (April 24, 1969), 3504: 430.

Juin, Hubert. "Des Livres hantés." Review of Hélène Cixous' Le Troisème corps (1970) and Les Commencements (1970). Les Lettres Françaises (October 7-13, 1970), 1354: 5-6.

_____. "Note de lecture." Review of Hélène Cixous Un Vrai Jardin (1971). Les Lettres Françaises (November 17- 23, 1971), 1410: 7.

Juncker, Clara. "Clara Juncker Responds." College English (November 1988), 50(7): 825-827. Responds to Debrah Raschke's comments on her paper in College English.

_____. "Grace King: Woman as Artist." Southern Literary Journal (Fall 1987), 20(1): 43, 44.

_____. "The Mother's Balcony: Grace King's Discourse of Femininity." New Orleans Review (Spring 1988), 15(1): 39, 45.

_____. "Writing (with) Cixous." College English (April 1988), 50(4): 424-436.

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Kahane, Claire. "Introduction." In Charles Bernheimer and Claire Kahane, eds., In Dora's Case: Freud--Hysteria-- Feminism, p. 30. Gender and Culture. New York: Columbia University Pre ss, 1985.
Kain, Richard M. "The Significance of Stephen's Meeting Bloom: A Survey of Interpretations." James Joyce Quarterly (Fall 1972), 10(1): 159, 160n21.
Kamboureli, Smaro. "The Body as Audience and Performance in the Writing of Alice Munro." In Shirley Neuman and Smaro Kamboureli, eds., A Mazing Space: Writing Canadian Women Writing, p. 33. Edmonton: Long spoon/NeWest, 1986.
Kanters, Robert. "Au Nom du père." Review of Hélène Cixous' Le Prénom de Dieu (1967). Le Figaro (June 25, 1967), 22(1105): 17-18 [in section II Le Figaro Littéraire.]
_____. "Un Déchiffrement provisoire." Review of Hélène Cixous' Neutre (1972). Le Figaro (April 29, 1972), 1354: 14 [in section II Le Figaro Littéraire.] Reprinted in his L'Air des lettres ou tableau raisonnable des Lettres françaises d'aujourd'hui, pp. 468-470. Paris: Grasset, 1973.
_____. "L'Espace du dedans." Review of Hélène Cixous' Dedans (1969). Le Figaro (October 6-12, 1969), 1220: 21 [in section II Le Figaro Littéraire.] Reprint ed in his L'Air des lettres ou tableau raisonnable des Lettres françaises d'aujourd'hui, pp. 466-468. Paris: Grasset, 1973.
_____. "Hélène à l'ombre et au soleil." Review of Hélène Cixous' Portrait du Soleil (1973). Le Figaro (March 9-10, 1974), 1451: 15 [in section III Le Figaro Lit téraire.]
_____. "Hélène Cixous." In his L'Air des lettres ou tableau raisonnable des Lettres françaises d'aujourd'hui, p. 465. Paris: Grasset, 1973.
_____. "Pour apprendre à vivre et non pour apprendre à mourir." Review of Hélène Cixous' Prénoms de personne (1974). Le Figaro (January 4-5, 1975), 1494: 1 6 [in section III Le Figaro Littéraire.]
_____. "Traduit du Cixous." Review of Hélène Cixous' La (1976) and Portrait de Dora (1976). Le Figaro (June 26-27, 1976), 1571: 15 [in section III Le Figaro L ittéraire.]
Kaplan, Cora. "The Feminist Politics of Literary Theory." In her Sea Changes: Essays on Culture and Feminism, p. 59. Questions for Feminism. London: Verso, 1986. Reprinted in Lisa Ap pignanesi, ed., Ideas from France: The Legacy of French Theory, p. 130. ICA Documents. London: Free Association Books, 1989.
Kattan, Naïm. "Remplir le vide: Hélène Cixous, romancière." Synthèses: Revue Internationale (Brussels), (October-November 1971), 26(304-305): 80-82.
Kaufmann, Dorothy. "Simone de Beauvoir: Questions of Difference and Generation." Yale French Studies (1986), 72: 122, 123, 127.
Keitel, Evelyne. "Weiblichkeit und Poststrukturalismus-- Perspektiven einer feministischen Literaturwissenschaft." Amerikastudien/American Studies (1988), 33(2): 163-164, 165.
Kelertas, Violeta. Review of Hélène Cixous' Un K. incompréhensible: Pierre Goldman (1975). World Literature Today (Winter 1977), 51: 60-61.
Kellner, Hans. "Narrativity in History: Post-Structuralism and Since." History and Theory (1987), 26(4): 1-29.
Kelly, Dorothy. Fictional Genders: Role and Representation in Nineteenth-Century French Narrative, pp. 14-15, 41, 182n22, 185n19, 198. Lincoln & London: University of Nebraska Pres s, 1989.
Kennard, Jean E. "Convention Coverage or How to Read Your Own Life." New Literary History (Autumn 1981), 13(1): 87n24.
Kerchove, Arnold de. "Cixous." Review of Dedans (1969). Revue Générale (Brussels) (November 1969), 105(9): 115-117.
Kestner, Joseph. "Joyce, Wagner, and Bizet: Exiles, Tannhäuser, and Carmen." Modern British Literature (Spring-Fall 1980), 5(1-2): 61n4.
Kiernander, Adrian. "The King of Cambodia." Plays & Players (November 1985), 386: 17-18. On Ariane Mnouchkine's and the Théâtre du Soleil's staging of the Hél &e grave;ne Cixous play, L'Histoire terrible mais inachevée de Norodom Sihanouk, roi du Cambodge (1985).
_____. "The Théâtre du Soleil, Part Two: The Road to Cambodia." New Theatre Quarterly (August 1986), 2(7): 203-212.
Kimball, Jean. "`Lui, C'est moi': The Brother Relationship in Ulysses." James Joyce Quarterly (Winter 1988), 25(2): 234n8.
Kitch, Sally L. "Feminist Literary Criticism as Irony." Rocky Mountain Review of Language & Literature (1987), 41(1-2): 12, 13, 18.
Kittang, Atle. "Tekstanalyse, psykoanalyse og feministik teori: Opposjonsinnlegg ved Toril Mois dr. art. disputas 27.9.1985." Edda (Oslo) (1986), 4: 309. See Holm, Brigiita.
Klein-Lataud, Christine. "La Nourricriture ou l'écriture d'Hélène Cixous, de Chantal Chawaf et d'Annie Leclerc." In Suzanne Lamy and Irène Pagès, eds., Feminité, subvers ion, écriture, pp. 93-106. 15th and 16th congress of APFUCC (Association des professeurs de français des universités et des collèges canadiens). Montreal: Les Éditions du Remue-Ménage, 1983.
Klein, Richard. Review of Elaine Marks and George Stambolian, eds., Homosexualities and French Literature. MLN (May 1980), 95(4): 1073.
Knapp, Bettina L. Review of Hélène Cixous' Manne aux Mandelstams aux Mandelas (1988). World Literature Today (Spring 1989), 63(2): 281.
Kogan, Vivian. "`I Want Vulva!' Cixous and the Poetics of the Body." L'Esprit Créateur (Summer 1985), 25(2): 73-85.
Kohn, Ingeborg M. Review of Hélène Cixous' Limonade tout était si infini (1982). French Review (May 1984), 57(6): 906-907. In French.
Kohon, Gregorio. "Reflections on Dora: The Case of Hysteria." International Journal of Psycho- Analysis (1984), 65: 74, 78n8, 83.
Kowsar, Mohammad. "Fugitive Desire: the Figural Component in Heinrich von Kleist's Penthesilea." Theatre Journal (March 1988), 40(1): 68n8.
Kramarae, Cheris and Mercilee M. Jenkins. "Women Take Back the Talk." In Joyce Penfield, ed., Women and Language in Transition, p. 143. Albany: State University of New York Press, 1987.
Krell, David Farrell. "Descensional Reflection." In John Sallis, ed., Philosophy and Archaic Experience: Essays in Honor of Edward G. Ballard, p. 11. Duquesne Studies-- Philosophy Series, 38. Pittsburgh: Duquesne University Press, 1982.
Kryssing-Berg, Ginette. "La Marquise de Lambert ou l'ambivalence de la vertu." Revue Romane (1982), 17(1): 35n2.
Kuhn, Annette. "Introduction to Hélène Cixous' `Castration or Decapitation?" Signs (Autumn 1981), 7(1): 36-40.

