Eddie Yeghiayan
"Afterword." In Joseph Conrad's Lord Jim, pp. 309-317. New York: New American Library, Signet Classic, 1961. See The Play and Place of Criticism, Chapter 7.
"Afterword." In Nathaniel Hawthorne's The Marble Faun; or, The Romance of Monte Beni, pp. 335-346. New American Library, Signet Classic, 1961.
"Contemporary Literary Criticism: Opening Remarks," and
"General Discussion on Contemporary Literary Criticism." In Hazard Adams,
Bernard Duffey, et al., eds., Approaches to the Study of
Twentieth- Century Literature, pp. 107-113, 114-122. East
Lansing: Michigan State University Press, 1961.
Proceedings of the Conference on the Study of Twentieth-Century
Literature, First Session, May 2-4, 1961, held at Michigan State
University.
"Critical Historicism: The Poetic Context and the
Existential Context." In Leon Edel, ed.,
Literary History and Literary Criticism, pp. 280-282.
New York: New York University Press, 1964.
Acta of the 9th Congress of
the International Federation for the Modern Languages &
Literatures [FILLM], August 25-31, 1963, held at New York
University.
--Revised and expanded version published in Orbis
Litterarum ( 1966), 21(1): 49-60.
"Belief, Problem of," and "Meaning, Problem of." In Alex Preminger, ed., Encyclopedia of Poetry and Poetics, pp. 74-76, and 475-479. Princeton, N.J.: Princeton University Press, 1965.
"Contextualism and the Relegation of Rhetoric." In
Domnald Cross Bryant, ed., Papers in Rhetoric and Poetic, pp. 46-58. Iowa City: University of Iowa Press,
1965.
Conference on Rhetoric and
Poetic, November 12-13, 1964, held
at the University of Iowa.
See The Play and Place of Criticism, Chapter 12.
"The Discipline of Literary Criticism." In John C. Gerber, ed., The College Teaching of English, pp. 178-197. New York: Appleton-Century-Crofts, 1965. See The Play and Place of Criticism, Chapter 9.
"Foreword." In Murray Krieger, ed., Northrop Frye in Modern Criticism, pp. v-viii. Selected papers from the English Institute, September 7-10, 1965. New York and London: Columbia Unive rsity Press, 1966.
"Northrop Frye and Contemporary Criticism: Ariel and the
Spirit of Gravity." In Murray Krieger, ed., Northrop Frye in Modern Criticism, pp. 1-26. Selected papers from the English Institute, September 7-10, London: Columbia University Press, 1966.
-- See The Play and Place of Criticism (1967), Chapter
15.
"Ekphrasis and the Still Movement of
Poetry; or, Laokoön Revisited."
In Frederick P.W. McDowell, ed., The Poet as Critic, pp. 3-26. Evanston, Ill.: Northwestern University
Press, 1967.
Conference on the
Poet as Critic, October 28-30, 1965, held at the Iowa Center for
Modern Letters, University of Iowa.
-- See The Play and Place of
Criticism (1967), Chapter 8, and Ekphrasis (1992),
Appendix.
"Jacopo Mazzoni, Repository of Divine Critical
Traditions or Source of a New One?" In Rosario P. Armato and John M. Spalek, eds., Medieval Epic to the "Epic Theater" of Brecht: Essays in Comparative Literature, pp.
97-107. Los Angeles:
University of Southern California Press, 1968.
1st Comparative Literature Conference, July 6-7, 1967,
held at the University of Southern California.
-- See Poetic Presence and Illusion (1979), Chapter
2.
"Mediation, Language, and Vision in the Reading of
Literature." In Charles S. Singleton, ed., Interpretation: Theory and Practice, pp. 211-242. Baltimore: Johns Hopkins Press, 1969.
-- See The Play and Place of Criticism (1967),
Chapter 1.
-- Reprinted in Hazard Adams, ed., Critical Theory
Since Plato, pp. 1231-1249. New York:
Harcourt Brace Jovanovich, 1971.
-- Reprinted in Gregory T. Polletta, ed., Issues in
Contemporary Literary Criticism, pp. 585-613.
Boston: Little, Brown, 1973.
(with Allen Tate.) "American Criticism, Recent." In Jospeh T. Shipley, ed., Dictionary of World Literary Terms, pp. 371-374. Revised and enlarged edition. Boston: Writer, 1970.
"The Meaning of Ishmael's Survival." In Herschel Parker and Harrison Hayford, eds., Moby-Dick as Doubloon: Essays and Extracts, 1851-1970, pp. 270-271. New York: Norton, 1970.
