Works by Edward Said, 1997

Eddie Yeghiayan

• "Bombs and Bulldozers." Nation (September 8, 1997), 265(7): 4-5.

• "Così fan tutte at the Limits." Grand Street (Fall 1997), 16(2) [62]:93-106.

• Covering Islam: How the Media and the Experts Determine How We See the Rest of the World. New York: Vintage, 1997.

  Updated and revised edition with a new Introduction (pp. xi-lxx, dated October 31, 1996) of Covering Islam (1981).

  "From Silence to Sound and Back Again: Music, Literature and History." Raritan (Fall 1997), 17(2):1-21.

  "In the Chair." Review of Peter Ostwald's Glenn Gould: The Ecstasy and the Tragedy of Genius and Norman Lebrecht's When the Music Stops: Managers, maestros and the Corporate Murder of Classical Music. London Review of Books (July 17, 1997), 19(14):3, 5-6.

  Cover-title "Edward Said: Analysing Glenn Gould."

  "On 'Fidelio'." London Review of Books (October 30, 1997), 19(21):25-28.

  "The Real Meaning of the Hebron Agreement." Journal of Palestine Studies (Spring 1997), 26(3):31-36.

  Introduction to Peter Sellars' "Theater, Opera, and Society: The Director's Perspective." Grand Street (Summer 1997), 16(1) [61]:193.

  From a discussion in the Theater of Ideas series at the Miller Theater and the Center for Cultural and Historical Studies, Columbia University, October 27, 1996.