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La Bardonnie, Mathilde. "Le Nom d'Oedipe à Avignon." Le Monde (July 28, 1978), 10417: 16. Review of the opera Le Nom d'Oedipe, with libretto by H&eacu te ;lène Cixous and music by André Boucourechilev, directed by Claude Régy at the Festival of Avignon in 1978.
Lafontaine, Dominique. Review of Hélène Cixous' Préparatifs de noces au delà de l'abîme (1978). Les Cahiers du GRIF (December 1978), 23-24: 181-182.
Lafontaine, Dominique and Geneviève Lorent. "Si l'écriture des femmes." Les Cahiers du GRIF (December 1978), 23-24: 153, 154, 156.
Lagorio, Michele. "Sculpting the Silent Majority: Mnouchkine Directs Sihanouk with the Théâtre du Soleil." Theatre Crafts (March 1986), 20(3): 28-31, 65-67.
_____. "Théâtre du Soleil's The Indiad: Mnouchkine's Company Visits the India of Its Dreams." Theatre Crafts (August- September 1988), 22(7): 36-37.
Lamar, Celita. "Norodom Sihanouk, a Hero of Our Times: A Character Development in Hélène Cixous' Cambodian Epic." In Karelisa V. Hartigan, ed., From the Bard to Broadway, pp. 157- 166. University of Florida Department of Classics Comparative Drama Conference Papers, 7. Lanham, MD: University Press of America, 1987.
Lambert, Annie. "Quelques remarques à propos de certains `textes de femmes'." Lendemains (Berlin) (1982), 7(25-26): 149-156.
Lamont, Rosette C. "The Off-Center Spatiality of Women's Discourse." In Gabriela Mora and Karen S. Van Hooft, eds., Theory and Practice of Feminist Literary Criticism, pp. 138-139, 139, 140, 14 1, 153, 154n1, 155nn6, 7, 9. Studies in Literary Analysis. Ypsilanti, Michigan: Bilingual Press/Editorial Bilingüe, 1982.
_____. Review of Hélène Cixous' Angst (1977). World Literature Today (Spring 1978), 52(2): 250.
_____. Review of Hélène Cixous' With ou L'Art de l'innocence (1981). World Literature Today (Summer 1982), 56(3): 479.
_____. "The Terrible but Unended Story of Norodom Sihanouk: King of Cambodia, by Hélène Cixous. Directed by Ariane Mnouchkine, Théâtre du Soleil (Paris)." Performing Arts Journal (1986), 10(1)[28]:46-50.
Lamy, Suzanne. "Voyage autour d'une écriture." Revue de l'Université d'Ottawa/University of Ottawa Quarterly (January-March 1980), 50(1):34, 35, 37.
Larose, Jean. "Le Temps d'une voix." Études Françaises (October 1981), 17(3-4): 87-96. On Hélène Cixous' Vivre l'orange = To Live the Orange (1980).
Lavenda, Robert H. "Minnesota Queen Pageants: Play, Fun, and Dead Seriousness in a Festive Mode." Journal of American Folklore (April-June 1988), 101(400): 175n2.
Laureillard, Rémi. "Les Paysages intérieurs." Review of Hélène Cixous' Dedans (1969). La Quinzaine Littéraire (October 1-15, 1969), 80: 6.
_____. "Un Ton plus grave." Review of Hélène Cixous' Le Prénom de Dieu (1967). La Quinzaine Littéraire (August 1, 1967), 34: 11.
Lawrence, Karen R. "The Cipher: Disclosure and Reticence in Villette." NineteenthCentury Literature (March 1988), 42(4): 453n10.
Lawrence, Karen R. . "Joyce and Feminism." In Derek Attridge, ed., The Cambridge Companion to James Joyce, pp. 256n2, 257. Cambridge & New York: Cambridge University Press, 1990.
Lawrence, Karen R. Penelope Voyages: Women and Travel in the British Literary Tradition, pp. 16, 18, 240, 244. Reading Women Writing. Ithaca & London: Cornell University Press, 1994.
Le Clec'h, Guy. "Hélène Cixous ou l'illusion cosmique." Le Figaro Littéraire (December 1-7, 1969), 1228: 19.
Le Clézio, Marguerite. "Psychanalyse-poésie: Le rite de Cixous la Méduse." Les Bonnes Feuilles (Pennsylvania State University) (Fall 1980), 9(1-2): 92-103.
Le Roux, Monique. "Gandhi et l'ourse." La Quinzaine Littéraire (November 16-30, 1987), 497: 26-27. Review of the performance of L'Indiade by the Th&eacu te ;âtre du Soleil, produced by Ariane Mnouchkine and written by Hélène Cixous.
_____. "Un Sampeâh shakespearien." La Quinzaine Littéraire (February 16-28, 1986), 457: 24-25. Review of Hélène Cixous' play L'Histoire terrible mais inachev&e ac ute;e de Norodom Sihanouk, roi du Cambodge, performed by Le Théâtre du Soleil.
Lecerf, Yves. "Des Poèmes cachés dans des poèmes." Poétique (1974), 18: 148-149.
Leclaire, Serge. "`Sexuality: A Fact of Discourse': An Interview by Hélène Klibbe." (Hélène Klibbe, tr.) In George Stambolian and Elaine Marks, eds., Homosexualities and French Litera ture: Cultural Contexts/Critical Texts, pp. 43, 49. Ithaca & London: Cornell University Press, 1979.
Leitch, Vincent B. American Literary Criticism from the Thirties to the Eighties, pp. 320321, 322, 324, 430n17. New York: Columbia University Press, 1988.
Lemaître, Henri. "Cixous, Hélène." In his Dictionnaire Bordas de Littérature Française et Francophone, pp. 176-177. Paris: Bordas, 1985.
Lennox, Sara. "Trends in Literary Theory: The Female Aesthetic and German Women's Writing." German Quarterly (January 1981), 54(1): 63, 64-65, 74n6.
Léon, Céline T. "Simone de Beauvoir's Woman: Eunuch or Male?" Ultimate Reality and Meaning (September 1988), 11(3): 203, 206, 209.
Leonard, Diana. "Introduction." In Christine Delphy's Close to Home: A Materialist Analysis of Women's Oppression, p. 10. Edited and Translated by Diana Leonard. Explorations in Feminism. London: Hutchinson, 1984.
Leonardini, Jean-Pierre. "Un Battement d'ailes lyrique: Hélène Cixous écrit `Le cantique des cantiques' des femmes..." Review of Hélène Cixous' Préparatifs de noces au delà de l'abïme (1978). L'Humanité (June 23, 1978), 10520: 10.
Lensink, Judy Nolte. "Expanding the Boundaries of Criticism: The Diary as Female Autobiography." Women's Studies (1987), 14(1): 41, 52n6.
Leverenz, David. "Mrs. Hawthorne's Headache: Reading The Scarlet Letter." Nineteenth-Century Fiction (March 1983), 37(4): 572n27.
Levine, Suzanne Jill. "Translation as (Sub)Version: On Translating Infante's Inferno." Sub-Stance (1984), 13(42): 91, 94n8.
Lewis, Janet. Review of Hélène Cixous' The Exile of James Joyce (1972). Humanities Association Bulletin (Summer 1973): 231-233.
Lindsay, Cecile. "Body/Language: French Feminist Utopias." French Review (October 1986), 60(1): 46-55.
Linker, Kate. "Eluding Definition." Artforum (December 1984), 23(4): 67.
Linstrum, Cathy. "L'Asile des femmes: Subjectivity and Femininity in Breton's Nadja and Wittig's Le Corps lesbien." Nottingham French Studies (May 1988), 27(1): Liscio, Lorraine. Burger's Daughter: Lighting a Torch in the Heart of Darkness." Modern Fiction Studies (Summer 1987), 33(2): 245, 261.
_____. "Female Definitions of Self and Community." Ph.D. Dissertation, pp. 1, 4-5, 24, 25, 157, 171, 195, 263-264, 265. Boston College, 1987.
Littleton, Christine A. "Feminist Jurisprudence: The Difference Method Makes." Review of Catharine A. MacKinnon's Feminism Unmodified." Stanford Law Review (February 1989), 41(3): 778n135.
Lobo, Luiza. "Women Writers in Brazil Today." World Literature Today (Winter 1987), 61(1): 50, 51, 53, 54.
Lock, Peter W. "`The Figure in the Carpet': The Text as Riddle and Force." Nineteenth Century Fiction (September 1981), 36(2): 173-174.
Lonchampti, Jacques. "Cette Plainte de toutes les femmes: L'Oedipe de Cixous et Boucourechilev." Le Monde (May 30, 1978), 35(10366): 1, 24. On Hélène Cixous' Le N om d'Oedipe: Chant du corps interdit (1978).
López, Yvette. "`La muñeca menor': ceremonias y transformaciónes en un cuento de Rosario Ferré." Explicación de Textos Literarios (1982-83), 11(1): 52-53.
Losse, Deborah N. "Authorial and Narrative Voice in the Hetaméron." Renaissance and Reformation/Renaissance et Réforme (Summer 1987), 11(3): 239, 242n32.
Loughman, Celeste. "Bertha, Victress, in Joyce's Exiles." James Joyce Quarterly (Fall 1981), 19(1): 69, 72n1.
Luccioni, Eugénie. "Métaphores." Review of Hélène Cixous' Anankè (1979). La Quinzaine Littéraire (November 1-15, 1979), 312: 10-11.
_____. Review of Hélène Cixous' Souffles (1975), La (1976) and Angst (1977). Esprit (June 1977), 6: 127-128.
Lydon, Mary. "On Censorship: Staying Power." Sub-Stance (1983), 16-18[37- 38]:108, 115, 116nn6, 30.
Lyotard, Jean-François. "One of the Things at Stake in Women's Struggles." (Deborah J. Clarke, Winifred Woodhull, John Mowitt, trs.) Sub-Stance (1978), 20: 12, 16n9. Translation of "F&ea cute;minité dans la métalangue," in his Rudiments païens: Genre dissertatif, pp. 220, 231n9. Paris: Union Générale d'Editions, Collection "10/18," 1977.

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MacCabe, Colin. James Joyce and the Revolution of the Word, pp. 134, 174. London: Macmillan; New York: Barnes & Noble, 1979.
_____. "Separation and Loss." Review of Hélène Cixous' The Exile of James Joyce (1976). Times Higher Education Supplement (March 19, 1976), 230: 19.
McCallum, Pamela. "New Feminist Readings: Women as Ecriture or Woman as Other?" Canadian Journal of Political and Social Theory/Revue Canadienne de Theorie Politique et Sociale (Winter-Spring 1 98 5), 9(1-2): 127-132.
McCance, Dawne. "Ethics in Postmodern Perspective." Studies in Religion/Sciences Religieuses (1987), 16(4): 425.
MacCannell, Juliet Flower. Figuring Lacan: Criticism and the Cultural Unconscious, p. 3. Critics of the Twentieth Century. London & Sydney: Croom Helm, 1986.
McCarthy, Patrick A. "The Jeweled Harlots of His Imagination: Prostitution and Artistic Vision in Joyce." Éire-Ireland (1982), 17(4): 99n13.
McCormack, Thelma. "French Sex." Queen's Quarterly (Summer 1986), 93(2): 265, 267, 268, 269, 272nn5, 16.
McDermott, Helen Bates. "Matricide and Filicide in Racine's Athalie." Symposium (Spring 1984), 38(1): 67, 68n12, 69n27.
McFadden, Maggie. "Anatomy of Difference: Toward a Classification of Feminist Theory." Women's Studies International Forum (1984), 7(6): 499-500, 503.
McGee, Michael Calvin. "Power to the People." Critical Studies in Mass Communication (December 1987), 4(4): 436, 437.
McGee, Patrick. Paperspace: Style as Ideology in Joyce's `Ulysses', pp. 2, 140, 205n12, 222n33, 230. Lincoln & London: University of Nebraska Press, 1988.
McGraw, Betty R. "Splitting Subject/Splitting Seduction." Boundary 2 (Winter 1984), 12(2): 151n3.
MacKinnon, Catherine A. "Feminism, Marxism, Method, and the State: An Agenda for Theory." Signs (Spring 1982), 7(3): 516n1.
McKnight, Jeanne. "Unlocking the Word-Hoard: Madness, Identity and Creativity in James Joyce." James Joyce Quarterly (Summer 1977), 14(4): 434-435n11.
McMurray, Line. "Dora réécoute." Spirale (Quebec) (June 1983), 35: 17. A brief review of the play Portrait de Dora (1976) and an interview with Denis Marle au who staged it at the Théâtre Ubu.
Machado, Regina Helena de Oliveira. "Spinning Form: Reading Clarice Lispector." (Mairéad Hanrahan, tr.) In Susan Sellers, ed., Writing Differences: Readings from the Seminar of Hélène Cixou s, pp. 98-112. Gender in Writing. Milton Keynes: Open University Press, 1988.
Madden, William A. "Framing the Alices." PMLA (May 1986), 101(3): 371n1, 372n5, 373.
Mahony, Patrick J. Review of Edith Kurzweil and William Phillips, eds., Literature and Psychoanalysis. Journal of the American Psychoanalytic Association (1986), 34(3): 753, 755.
_____. "Women's Discourse and Literature: The Question of Nature and Culture." Contemporary Psychoanalysis (July 1983), 19(3): 445, 446, 457.
Maier, Carol. "A Woman in Translation, Reflecting." Translation Review (1985), 17: 8n16.
Makward, Christiane. "La Critique féministe, élèments d'une problématique." Revue des Sciences Humaines (October-December 1977), 44(4)[168]:619, 620, 623
_____. "Les Éditions des femmes: Histoire, politique et impact." Contemporary French Civilization (Spring 1981), 5: 347-355.
_____. "Interview with Hélène Cixous." Sub-Stance (1976), 13(5): 19-37.
_____. "Nouveau regard sur la critique féministe en France." Revue de l'Université d'Ottawa/University of Ottawa Quarterly (January-March 1980), 50(1): 47, 48-49, 52.
_____. "Structures du silence/du délire: Marguerite Duras/Hélène Cixous." Poétique (September 1978), 35: 314-324.
_____. "The Theater of Genocide." Review of Hélène Cixous' L'Histoire terrible mais inachevée de Norodom Sihanouk, roi du Cambodge. Women's Review of Books (March 1986), 3(6): 17-18.
_____. "To Be or Not to Be...A Feminist Speaker." (Marlène Barsoum, Alice Jardine and Hester Eisenstein, trs.) In Hester Eisenstein and Alice Jardine, eds., The Future of Difference, pp. 95-105. Boston: G.K. Hall, 1970. Reprinted in The Douglas Series on Women's Lives and the Meaning of Gender. New Brunswick & London: Rutgers University Press, 1985.
Malbert, Daniel. "Sur la scène du monde: Sous le signe de Shakespeare L'Histoire terrible, mais inachevée de Norodom Sihanouk, roi du Cambodge: Un spectacle du Théâtre du Soleil." 1985), 25(197): 9, 11-12.
_____. "Textes, images, objets: L'Indiade: Voyages au pays du soleil." Le Français dans le Monde (November-December 1987), 27(213): 12-13, 15. Reviews Ariane Mnouchkine's s ta ging of Hélène Cixous' play l'Indiade (1987).
Malenfant, Paul Chanel. "Coup de barre: Sites d'une lecture." Voix & Images (Quebec) (Winter 1985), 10(2): 139.
Mambrino, Jean. "Carnet de théâtre: L'Histoire terrible mais inachevée de Norodom Sihanouk de Cixous par le Théâtre du Soleil." Études (December 1985), 363(6): 641-642.
Marcus, Jane. "Daughters of Anger/Material Girls: Con/Textualizing Feminist Criticism." Women's Studies (1988), 15(1- 3): 287, 291.
Marks, Elaine. Review of Hélène Cixous' Préparatifs de noces au delà de l'abîme (1978). French Review (December 1979), 53(2): 309-310.
_____. Review of Verena Andermatt Conley's Hélène Cixous: Writing the Feminine. Modern Language Review (January 1987), 82(1): 215-216.
_____. "Woman and Literature in France." Signs (Summer 1978), 3(4): 832-842.
Marks, Elaine and Isabel de Courtivron, eds. New French Feminisms: An Anthology, pp. ix, x, xi, xii, 26, 33, 34, 36, 37, 265. Amherst: University of Massachusetts Press, 1980. Brighto n, Sussex: Harvester; New York: Schocken, 1981.
Marreo, Mara Négron. "Crossing the Mirror to the Forbidden Land (Lewis Carroll's Alice in Wonderland and Maria Tsvetaeva's The Devil." (Susan Sellers, tr.) In Susan Sellers, ed., Writing Differences: Readings from the Seminar of Hélène Cixous, pp. 66-70. Gender in Writing. Milton Keynes: Open University Press, 1988.
Martí-Olivella, Jaume. "Estructuras Joyceanas en la narrativa catalana y latinoamericana contemporanea." Ph.D. Dissertation, pp. 20-21, 22, 32nn21-24, 79, 80, 81, 82, 83, 84, 104, 114, 116-117, 120, 121, 126-1 27, 129, 137, 140, 143n13, 144nn19, 20, 32, 33, 145nn39, 40, 51, 146nn61-66, 69, 72, 148n103, 151nn121, 122, 124, 152nn129, 130, 137, 139, 144, 145, 147, 153n161, 154n165, 161, 169, 171-172, 175, 184-185, 214-215, 216, 227-228, 270, 297nn10, 20, 298nn21, 23, 30, 299nn44, 45, 301nn76, 77, 89, 303n11 6, 338, 455n37, 457n66, 462, 472n2, 473, 480. University of Illinois at Urbana-Champaign, 1988.
Martin, Jacky. "`Paralysie', `Simonie', `Gnomon': Les conditions de représentation du désir dans Dubliners." Cahiers Victoriens & Edouardiens (October 1981), 14: 37n4.
Martin, Jean-Paul. "La Condensation." Poétique (1976), 26: 184n5.
Masiello, Francine R. "En breve cárcel: La producción del sujeto." Hispamerica (1985), 14(41): 109, 110n14.
Massumi, Brian. "Translator's Foreword." In Gilles Deleuze's and Felix Guattari's A Thousand Plateaus: Capitalism and Schizophrenia, p. xii. London: Athlone Press, 1988.
Mauriac, Claude. "Une Génération débâillonnée." Review of Hélène Cixous' Un K. incompréhensible: Pierre Goldman (1975). Le Figaro (November 29, 1975), 1541: 16 [in section II Le Figaro Littéraire.]
Mayne, Judith. "The Limits of Spectacle." Wide Angle (1984), 6(3): 15.
Meeham, Thomas C. "Bibliografía de y sobre la litteratura fantástica." Revista Iberoamerica (January- June 1980), 46(110-111): 250.
Meese, Elizabeth A. Crossing the Double-Cross: The Practice of Feminist Criticism, pp. 48, 100, 111, 112, 116, 123, 126, 146, 147, 154n21, 156n20, 158n28, 159n62, 160n30, 160nn42, 47, 166. Chapel Hill & London: University of North Carolina Press, 1986.
_____. (Ex)tensions: Re-Figuring Feminist Criticism, pp. 7, 182, 189. Urbana & Chicago: University of Illinois Press, An Illini Book, 1990.
Mendez Rodenas, Adriana. "Tiempo femenino, tiempo ficticio: Los recuerdos del porvenir, de Elena Garro." Revista Iberoamerica (July- December 1985), 51(132133): 844, 851.
Merschmeier, Michael. "`Vergesst Gandhi nicht'--Ariane Mnouchkine inszeniert `L'Indiade ou l'Inde de leurs Reves'. Die neuere Geschichte Indiens im Théâtre du Soleil." Theater Heute (Novembe r 1987), 11: 10-13.
Messer-Davidow, Ellen. "The Philosophical Bases of Feminist Literary Criticisms." New Literary History (Autumn 1987), 19(1): 97n6, 98-99n20.
Meyer, Doris. "Woman's Space, Woman's Text: A New Departure in Inés Malinow's Entrada Libre." Latin American Literary Review (Fall-Winter 1983), 12: 41, 48, 50nn1, 2 0, 21.
Meyer, Peggy. "A Working Note on Kleist Translation." MLN (December 1975), 90(6): 886.
Meyers, Kate Beaird. "Feminist Hermeneutics and Reader Response: The Role of Gender in Reading The Rape of the Lock." New Orleans Review (Winter 1988), 15(4): 43.
Micha. René. "La Tête de Dora sous Cixous." Review of Hélène Cixous' Dedans (1969), Le Troisème Corps (1970), Portrait du Soleil (1973), La Jeune n ée (1975), Portrait de Dora (1976) and La (1976). Critique (February 1977), 33(357): 114121.
Michaud, Ginette. "De Psychanalyse et de théâtre: Trois histoire de `cas'." Jeu (Montreal) (1984), 33: 81-104. In part a review of Hélène Cixous' play Portrait d e Dora (1976) at the Théâtre Ubu.
Michel, Frann. "Displacing Castration: Nightwood, Ladies Almanack, and Feminine Writing." Contemporary Literature (Spring 1989), 30(1): 34-39, 55n12, 56.
Michie, Helena. "Partial Women: Synecdoche, Semiosis, and the Fantasy of the Whole." Review of Hélène Cixous' and Catherine Clément's The Newly Born Woman (1986), and Susan Suleiman, ed., The Female Body in Western Culture: Contemporary Perspectives. Poetics Today (1987), 8(3-4): 661-674.
Middlebrook, Diane. "Making Visible the Common World: Walt Whitman and Feminist Poetry." Kenyon Review (Fall 1980), 2(4): 15-16.
Millard, Elaine. "French Feminisms." In Sara Mills, Lynne Pearce, Sue Spaull and Elaine Millard, eds., Feminist Readings/Feminists Reading, p. 154. Charlottesville: University Press of Virginia, Miller, Cristanne. "Who Talks Like a Women's Magazine?: Language and Gender in Popular Women's and Men's Magazines." Journal of American Culture (Fall 1987), 10(3): 8n2.
Miller, Judith G. "Jean Cocteau and Hélène Cixous: Oedipus." In James Redmond, ed., Drama, Sex and Politics, pp. 203-211. Themes in Drama, 7. Cambridge: Cambr idge University Press, 1985.
Miller, Nancy K. "Emphasis Added: Plots and Plausibilities in Women's Fiction." PMLA (January 1981), 96(1): 37, 47n8.
_____. Subject to Change: Reading Feminist Writing, pp. 27, 52, 69, 72, 76n1, 90, 108, 110, 112, 158n3, 201n21, 239-240. Gender and Culture. New York: Columbia University Press, 1988. Includes all of her papers listed here.
_____. "The Text's Heroine: A Feminist Critic and Her Fictions." Diacritics (Summer 1982), 12(2): 49, 50.
_____. "Women's Autobiography in France: For a Dialectics of Imagination." In Sally McConnell-Ginet, Ruth Borker and Nelly Furman, eds., Women and Language in Literature and Society, pp. 263, 267n, 272n2 1. New York: Praeger, 1980.
Mills, Sara. "The Male Sentence." Language and Communication (1987), 7(3): 189-198.
Mills, Sara, Lynne Pearce, Sue Spaull and Elaine Millard. "Introduction" in their Feminist Readings/Feminists Reading, p. 7. Charlottesville: University Press of Virginia, 1989.
Mimoso-Ruiz, Duarte. "La Medea de Dreyer (Sur un Manuscrit pour un film non réalisé de 1965)." Orbis Litterarum (1981), 36(4): 342n5.
Miner, Madonne. "`Lizzie Borden Took an Ax': Enacting Blood Relations." Literature in Performance (April 1976), 6(2): 10-11, 21nn4, 5.
Min-ha, Trinh T. "L'Innécriture: Féminisme et littérature." French Forum (January 1983), 8(1): 48-49, 50-51, 53, 55, 57, 59, 60, 61, 62nn5, 6, 63nn21, 23-26.
Misurella, Fred. Review of Hélène Cixous' The Exile of James Joyce (1972). Philological Quarterly (Spring 1974), 53(2): 282-283.
Mitgutsc, Waltraud. "Hermetic Language as Subversion: The Poetry of Christine Levant." Modern Austrian Literature (1984), 17(1): 105nn8, 12.
Mnouchkine, Ariane. "Au fil d'Ariane: `Indiade, ou l'Iinde de leurs rêves' d'Hélène Cixous, à la Cartoucherie." Le Nouvel Observateur (September 25-October 1, 1987), 11 94: 58-59. Guy Dumur interviews Ariane Mnouchkine on her production of L'Indiade by Hélène Cixous.
Modleski, Tania. "Film Theory's Detour." Screen (November-December 1982), 23(5): 72.
_____. "The Films of Diana Barrie." Wide Angle (1985), 7(1-2): 64, 67n8.
_____. "Rape versus Mans/laughter: Hitchcock's Blackmail and Feminist Interpretation." PMLA (May 1987), 102(3): 305-306, 314n5.
_____. "Time and Desire in the Women's Film." Cinema Journal (Spring 1984), 23(3): 20, 27-29, 29n2, 30n24.
_____. The Women Who Knew Too Much: Hitchcock and Feminist Theory, pp. 8, 1920, 21, 91, 124n18, 126n8, 135n8, 141. New York & London: Methuen, 1988.
Möhrmann, Renate. "Literatur, feministische." In Anneliese Lissner, Rita Süssmuth and Karin Walter, eds., Frauenlexikon: Traditionen, Fakten, Perspektiven, p. 660. Freiburg, Basel & Herder, 1988.
Moi, Toril. "Cixous: An Imaginary Utopia." In Jules Verne, pp. 102-126. Textes et Langages, 10. Nantes: Université de Nantes, 1984. Reprinted in her Sexual/Textual Politics: Femini st Literary Theory, see below.
_____. "Feminine Textuality: A View of Hélène Cixous." Review of Verena Andermatt Conley's Hélène Cixous: Writing the Feminine. Quinquereme (January 1986), 9(1): 8 0-83.
_____. "Feminist, Female, Feminine." In Catherine Belsey and Jane Moore, eds., The Feminist Reader: Essays in Gender and the Politics of Literary Criticism, pp. 120, 123-127, 132, 231nn8, 9. Houndmills, Basingstoke, Hamsphire: Macmillan Education; New York: Blackwell, 1989. Reprinted from her "Feminist Literary Criticism." In Ann Jefferson and David Robey, eds., Modern Literary Theory: A Comparative Introduction. Totowa, N.J.: Barnes & amp; Noble; London: Batsford Academic and Educational, 1982.
_____. Feminist Theory & Simone de Beauvoir, pp. 26, 107. Oxford: Blackwell: 1990.
_____. "Introduction." In Toril Moi, ed., French Feminist Thought, pp. 4, 5, 11, 13n4 Oxford & New York: Blackwell, 1987.
_____. "Representation of Patriarchy: Sexuality and Epistemology in Freud's Dora." In Charles Bernheimer and Claire Kahane, eds., In Dora's Case: Freud--Hysteria- Feminism, pp. 182, 192, 199nn1, 2. Gender and Culture. New York: Columbia University Press, 1985.
_____. Sexual/Textual Politics: Feminist Literary Theory. London & New York: Methuen, 1985. Chapter 6: Hélène Cixous: An Imaginary Utopia, pp. 102-126.
Moloney, Brian. "James Joyce, Charles Dickens e i racconti muranesi di Italo Svevo." MLN (January 1989), 104(1): 148n21.
Monteith, Moira. "Introduction." In Moira Monteith, ed., Women's Writing: A Challenge to Theory, p. 7. Brighton, Sussex & New York: Harvester, 1986.
Montero, Oscar J. "The Word Made Flesh and Other Problems: Severo Sardúy's La Plage and France-Soir." Romance Notes (Spring 1978), 18(3): 415. On Sim on e Benmussa and Hélène Cixous.
Moore, Jane. "Promises, Promises: The Fictional Philosophy in Mary Wollstonecraft's Vindication of the Rights of Woman." In Catherine Belsey and Jane Moore, eds., The Feminist Reader: Essays in Gend er and the Politics of Literary Criticism, pp. 157, 234n5, 234-235n6, 235nn7, 8. Houndmills, Basingstoke, Hamsphire: Macmillan Education; New York: Blackwell, 1989.
_____. Review of Hélène Cixous' and Catherine Clément's The Newly Born Woman (1986). Quinquereme (January 1988), 11(1): 108-109.
Moore, Nancy G. Review of Sondra Horton Fraleigh's Dance and the Lived Body: A Descriptive Aesthetics. Dance Research Journal (Summer 1988), 20(1): 60, 61nn1, 2.
Moorjani, Angela. "Käthe Kollwitz on Sacrifice, Mourning, and Reparation: An Essay in Psychoaesthetics." MLN (December 1986), 101(5): 1134n25.
Moreau, Jean-A. "Question de personne." Review of Hélène Cixous' Prénoms de personne (1974). Critique (March 1975), 31(334): 297-306.
Morris, David B. "Gothic Sublimity." New Literary History (Winter 1985), 16(2): 317n26.
Moss, Jane. "Women's Theater in France." Signs (Spring 1987), 12(3): 554-555, 557, 559, 565.
Motard-Noar, Martine Denise. "Les Fictions d'Hélène Cixous: Une autre langue de femme." Ph.D., Dissertation, University of Nebraska at Lincoln, 1987. (Abstract in Dissertation Abstracts Internation al (1988-89 (August 1988)), 49(2): 251A.)
Motte, Warren F., Jr. "Procédés anthroponymiques chez Rabelais." Neophilologus (October 1980), 64(4): 512n9.
Moynahan, Julian. Review of Hélène Cixous' The Exile of James Joyce (1972). New York Times Book Review (February 11, 1973), 7: 21.
Muñoz, Elías Miguel. "The Buenos Aires Affair: traición de la sexualidad falocéntrica." Chasqui (February-May 1986), 15(2-3): 36.
_____. "El discurso utópico de la sexualiad en El beso de la mujer araña de Manuel Puig." Revista Iberoamericana (April- September 1986), 52(135-136): 362, 363.
Murphy, Carol J. Review of Verena Andermatt Conley's Hélène Cixous: Writing the Feminine. French Forum (January 1986), 11(1): 125-126.
Mutter, John. Review of Hélène Cixous' Angst (1985). Publishers Weekly (November 29, 1985), 228(22): 43.

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Nadeau, Maurice. "L'État des lieux." La Quinzaine Littéraire (May 16-30, 1989), 532: 3.
Nadel, Alan. "Reading the Body: Alice Walker's Meridian and the Archeology of Self." Modern Fiction Studies (Spring 1988), 34(1): 60, 67.
Neuschäfer, Anne. "Männermacht aus Frauenperspektive: L'Indiade im Théâtre du Soleil." Lendemains (Berlin) (1987), 12(48): 135-138.
Neuman, Shirley. "Importing Difference." In Shirley Neuman and Smaro Kamboureli, eds., A Mazing Space: Writing Canadian Women Writing, p. 401n24. Edmonton: Longspoon/NeWest, 1986.
Neill, Anna. Review of Hélène Cixous' Angst (1985). Landfall: A New Zealand Quarterly (December 1988), 42(168): 458-459.
Nelly, Carol Thomas. "Feminist Modes of Shakespearean Criticism: Compensatory, Justificatory, Transformational." Women's Studies (1981), 9: 3, 12n1, 14n4.
Nichols, Geraldine Cleary. "The Prison-House (and Beyond): El mismo mar de todos los verranos." Romanic Review (May 1984), 75(3): 366n1, 367nn2, 3, 373n12, 379.
Nielsen, Rosmary M. and E. D. Blodgett. "`On the Far Side of Language': Finding the Woman in Classics." In Winnie Tomm, ed., The Effects of Feminist Approaches on Research Methodologies, pp. 14 9, 152, 156. Papers presented at a Conference held on January 22-24, 1987 at the University of Calgary. Waterloo: Wilfrid Laurier University Press for the Calgary Institute for the Humanities, 1989.
Nies, Fritz. "Un Genre féminin?" Revue de l'Histoire Littérature de la France (November-December 1978), 78(6): 1003n52.
Nightingale, Benedict. Review of the performance of Hélène Cixous' play Portrait of Dora at the New End Theater, London. New Statesman (June 8, 1979), 97(2516): 838.
Norris, Christopher. "Portrait in Depth." Review of Hélène Cixous' The Exile of James Joyce (1976). Books and Bookman (July 1976), 21(10)[250]:54-56. "Portrait in Dep th. 2." (August 1976), 21(11)[251]:48-49.
_____. "Reading as a Woman." Review of Verena Andermatt Conley's Hélène Cixous: Writing the Feminine, and several other books. London Review of Books (April 4, 1985), 7(6): 9-10 .
"Nouveautés." Le Monde (March 25, 1977), 10000: 17. Announcing the publication of Hélène Cixous' La Venue à l'écriture (1977) and Angst (1977).
Nussbaum, Felicity A. "Eighteenth-Century Women's Autobiographical Commonplaces." In Shari Benstock, ed., The Private Self: Theory and Practice of Women's Autobiographical Writings, pp. 147-148, 169. Chapel Hill & London: University of North Carolina Press, 1988.
Nye, Andrea. "French Feminism and Philosophy of Language." Nous (March 1986), 20(1): 45-51. For longer version see "The Voice of the Serpent: French Feminism and the Philosophy of Language." In Ann Garry and Marilyn Pearsall, eds., Women, Knowledge, and Reality: Explorations in Feminist Philosophy, pp. 233-249. Boston & London: Unwin Hyman, 1989.
_____. "The Inequalities of Semantic Structure: Linguistics and Feminist Philosophy." Metaphilosophy (July-October 1987), 18: 222, 230, 235-236, 238.

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Olsen, Lance. "A Janus-Text: Realism, Fantasy, and Nabokov's Lolita." Modern Fiction Studies (Spring 1986), 32(1): 116, 125.
Ordóñez, Elizabeth J. "Inscribing Difference: `L'Écriture Féminine' and New Narrative by Women." Anales de la Literatura Española Contemporánea (1987), 12(12): < !- - PG-->46, 47, 48, 50, 51, 57nn9, 10.
_____. "Los perros de Hécate as a Paradigm of Narrative Defiance." Anales de la Literatura Española Contemporánea (1988), 13(1-2): 73, 80n7.
Ortolani, Olivier. "Schrekliche Geschichte? Das Théâtre du Soleil spiet ein SihanoukDrama im `Shakespeare-Stil'." Theater Heute (January 1986), 1: 38.
O'Sickey, Ingeborg Maier. "Mystery Stories: The Speaking Subject in Exile." In Mary Lynn Broe and Angela Ingram, eds., Women's Writing in Exile, pp. 388, 392. Chapel Hill & London : University of North Carolina Press, 1989.
Osinski, Jutta. "Theorien einer weiblichen Asthetik-- gragmatische betrachtet; Vortrages des Ger.--tages Berlin 1987." In Norbert Oellers, ed., Das Selbstverstandnis der Germanistik: Aktuelle Diskussio n, pp. 281-290. Tübingen: Niemeyer, 1988.
Ostriker, Alicia. "The Thieves of Language: Women Poets and Revisionist Mythmaking." Signs (Autumn 1982), 8(1): 68, 70n10.
Oswald, Laura. "Semiotics and/or Deconstruction: In Quest of Cinema." Semiotica (1986), 60(3-4): 334, 340.
Owens, Craig. "The Medusa Effect or, The Specular Rose." Art in America (January 1984), 72(1): 101, 105n16.
Oxenhandler, Neal. Review of Hélène Cixous' Le Troisème corps (1970). French Review (April 1972), 45(5): 1041-1042.

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Pachet, Pierre. "Un Débordement impressionnant." Review of Hélène Cixous' Souffles (1975), Partie (1976), La (1976) and Angst (1977). La Quinzaine Littéraire (June 1-15, 1977), 257: 8-9.
Pagès, Irène. "Simone de Beauvoir and the New French Feminism." Canadian Women's Studies (1984), 6 (1): 60-62.
Palmer, Paulina. Contemporary Women's Fiction: Narrative Practice and Feminist Theory, pp. 14, 22, 39n22, 97, 149, 158n51, 158nn43, 51, 176. Jackson & London: University Press of Mississipp i, 1989.
Pavlides, Merope. "Restructuring the Traditional: Myth in Selected Works of Cixous, Chédid, Wittig and Yourcenar." Ph.D. Dissertation, pp. passim. University of Wisconsin, Madison, 1986 . (Abstract in Dissertation Abstracts International (October 1986), 47(4): 1119A-1120A.) See especially pp. 25-87, Chapter II: Hélène Cixous: Le Nom d'Oedipe.
_____. "Restructuring the Traditional: An Examination of Hélène Cixous' Le Nom d'Oedipe." In Karelisa V. Hartigan, ed., Within the Dramatic Spectrum, pp. 151159. University of Florida Department of Classics Comparative Drama Conference Papers, 6. Lanham, MD: University Press of America, 1986.
Payne, Michael. "Introduction." In Toril Moi's Feminist Theory & Simone de Beauvoir, pp. 11-12. Oxford: Blackwell, 1990.
Pearce, Lynne and Sara Mills. "Marxist-Feminism." In Sara Mills, Lynne Pearce, Sue Spaull and Elaine Millard, eds., Feminist Readings/Feminists Reading, p. 220. Charlottesville: University Press of Virgin ia, 1989.
Peel, Ellen. "Contradictions of Form and Feminism in Corinne ou l'Italie." Essays in Literature (Fall 1987), 14(2): 285, 296n19.
Peixoto, Marta. "The Absent Body: Female Signature and Poetic Convention in Cecília Meireles." Bulletin of Hispanic Studies (January 1988), 65(1): 95, 99n18.
_____. "Family Ties: Female Development in Clarice Lispector." In Elizabeth Abel, Marianne Hirsch and Elizabeth Langland, eds., The Voyage In: Fictions of Female Development, pp. 288, 354n5. Hanover & London: University Press of New England, 1983.
Perlmutter, Ruth. "Joyce and Cinema." Boundary 2 (Winter 1978), 6(2): 486, 500n1, 501n11.
Perry, Ruth. "Words for Sex: The Verbal-Sexual Continuum in Tristram Shandy." Studies in the Novel (Spring 1988), 20(1): 29, 40n9.
Person, Ethel Spector. "Sexuality as the Mainstay of Identity: Psychoanalytic Perspectives." Signs (Summer 1980), 5(4): 628n61.
Person, Leland S., Jr. Aesthetic Headaches: Women and a Masculine Poetics in Poe, Melville, and Hawthorne, pp. 15, 17, 149-150, 179n31, 187-188n9. Athens & London: University of Georgia Pres s, 1988.
_____. "Hester's Revenge: The Power of Silence in The Scarlet Letter." Nineteenth-Century Literature (March 1989), 43(4): 470.
Peterson, Richard F. and Alan M. Cohn. "James Job: The Critical Reception of Joyce's Letters." James Joyce Quarterly (Summer 1982), 19(4): 434.
Petro, Patrice. "Mass Culture and the Feminine: The `Place' of Television in Film Studies." Cinema Journal (Spring 1986), 25(3): 6, 16, 19n4, 20n38.
Pfaelzer, Jean. "The Changing of the Avant Garde: The Feminist Utopia." Science-Fiction Studies (November 1988), 15(3)[46]:283, 288, 289, 290, 292.
Pfeil, Fred. Review of Thomas Disch's The Businessman: A Tale of of Terror. Minnesota Review (Fall 1984), 23: 191.
Piatier, Jacqueline. "Hélène Cixous: Une moderne sibylle. " Le Monde (October 16, 1970), 8011: 15-16. Review of Hélène Cixous' Le Troisi&e gr ave;me corps (1970) and Les Commencements (1970).
_____. "La ou l'avènement de la femme." Le Monde (April 9, 1976), 9708: 20. Precedes the interview of Hélène Cixous with Jean-Louis de Rambures, for the latte r see in Part A under 1976 "Quand je n'écris pas...," and in Part B under Rambures, Jean-Louis de.
_____. "Médicis: Hélène Cixous, un livre de poète." Le Monde (November 25, 1969), 7734: 28. On Dedans (1969) and the Prix Médicis. Reprinted in < CI TE>Le Monde (hebdomadaire) (November 27-December 3, 1969), 1101: 12.
_____. Review of Hélène Cixous' Le Prénom de Dieu: Nouvelles (1967). Le Monde (June 14, 1967), 6972:i, ii [in the section "Le Monde des Livres."]. Le Monde has the heading "La Grande liberté des nouvelles." On p. i see also "Un Genre protéiforme."
Picard, Anne-Marie. "L'Indiade: Ariane's and Hélène's Conjugate Dreams." Modern Drama (March 1989), 32(1): 24-38.
Pickle, Linda Schelbitzki. "Christa Woolf's Cassandra: Parallels to Feminism in the West." Critique: Studies in Modern Fiction (Spring 1987), 28(3): 154, 156, 157nn4, 8, 14 , 21.
Pidoux, Jean-Yves. "Le Soleil de la tragédie." Théâtre/Public (May-June 1987), 75: 512. On Hélène Cixous' L'Histoire terrible mais inachev&eacu te ;e de Norodom Sihanouk, roi du Cambodge (1985).
Pineau, Lois. Review of Jean Grimshaw's Philosophy and Feminist Thought and Hélène Cixous' and Catherine Clément's The Newly Born Woman (1986). Resources for Feminist Research/Documenta tion sur la Recherche Féministe (Toronto) (September 1987), 16(3): 68-69.
Poirot-Delpech, Bertrand. "Corps-écrit." Review of Hélène Cixous' Anankè (1979). Le Monde (June 1, 1979), 10679: 19. Reprinted in Le Monde (hebdom adaire) (May 31-June 6, 1979), 1596: 14.
_____. "Freud, lecteur: Essais de Sarah Kofman et Hélène Cixous." Review of Sarah Kofman's Quatre romans analytiques and Hélène Cixous' Prénoms de personne (1974). Le Mon de (December 26, 1974), 9315: 9. Reprinted in Le Monde (hebdomadaire) (December 26-January 1, 1975), 1366: 3.
_____. "Illisibles." Review of Hélène Cixous' La (1976) and Partie (1976). Le Monde (August 6, 1976), 9808: 7. Reprinted in Le Monde (hebdomadaire) (August 5-12, 1976): 7.
_____. "L'Inconscient à l'oeuvre." Review of Hélène Cixous' Portrait de soleil (1973). Le Monde (March 8, 1974), 9065: 19. Reprinted in Le Monde (hebdomadaire) (March 7-13, 1974), 1324: 14.
_____. "Mort et vie des belles-lettres: Deux colloques." Le Monde (December 19, 1975), 9613: 13.
_____. Review of Hélène Cixous' Un K. incompréhensible (1975). Le Monde (December 12, 1975), 9607: 19. Reprinted in Le Monde (hebdomadaire) (December 11-17, 1975), 1416: 12.
Polkinhorn, Harry. "Hysteria." American Imago (Spring 1987), 44(1): 12n11.
Poovey, Mary. "Feminism and Deconstruction." Feminist Studies (Spring 1988), 14(1): 53, 54-55, 64nn8, 11.
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Powrie, Phil. "French Studies: The Twentieth Century, Since 1945." Year's Work in Modern Language Studies (1986), 48: 260, 262, 263-264, 270.
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Quéré, Henri. "Écriture et idéologie: Le discours des formes dans Howard's End de E.M. Forster." Cahiers de Recherches Victoriennes et Edouardiennes (1977), 4-5: < !-- PG-->75, 83n28.
Quilligan, Maureen. "Allegory and the Textual Body: Female Authority in Christine de Pizan's Livre de la Cité des Dames." Romanic Review (January 1988), 79(1): 222, 232n26.
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Raaphorst-Rousseau, Madeleine. "L'Année littéraire 1985." French Review (May 1986), 59(6): 949-950.
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Rabine, Leslie Wahl. "Écriture Féminine as Metaphor." Cultural Critique (Winter 1987-88), 8: 19-44.
_____. "A Feminist Politics of Non-Identity." Feminist Studies (Spring 1988), 14(1): 13, 16, 30nn11, 21.
_____. Reading the Romantic Heroine: Text, History, Ideology, pp. 9, 10, 192n19, 213. Women and Culture Series. Ann Arbor: University of Michigan Press, 1985.
_____. "Rewriting the Oedipal Triangle: Feminism, Psychoanalysis and the SaintSimonians." L'Esprit Créateur (Spring 1989), 29(1): 37, 39, 41, 48nn9, 14.
_____. "Searching for the Connections: Marxist- Feminists and Women's Studies." Humanities in Society (Spring- Summer 1983), 6(2-3): 209, 211-212, 218, 220nn2, 14, 221nn20, 21.
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Ragland-Sullivan, Ellie. "The Eternal Return of Jacques Lacan." In Joseph Natoli, ed., Literary Theory's Future(s), pp. 63, 64. Urbana & Chicago: University of Illinois Press, An Illinibook, 1989.
_____. "The Myth of Sustantificque Mouelle: A Lacanian Perspective on Rabelais's Use of Language." Literature and Psychology (1988), 34(3): 21n21.
Raine, Pat. "An Equal Struggle." Review of Susan Sellers, ed., Delighting the Heart: A Notebook on Women Writers. TLS [Times Literary Supplement] (July 7-13, 1989): 4501.
Rajan, Gita. "A Feminist Rereading of Poe's `The Tell- Tale Heart'." Papers on Language & Literature (Summer 1988), 24(3): 283-284, 288-291, 298.
Ramas, Maria. "Freud's Dora, Dora's Hysteria: The Negation of a Woman's Rebellion." Feminist Studies (Fall 1980), 6(3): 505n6.
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Ray, William. "Suspended in the Mirror: Language and the Self in Kleist's `Über das Marionettentheater'." Studies in Romanticism (Winter 1979), 18(4): 527, 530n19, 532n21.
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Rea, A.M. Review of Verena Andermatt Conley's Hélène Cixous: Writing the Feminine. Choice (February 1985), 22(6): 822.
Reid, Martine and Lauren Doyle- McCombs. "Jeanne Hyvrard." Yale French Studies (1988), Supplement:318.
Respaut, Michèle. "Femme/Ange, Femme/Monstre: L'Affamée de Violette Leduc." Stanford French Review (Winter 1983), 7(3): 372n12, 373.
Review of Hélène Cixous' The Exile of James Joyce (1972). Choice (November 1972), 9(9): 1127.
Review of Hélène Cixous' The Exile of James Joyce (1972). Publishers Weekly May 8, 1972), 201: 47-48.
Review of Hélène Cixous' Inside (1986). Kirkus Reviews (September 1, 1986), 54(17): 1307.
Review of Susan Sellers, ed., Writing Differences: Readings from the Seminar of Hélène Cixous. British Book News (September 1987): 608. Very brief description.
Review of Susan Sellers, ed., Writing Differences: Readings from the Seminar of Hélène Cixous. Virgina Quarterly Review (Spring 1989), 65(2): 48-49.
Review of the staging of Hélène Cixous' play L'Histoire terrible mais inachevée de Norodom Sihanouk, roi de Cambodge (1985). Phosphore (November 1985): 6164. Review of the staging of Hélène Cixous' play l'Indiade, ou l'Inde de leurs rêves (1987). Phosphore (November 1987): 65-66.
Richman, Michèle. "Sex and Signs: The Language of French Feminist Criticism." Language and Style (Fall 1980), 13(4): 62-80.
Rigolot, François. "L'Émergence du nom propre dans la Nouvelle: Des Periers Onomaturge." MLN (1877), 92: 677n4.
_____. "Quel `Genre' d'amour pour Louise Labé?" Poétique (September 1983), 55: 303n2.
Rivière, Anne and Xavière Gauthier. "Des Femmes et leurs oeuvres." Le Magazine Littéraire (January 1982), 180: 36.
Robe, Margaret Ann. "Conceiving a Self in Autobiography by Women." Ph.D. Dissertation, pp. vii, 33, 38, 43-44, 45, 46-47, 55nn15, 16, 60, 105, 112, 113-114, 116, 117, 149-151, 155nn3, 4, 254 280. UCLA, 1988 .
Roberts, Robin. "The Paradigm of Frankenstein: Reading Canopus in Argos in the Context of Science Fiction by Women." Extrapolation (Spring 1985), 26(1): 16, 22n3.
Robinson, David W. "The Narration of Reading in Joyce's `The Sisters,' `An Encounter," and `Araby'." Texas Studies in Literature and Language (Fall 1987), 29(3): 393nn1, 6, 395nn17, < !- - YR-->19, 396nn21, 23.
Robinson, Sally. "The `Anti-Logos Weapon': Multiplicity in Women's Texts." Contemporay Literature (Spring 1988), 29(1): 105-124.
Rockwell, John. "If Length Were All, Or, Why a 10 Hour Play?" New York Times (June 5, 1986), 46,796:C23. Review of Ariane Mnouchkine staging of Hélène Cixous' play L'Histoi re terrible mais inachevée de Norodom Sihanouk, roi de Cambodge (1985).
_____. "Stage: `L'Indiade' in Paris, Directed by Mnouchkine." New York Times (October 17, 1987), 47,295: 17.
Rogers, Elizabeth S. "Montserrat Roig's Ramona, adiós: A Novel of Suppression and Disclosure." Revista de Estudios Hispánicos (January 1986), 20(1): 120-121 n5 .
Rohde, Hedwig. Review of Hélène Cixous' Innen (1971). Neue Rundschau (1972), 83: 138-140.
Ron, Moshe. "A Reading of `The Real Thing'." Yale French Studies (1979), 58: 209.
Ronell, Avital. "Hitting the Streets: Ecce Fama." Stanford Italian Review (1986), 6: 132.
_____. The Telephone Book: Technology-- Schizophrenia--Electric Speech, pp. 21, 23, 417n19. Lincoln & London: University of Nebraska Press, 1989.
Ronen, Ruth. Review of Hélène Cixous' and Catherine Clément's The Newly Born Woman (1986). Poetics Today (1988), 9(3): 670-671.
Rosenman, Ellen Bayuk. "Sexual Identity and A Room of One's Own: `Secret Economies' in Virginia Woolf's Feminist Discourse." Signs (Spring 1989), 14(3): 649.
Rosinsky, Natalie M. "C.L. Moore Shambleau: Women as Alien or Alienated Woman." In T.J. Remington, ed., Selected Proceedings of the 1978 Science Fiction Research Association National Conference. Cedar Falls: University of Nothern Iowa, 1979.
_____. "A Female Man? The `Medusan' Humor of Joanna Russ." Extrapolation (Spring 1982), 23(1): 31, 35n6.
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Rowe, Cynthia Running. "Jean Genet and Cixous: Reading Genet through the Feminine." Ph.D. Dissertation, pp. passim. University of Wisconsin, Madison, 1985. (Abstract in Dissertation Abstr acts (September 1986), 47(3): 927A.) See especially pp. 177-192, Chapter VI: The Medusa's Other Tales: Evaluating Cixous' Concept of `Écriture Féminine'. See also Running-Johnson, Cynthia.
Rowland, Robyn. "Women Who Do and Women Who Don't, Join the Women's Movement." Women's Studies International Forum (1985), 8(4): 249-250, 254.
Roy, Claude. "James Joyce, la fabuleux `voleur' de Dublin: Énorme comme Falstaff et maigre comme Don Quichotte." Review of Hélène Cixous' L'Exil de James Joyce (1968). Le Monde (F ebruary 22, 1969), 7500:i, ii [in the section "Le Monde des Livres."]
Rubenstein, Roberta. "Sexuality and Intertextuality: Margaret Drabble's The Radiant Way." Contemporary Literature (Spring 1989), 30(1): 95, 112.
Running-Johnson, Cynthia. "The Medusa's Tale: Feminine Writing and `La Genet'." Romanic Review (May 1989), 80(3): 483-495.
Runzo, Sandra. "Adrienne Rich's Poetry and the Politics of Language." Ph.D. Dissertation, pp. 1, 14n4, 24, 103, 109n11, 129, 131, 185-186. Indiana University, 1986.
Rupolo, Wanda. "La narrativa di Marguerite Duras." Nouva Antologia (1976), 527: 212-220.

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Sabouraud, Frédéric. "Coup de soleil pour Sihanouk. L'un joue le rôle du prince, l'autre celui de Kossyguine, Hélène Cixous écrit le texte. Et Ariane ne perd pas le fil: Les super-r&eacu te;pétitions de la dernière super-production de Mnouchkine." Le Nouvel Observateur (September 6-12, 1985), 1087: 52-54.
Sage, Lorna. "Past Eternal." Review of Hélène Cixous' Angst (1985). Observer (London) (January 12, 1986), 10136: 46.
Said, Edward. "Contemporary Fiction and Criticism." TriQuarterly (Spring 1975), 33: 243, 256n24.
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Salesne, Pierre. "Hélène Cixous' Ou l'art de l'innocence: The Path to You." (Mairéad Hanrahan, tr.) In Susan Sellers, ed., Writing Differences, pp. 113-126. Ge nder in Writing. Milton Keynes: Open University Press, 1988.
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_____. Review of Hélène Cixous' Portrait de Dora (1976), Mis en scène et scenographie de Simone Benmussa, Théâtre du Petit Orsay. Les Nouvelles Littéraires (March 11, 1976 ), 54(2523): 29.
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Sartilot, Claudette. Herbarium/Verbarium: The Discourse of Flowers. Texts and Contexts, 7. Lincoln: University of Nebraska Press1993.
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_____. "French Feminism and Theatre: An Introduction." Modern Drama (December 1984), 27(4): 540-545.
_____. "Quelques réflexions théoriques sur deux rencontres féministes: Le Symposium de Hélène Cixous (Utrecht, Juin 1987), l'Institut de Sémiotique (Toronto, Juin, 1987)." Resources for Feminist Research/Documentation sur la Recherche Féministe (Toronto) (December 1987), 16(4): 60-62.
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Schmidt, Ricarda. "E.T.A. Hoffmann's `Der Sandmann': An Early Example of Écriture féminine?: A Critique of Trends in Feminist Literary Criticism." In Marianne Burkhard and Jeannette Clausen, ed., W omen in German Yearbook: Feminist Studies and German Culture, 4, pp. 21-45. Lanham, MD: University Press of America, 1988. (German version of this paper is in Annegret Pelz, et al., eds., Frauen, Literatur, Politik. Hamburg: Ar gument-Verlag, 1988.)
Schneider, Judith Morganroth. Review of Hélène Cixous' La (1976). World Literature Today (Spring 1977), 51: 238.
Schor, Naomi. "Duane Hanson: Truth in Sculpture." New York Literary Forum (1981), 8-9:[235-248]. Reprinted in her Reading in Detail: Aesthetics and the Feminine, pp. 135-138, 167n 6. New York & London: Methuen, 1987.
_____. "Le Sourire du Sphinx: Zola et l'énigme de la féminité." Romantisme (1976), 6(13-14): 192, 194n23.
_____. "`Une Vie'/Des vides ou le Nom de la Mère." Littérature (May 1977), 26: 53n8, 61.
Schork, R.J. "A Graphic Exercise of Mnemotechnic." James Joyce Quarterly (Spring 1979), 16(3): 354n2.
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Scott, Bonnie Kime. James Joyce, pp. 10, 12, 14, 56, 80, 81, 83, 84, 86, 96, 108, 111, 119120, 132nn19, 24, 25, 134n4, 136nn20, 24, 28, 29, 137nn42, 44, 138n47, 143. Feminist Readings. Atlantic Highland, NJ: Humani ties Press, 1987.
_____. Joyce and Feminism, pp. 69, 72, 216n28, 217n35. Bloomington: Indiana University Press; Sussex: Harvester, 1984.
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_____., ed. Writing Differences: Readings from the Seminar of Hélène Cixous. Gender in Writing. Milton Keynes: Open University Press, 1988. Contributions by Anne Berger, Sarah Cornell, Mairéad Hanrahan, R egina Helena de Oliveira Machado, Mara Négron Marreo, Pierre Salesne, Violet Santellani, Susan Sellers, Nadia Setti. See entries under their names.
_____. "Writing Woman: Hélène Cixous' Political `Sexts'." Women's Studies International Forum (1986), 9(4): 443-447.
Semmler, Clement. "Still Keeping the Professors Busy: A Survey of Recent Joycean Criticism." Review of Hélène Cixous' The Exile of James Joyce (1976). Meanjin (December 1976), 35(4): 417-422.
Sénart, Philippe. "La Revue théâtrale." Review of Hélène Cixous' Portrait de Dora, staged by Simone Benmussa at the Théâtre d'Orsay in February 1976. N ouvelle Revue des Deux Mondes (June 1976), 6: 694-695.
Servin, Micheline. "Le Rêve, cet autre visage de la réalite." Les Temps Modernes (February 1988), 43(499): 165-172. Review of the staging of Hélène Cixous' L'Indiade (1987) by Ariane Mnouchkine and the Théâtre du Soleil.
Servodidio, Mirella. "A Case of Pre-Oedipal and Narrative Fixation: El mismo mar de todos los veranos." Anales de la Literatura Espanola Contemporanea (1987), 12(1-2): 159, 173n13.
Setti, Nadia. "Visions of Life's Tempest: From Shakespeare to Karen Blixen." (Susan Sellers, tr.) In Susan Sellers, ed., Writing Differences: Readings from the Seminar of Hélène Cixous, pp. 71-80. Gender in Writing. Milton Keynes: Open University Press, 1988.
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Shaw, Peter. "Feminist Literary Criticism, a Report from the Academy: Episodes in the Decline of Discourse." American Scholar (Autumn 1988), 57: 509. Reprinted in his The War Ag ai nst the Intellect, p. 83. Iowa City: University of Iowa Press, 1989.
Sheringham, Michael. "French Studies: The Twentieth Century, Since 1945." Year's Work in Modern Language Studies (1983), 45: 232, 234, 243, 255.
Sherzer, Dina. Representation in Contemporary French Fiction, pp. 2, 4, 9, 121-123, 146-158, 159, 160, 161, 162, 163, 164, 165, 174. Lincoln & London: University of Nebraska Press, Shires, Linda M. "Fantasy, Nonsense, Parody, and the Status of the Real: The Example of Carroll." Victorian Poetry (Autumn 1988), 26(3): 274, 283n12.
Showalter, Elaine. "Feminist Criticism in the Wilderness." Critical Inquiry (Winter 1981), 8(2): 184, 185, 186, 201. Reprinted in Elizabeth Abel, ed., Writing and Sex ua l Difference, pp. 15, 16, 31. Chicago: University of Chicago Press, 1982.
_____. "Towards a Feminist Poetics." In Mary Jacobus, ed., Women Writing and Writing about Women, p. 38. The Oxford Women's Series. London: Croom Helm; New York: Barnes & ; Noble, 1979.
Siebers, Tobin. "The Ethics of Sexual Difference." In Tobin Siebers' The Ethics of Criticism, pp. 193, 200-202, 205, 217, 219. Ithaca: Cornell University Press, 1988.
_____. The Mirror of Medusa, pp. 112, 163n2. Berkeley, Los Angeles & London: University of California Press, 1983.
_____. "`Whose Hideous Voice Is This?': The Reading Unconscious in Freud and Hoffmann." New Orleans Review (Fall 1988), 15(3): 80n2.
Simon, Alfred. "`La Ville'." Esprit (June 1986), 6: 93n2.
Simonin, Anne and Hélène Clastres. Les Idées en France: 1945-1988, Une Chronologie, pp. 266, 317. Collection "Folio-Histoire." Le Débat, 50. Paris: Gallimard, 1989.
Simpson-Zinn, Joy. "The `Différence' of `l'écriture féminine'." Chimères (Kansas State, Lawrence) (Fall 1985), 18(1): 77-93.
Singer, Linda. "True Confessions: Cixous and Foucault on Sexuality and Power." In Jeffner Allen and Iris Marion Young, eds., The Thinking Muse: Feminism and Modern French Philosophy, pp. 136-15 5. Bloomington & Indianapolis: Indiana University Press, A Midland Book, 1989.
Sipriot, Pierre. "Vivre sa vie." Review of Hélène Cixous' Angst (1977). Le Figaro (May 21-22, 1977): 20 [in section II Le Figaro Littéraire.]
Sivert, Eileen B. "Who's Who: Non-Characters in Le Colonel Chabert." French Forum (May 1988), 13(2): 222, 227n11.
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Smith, Allan Gardner. "Edith Wharton and the Ghost Story." In Janet Todd, ed., Gender and Literary Voice, pp. 155, 158n10. Women & Literature (1980), New Series, 1. New York &a mp; London: Holmes & Meier, 1980.
_____. "The Occultism of the Text." Poetics Today (Summer 1982), 3(3): 6, 19.
Sodemann, Marie Louise. Så megen troskab: historier om & af Hélène Cixous. Skrifttrække/Center for Kvindeforskning, 4. Cophenhagen: Center for Kvindeforskning, Copenhagen Un iversity, 1988.
Sommer, Doris. "A Nowhere for Us: The Promising Pronouns in Cortazar's `Utopian' Stories." Dispositio (1984), 9(24-26): 81-82.
Spivak, Gayatri Chakravorty. "French Feminism in an International Frame." In her In Other Worlds: Essays in Cultural Politics, pp. 134-153. Foreword by Colin MacCabe. New York & London: Metheun, 1987. Reprinted from Yale French Studies (1981), 62: 154-184.
Staley, Thomas F. "Following Ariadne's String: Tracing Joyce Scholarship into the Eighties." In Suheil Badi Bushrui and Bernard Benstock, eds., James Joyce: An International Perspective: Centenary Essays in Hono ur of the Late Sir Desmond Cochrane, pp. 255, 257, 276. Irish Literary Studies, 10. Buckinghamshire: Smythe; Totowa, New Jersey: Barnes & Noble, 1982.
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Stanton, Domna C. "Difference on Trial: A Critique of the Maternal Metaphor in Cixous, Irigaray, and Kristeva." In Nancy K. Miller, ed., The Poetics of Gender, pp. 157182. Gender and Culture. New York: Columbia University Press, 1986.
_____. "Language and Revolution: The French- American Dis-Connection." In Hester Eisenstein and Alice Jardine, eds., The Future of Difference, pp. 73-87. Boston: G.K. Hall, London: Rutgers University Press, 1985.
_____. "Parole et l'écriture: Women's Studies, USA." Tel Quel (Autumn 1977), 7173: 128nn27, 28.
_____. "Woman as Object and Subject of Exchange: Marie de Gournay's Le Proumenoir (1594)." L'Esprit Créateur (Summer 1983), 23(2): 10, 23n40.
Stary, Sonja G. Review of Hélène Cixous' Un K. incompréhensible: Pierre Goldman (1975). French Review (April 1977), 50(5): 808-809. In French.
Stearns, Catherine. "Gender, Voice, and Myth: The Relation of Language to the Female in D.H. Lawrence's Poetry." D.H. Lawrence Review (Fall 1984), 17(3): 238, 242n13.
Steinberg, Erwin R. "Telemachus, Stephen, and the Paradigm of the Initiation Rite." James Joyce Quarterly (Spring 1982), 19(3): 299, 301n31.
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Stéphane. Nell. Review of Hélène Cixous' Prénoms de personne (1974). Europe (March 1975), 53(551): 241.
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Stern, Lesley. "Point of View: The Blind Spot." Film Reader (1979), 4: 222-223, 235nn29. 30.
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_____. Where the Meanings Are, pp. 94-95, 185-186, 208n19. New York & London: Methuen, 1988.
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Suleiman, Susan Rubin. "A Double Margin: Reflections on Women Writers and the Avant-Garde in France." Yale French Studies (1988), 75: 154, 155.
_____. "La Maîtrise et le transfert: Significations de Dora." Poétique (November 1986), 68: 464.
_____. "(Re)Writing the Body: The Politics and Poetics of Female Eroticism." Poetics Today (1985), 6(1-2): 43-65. Reprinted in Susan Rubin Suleiman, ed., The Female Body in Western Cultu re : Contemporary Perspectives, pp. 7-29. Cambridge, Mass.: Harvard University Press, 1986.
Szafran, Maurice. "Cambodge: La déchirure selon Mnouchkine: Ariane Mnouchkine et le Théâtre du Soleil se sont donné une mission: Raconter sur une scène l'anéantissement du peuple cambodg ien." Le Point (September 23, 1985), 679: 70-72. On Hélène Cixous' play L'Histoire terrible mais inachevée de Norodom Sihanouk, roi du Cambodge (1985), staged by Ariane Mnouchkine and the company of Théâ ;tre du Soleil.

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Tallack, Douglas. "American Short-Fiction: A Bibliographical Essay." American Studies International (October 1985), 23(2): 14, 43.
Tapscott, Stephen. "Williams, Sappho, and the Woman-as- Other." William Carlos Williams Review (Fall 1985), 11(2): 43n1, 44.
Temkine, Raymonde. "Le Théâtre: Elles sont auteures, metteures en scène aussi." Europe (May 1986), 64(685): 186.
_____. "Le Théâtre: Femmes." Europe (September 1976), 54(569): 196-199. Review of Portrait de Dora (1976) by Hélène Cixous, staged by Simone B en mussa which opened at the Théâtre d'Orsay on February 26, 1976.
_____. "Théâtre: La Cartoucherie, cette ruche." Europe (January-February 1986), 64(681-682): 183-184. Review of L'Histoire terrible mais inachevée de Norodo m Sihanouk, roi du Cambodge (1985) by Hélène Cixous, staged by Ariane Mnouchkine and the Théâtre du Soleil at Cartoucherie.
Thesen, Sharon. "Poetry and the Dilemma of Expression." In Shirley Neuman and Smaro Kamboureli, eds., A Mazing Space: Writing Canadian Women Writing, p. 384. Edmonton: Longspoon/NeWest, 1986.
Thomas, Brook. "The Writer's Procreative Urge in Pierre: Fictional Freedom or Convoluted Incest?" Studies in the Novel (Winter 1979), 11(4): 429-430n12.
Thompson, Grahame F. "Approaches to `Performance': An Analysis of Terms." Screen (September-October 1985), 26(5): 81-83, 86n28.
Thorburn, David. "Portraits of the Artist." Review of Hélène Cixous' The Exile of James Joyce (1972). Partisan Review (1973), 40(2): 306-309.
Todd, Janet. Feminist Literary History, pp. 51, 53-58, 61-63, 67, 71, 83, 111, 149. New York: Routledge, 1988.
Torsney, Cheryl B. "The Critical Quilt: Alternative Authority in Feminist Criticism." In G. Douglas Atkins and Laura Morrow, eds., Contemporary Literary Theory, pp. 180, 187, 193nn45- 48, 195. Amherst: University of Massachusetts Press, 1989.
Tostevin, Lola Lemire. "Breaking the Hold on the Story: The Feminine Economy of Language." In Shirley Neuman and Smaro Kamboureli, eds., A Mazing Space: Writing Canadian Women Writing, pp. 387, 388-390. Edmonton: Longspoon/NeWest, 1986.
"Traces." Jeu (Montreal) (1983), 27: 135-156. Part of it is a review of Hélène Cixous' Portrait de Dora (1976) at the Théâtre Ubu.
Tucker, Lindsey. "Alice Walker's The Color Purple: Emergent Woman, Emergent Text." Black American Literature Forum (Spring 1988), 22(1): 85, 87, 94.
Tucker, Margaret E. "`A Nice-time Girl' Strikes Back: An Essay on Bessie Head's A Question of Power." Research in African Literatures (Summer 1988), 19(2): 171, 1 73, 181.
Tuttle, Lisa. "Cixous, Hélène." In her Encyclopedia of Feminism, p. 65. Harlow, Essex: Longman, 1986.
"Two Souls and None." Review of André Schwarz-Bart's La Mulâtresse Solitude and Hélène Cixous' Le Neutre (1972) TLS [Times Literary Supplement] (June 2, 1972), 3666: 623.
Tytell, Paméla. "Hélène Cixous: Préparatifs de noces au-delà de l'abîme." Magazine Littéraire (September 1978), 140: 45-46 .< /p>

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Vaccaro, Barbaro Pietro. Review of Hélène Cixous' Révolutions pour plus d'un Faust (1975). Culture Française (Bari) (1976), 23: 341-342.
Valette, Bernard. Ésthetique du roman moderne. Le Roman en Françe: XIXe-XXe siècles, pp. 31, 98. Paris: Éditions Nathan, 1985.
Vallois, Marie-Claire. "Voice as Fossil: Madame de Staël's Corinne or Italy: An Archaeology of Feminine Discourse." (Betsy Wing, tr.) Tulsa Studies in Womens Literature (Spring 1987), 6( 1): 60nn28-30.
Van Buren, Jane Silverman. The Modernist Madonna: Semiotics of the Maternal Metaphor, pp. 3, 9, 11-12, 13-14, 16-18, 177nn3, 18, 178n50, 179nn66, 70-74. Bloomington & Indianapolis: Indiana University Press; London: Karnac Books, 1989.
Van Laere, François. Review of Hélène Cixous' L'Exil de James Joyce (1968). (H. Stewart, tr.) James Joyce Quarterly (Spring 1970), 7(3): 259-266.
Van den Berg, Sara. "Eve, Sin, and Witchcraft in Paradise Lost." Modern Language Quarterly (1986), 47: 353n13.
Vandenschrick, Jacques. "Hélène Cixous: Un cri d'absence." Review of Dedans (1969). Revue Nouvelle (February 1970), 51(2): 210-212.
Vanderbeke, Birgit. "Kein Recht auf sprache? Der sprachlose Raum der Abwesenheit in `Malina'." In Heinz Ludwig Arnold, ed., Ingeborg Bachmann, p. 118n17. Supplement to Text + Kritik. Munich: < !-- PB-->Text + Kritik, 1984.
Vanrossum-Guyon, Françoise. "Deux Hommes, deux pays, deux continents." Review of Hélène Cixous' Manne aux Mandelstams aux Mandelas (1988). La Quinzaine Littéraire (July 16-3 1, 1988), 513: 7-8.
Vera, Elena Gascón. "Rosa Montero ante la escritura femenina." Anales de la Literatura Espanola Contemporanea (1987), 12(1-2): 59, 60, 61, 62, 64, 65, 66, 73, 75-76n4, 76-77nn9- 14.
Vickers, Nancy J. "This Heraldry in Lucrece' Face." Poetics Today (1985), 6(1-2): 172, 183.
Vilaine, Anne-Marie de. "Le Corps de la théorie." Magazine Littéraire (January 1982), 180: 26. Special issue on "Femme, une autre écriture?"
Villelaur, Anne. "Encerclement et solitude." Review of Hélène Cixous' Dedans (1969). Les Lettres Françaises (December 10-16, 1969), 1312: 10. In "Le Feuillton littéraire d'Anne Villelaur."
_____. "Le Médicis à Hélène Cixous." Les Lettres Françaises (November 26December 2, 1969), 1310: 3. On Dedans (1969).
Vitoux, Pierre. "L'Esthétique de Joyce: De l'épiphanie à la déconstruction de l'objet." Cahiers Victoriens & Edouardiens (October 1981), 14: 101n9.
Vuarnet, Jean-Noël. Review of Hélène Cixous' Portrait du soleil (1974). Les Lettres Nouvelles (September-October 1974), 4.
_____. Review of Hélène Cixous' Le Troisième corps (1970) and Les Commencements (1970). Europe (February- March 1971), 49(502-503): 277-278.

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Waelti-Waiters, Jennifer. Review of Verena Andermatt Conley's Hélène Cixous: Writing the Feminine. Canadian Woman Studies/Les Cahiers de la Femme (Ontario) (Spring 1987), 8(1): 1 07-108.
Walker, Janet and Luli McCarroll. "Renoir on the Edge: A Reading of Boudu Saved from Drowning." Wide Angle (1981), 4(4): 7, 11n7.
Wall, Anthony. "Characters in Bakhtin's Theory." Studies in Twentieth Century Literature (Fall 1984), 9(1): 42, 50, 55.
Wallace, Jo-Ann. "The Body and the Text: Virginia Woolf's Mrs. Dalloway." Ph. D. Dissertation, York University, Canada, 1985, pp. 2, 14, 34, 60, 68, 69, 183-184, 189, 191, 1 98, 206-207, 208, 239, 276, 300n21, 301n24, 304n55, 305n79, 316nn1, 4-6, 317n18, 318nn43, 44, 319nn53-55, 320n73, 325n72, 330.
Walt, J. Review of Hélène Cixous' Tombe (1973). Books Abroad (Summer 1974), 48(3): 536.
Wartmann, Brigitte. "`No Future' post-moderner Avatgarde oder: die (ver)letzen Illusionen des patriarchalen Bürgertums." Das Argument (January- February 1986), 155: 39, 42.
Watson, Christine. Review of Hélène Cixous' Inside (1986). West Coast Review of Books (1986), 12(4): 29.
Waxman, Barbar Frey. "Victor Frankenstein's Romantic Fate: The Tragedy of the Promethean Overreacher as Woman." Papers on Language & Literature (Winter 1987), 23(1): 16-21.
Webster, Roger. Studying Literary Theory: An Introduction, pp. 78, 109, 113n12. London: Arnold, 1990.
Weedon, Chris. Feminist Practice & Post-Structuralist Theory, pp. 9, 56, 65-68, 166. Oxford: Blackwell, 1987.
Weigel, Sigrid. "Double Focus: On the History of Women's Writing." (Harriet Anderson, tr.) In Gisela Ecker, ed., Feminist Aesthetics, pp. 75-79, 183nn23, 24. London: Women' s Press, 1985.
_____. "`Woman Begins Relating to Herself': Contemporary German Women's Literature. (Part One)." (Luke Springman, tr.) New German Critique (Winter 1984), 31: 57.
Weinstock, Jane. "A Lass, a Laugh and a Lad." Art in America (Summer 1983), 71(6): 7, 10n2.
Weir, Lorraine. "The Choreography of Gesture: Marcel Jousse and Finnegans Wake." James Joyce Quarterly (Spring 1977), 14(3): 324n20.
_____. "From Picture to Hologram: Nicole Brossard's Grammar of Utopia." In Shirley Neuman and Smaro Kamboureli, eds., A Mazing Space: Writing Canadian Women Writing, p. 349n14. Edmonton: Longspoon/NeWest, Weissman, Judith. "`The Castrating Gesture' in Wilde and the Post-Structuralists." Southern Review (Baton Rouge) (Summer 1988), 24(3): 524-525, 531, 534.
Wellbery, David E. "E.T.A. Hoffmann and Romantic Hermeneutics: An Interpretation of Hoffmann's `Don Juan'." Studies in Romanticism (Winter 1980), 19(4): 465n16.
Wenzel, Hélène Vivienne. "Introduction to `Interview with Simone de Beauvoir: Reflections and Recollections'." Women's Review of Books (March 1986), 3(6): 11.
_____. "The Text as Body Politics: An Appreciation of Monique Wittig's Writings in Context." Feminist Studies (Summer 1981), 7(2): 281- 266-
West, Michael and William Hendricks. "The Genesis and Significance of Joyce's Irony in `A Painful Case'." ELH (Winter 1977), 44(4): 727n25.
Wheeler, A.M. "Animal Imagery as Reflection of Gender Roles in Clarice Lispector's Family Ties." Critique: Studies in Modern Fiction (Spring 1987), 28(3): 133n1.
Whitford, Margaret. Review of Claudine Guégan Fisher's La Cosmogonie d'Hélène Cixous. French Studies (April 1989), 43(2): 232-233.
_____. Review of Verena Andermatt Conley's Hélène Cixous: Writing the Feminine. French Studies (April 1987), 41(2): 245.
Wierlys, Hélène de. "Arabesques." Review of Hélène Cixous' Le Troisème corps (1970) and Les Commencements (1970). La Quinzaine Littéraire (October 1- 15, 1970), 103: 8.
Williams, Carolyn. "Unbroken Patternes: Gender, Culture, and Voice in The Egoist." Browning Institute Studies (1985), 13: 69n11.
Williamson, Janice. "In Others' Words: The Critical Difference Within." Essays on Canadian Writing (Spring 1988), 36: 147, 152, 155. In Ann Dybibowski, et al., eds., I n the Feminine: Women and Words/Les Femmes et les mots: Conference Proceedings 1983. Edmonton: Longspoon, 1985.
_____. "Suck on These Fragments." Essays on Canadian Writing (Spring 1988), 36: 76, 80. On Nicole Brossard's French Kiss; or, A Pang's Progress.
Williamson, Marilyn L. "Toward a Feminist Literary History." Signs (Autumn 1984), 10(1): 139.
Willis, Sharon. "Hélène Cixous's Portrait de Dora: The Unseen and the Un-Scene." Theatre Journal (October 1985), 37(3): 287-301.
_____. "Mis-Translation: Vivre l'orange." Sub-Stance (1987), 16(52): 76-83.
Wilson, Ann. "History and Hysteria, Writing the Body in Portrait of Dora and Signs of Life." Modern Drama (March 1989), 32(1): 73-88.
Wilson, Douglas B. "Wordsworth and the Uncanny: `The Time is Always Present'." Wordsworth Circle (Spring 1985), 16(2): 98n5.
Wilson, Rawdon. "The Bright Chimera: Character as a Literary Term." Critical Inquiry (Summer 1979), 5(4): 731.
_____. "Drawing New Lessons from Old Masters: The Concept of `Character' in the Quijote." Modern Philology (November 1980), 78(2): 117.
Wolfromm, Jean-Didier. "Jean-Didier Wolfromm a lu: Dedans par Hélène Cixous." Le Magazine Littéraire (December 1969), 35: 43.
Woodhull, Winifred. "Marguerite Duras and the Question of Community." Modern Language Studies (Winter 1987), 17: 12, 13, 16nn13, 14.
Wördemann, Johanna. "Phallus haben oder nicht haben: Versuch einige Fragen zu beantworten." Alternative (October- December 1976), 19(110-111): 232.
Wördemann, Johanna and Hildegard Brenner. "Zu diesem Heft." Alternative (JuneAugust 1976), 19(109-109): 114. This issue is on "Das Lächen der Medusa: Fr au enbewegung/ Sprache/ Psychoanalyse," and has 3 articles by Hélène Cixous.
_____. "Zu diesem Heft: `Das Lächen der Medusa: Briefe/Antworten/Kommentare zu Nr. 108-109'." Alternative (October- December 1976), 19(110-111): 231.
"Words at Play." Review of Hélène Cixous' Le Troisième corps (1970) and Les Commencements (1970). TLS [Times Literary Supplement] (February 12, 1971), 3598 : 174.
Wordsworth, Ann. Review of Harry R. Garvin, ed., Women, Literature, Criticism (Bucknell Review (1978), 24(1).) Review of English Studies (May 1980), 31(122): 246.
Wright, Elizabeth and Dianne Chisholm. Review of Hélène Cixous' and Catherine Clément's The Newly Born Woman (1986). Modern Language Review (April 1989), 84(2): 418-419.
Wyatt, Jean. "Avoiding Self-Definition: In Defense of Women's Right to Merge (Julia Kristeva and Mrs Dalloway)." Women's Studies (1986), 13(1- 2): 124, 126nn30, 31.

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Yaeger, Patricia S. "`Because a Fire Was in My Head': Eudora Welty and the Dialogic Imagination." PMLA (October 1984), 99(5): 955, 971n2, 972.
_____. "`Because a Fire Was in My Head': Eudora Welty and the Dialogic Imagination." Mississippi Quarterly (Fall 1986), 39(4): 561. Revised version of article that appeared in PMLA ( October 1984), 99(5): 955-973.
_____. "Honey-Mad Women: Charlotte Brontë's Bilingual Heroines." Browning Institute Studies (1986), 14: 30, 34n8, 35.
_____. Honey-Mad Women: Emancipatory Strategies in Women's Writing, pp. 11, 1314, 15-17, 26, 73, 76, 128, 134, 149, 177-178, 201, 208-211, 213, 229-230, 264, 280n24, 282n45, 285nn34, 35, 286n39, 289n12, 292n1, 295nn3-5, 297- 298n33, 298n34, 299n8, 304. Gender and Culture. New York: Columbia University Press, 1988.
_____. Review of Verena Andermatt Conley's Hélène Cixous: Writing the Feminine. Rocky Mountain Review of Language and Literature (1986), 40(1120): 96-98.
Young, Robert. "The Same Difference." Screen (Summer 1987), 28(3): 85.

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Zegura, Elizabeth Chesney. "Toward a Feminist Reading of Rabelais." Journal of Medieval and Renaissance Studies (Spring 1985), 15(1): 128n11, 131n23.
Zehr, David Morgan. "Joyce's Bifocal Lens: Politics in Ireland." Midwest Quarterly (Winter 1981), 22(2): 158, 162.
Zéraffa, Michel. "Études romanesques comparées: Essai de synthèse." Canadian Review of Comparative Literature/Revue Canadienne de Littérature Comparée (Spring 1975), 2(2): 114n8.
_____. Review of Hélène Cixous' Dedans (1969). Le Nouvel Observateur (October 13-19, 1969), 257: 49.
Zipes, Jack. "The Potential of Liberating Fairy Tales for Children." New Literary History (Winter 1982), 13(2): 323n1.