"Murder in the Cathedral: The Limits of Drama and the
Freedom of Vision." In Melvin J. Friedman and John B. Vickery, eds.,
The Shaken Realist: Essays in Modern Literature in Honor of
Frederick J. Hoffman, pp. 72-79. Baton Rouge: Louisiana State University Press, 1970.
-- See The Classic Vision (1971), Chapter 12.
"The State and Future of Criticism: The Continuing Need for Criticism." In Brom Weber, ed., Sense and Sensibility in Twentieth Century Writing: A Gathering in Memory of William Van O'Connor, pp. 1-5. Carbondale and Edwardsville: Southern Illinois University; London: Feffer & Simons, 1970.
"The Critic as Person and Persona." In Joseph P.
Strelka, ed., The Personality of the Critic, pp.
70-92. Yearbook of Comparative Criticism, 6.
University Park: Pennsylvania State University Press,
1976.
See Theory of Criticism (1976), Chapter 3.
"Introduction." In The Editor as Critic and the Critic as Editor, pp. iii-vi. Papers read by J. Max Patrick and Alan Roper at a Clark Library Seminar, November 13, 1971. Los Angeles: William Andrews Clark Memorial Library, UCLA, 1973.
"Contextualism." In Alex Preminger, ed., Princeton Encyclopedia of Poetry and Poetics. Revised and enlarged edition, pp. 929-930. Princeton: Princeton University Press, 1974.
"Fiction and Historical Reality: The Hourglass and the
Sands of Time." In Literature and History, pp.
43-77. Los Angeles: William Andrews Clark
Memorial Library, UCLA, 1974.
Paper read at a Clark Library Seminar, March 3,
1973.
-- See Theory of Criticism(1976), Chapter
6.
"`Humanist Misgivings About the Theory of Rational
Choice':
Comments on David Braybrooke," "Literature, Vision, and the Dilemmas of
Practical Choice," "Preliminary Remarks to the Discussion of My Paper," and "A During-the-Colloquium Playf
ul Postscript; or, a Satisfaction." In Max
Black, ed., Problems of Choice and Decision, pp.
53-67, 398-431, 441-448, and 578-586.
Proceedings of a Colloquium held in Aspen, Colorado on June 24-26,
1974, co-sponsored by the Cornell University Program on Science,
Technology, and Society, and Aspen
Institute for Humanistic Studies. Ithaca, N.Y.: Cornell University Program on Science, Technology and Society, 1975.
"Shakespeare and the Critic's Idolatry of the Word." In
G. Blakemore Evans, ed., Shakespeare: Aspects of Influence, pp. 193-210. Harvard English Studies, 7. Cambridge and London: Harvard University Press, 1976.
See Poetic Presence and Illusion (1979), Chapter 3.
"The Theoretical Contributions of Eliseo Vivas." In Henry
Regnery, ed., Viva Vivas! Essays in Honor of Eliseo Vivas,
on the Occasion of His Seventy-Fifth Birthday, July 13, 1976
, pp. 37-63. Indianapolis: Liberty Press, 1976.
-- See Poetic Presence and Illusion (1979), Chapter
8.
"Literature as Illusion, as Metaphor, as Vision." In Paul Hernadi, ed., What Is Literature?, pp. 178-189. Bloomington: Indiana University Press, 1978.
"The Recent Revolution in Theory and the Survival of the
Literary Disciplines." In The State of the Discipline, 1970s-1980s, pp. 27-34. New York: Association of Departments of English
, 1979.
A special issue of the
ADE [Association of Departments of English] Bulletin (September-November 1979), 62.
"An Apology for Poetics." In Ira Konigsberg, ed., American Criticism in the PostStructuralist Age, pp. 87-101. Michigan Studies in the Humanities, 4. Ann Arbor: University of Michigan Press, 198
1.
Papers presented as part of a
Symposium in Critical Theory held in 1979-1980 at the
University of Michigan.
-- Reprinted in Hazard Adams and Leroy Searle, eds.,
Critical Theory Since 1965, pp. 534-542.
Tallahassee: University Presses of Florida, Florida
State University Press, 1986.
See Words about Words
about Words (1988), Chapter
6.
"`A Waking Dream': The Symbolic Alternative to
Allegory."
In Morton W. Bloomfield, ed., Allegory, Myth, and Symbol, pp. 1-22. Harvard English Studies, 9. Cambridge, Mass. & London: 1981.
-- See Words about Words
about Words (1988),
Chapter 15.
-- Reprinted also in Hazard Adams, ed., Critical Theory Since
Plato, pp. 1246-1254. New York: Harcourt Brace
Jovanovich, 1992.
"The Arts and the Idea of Progress." In Gabriel A.
Almond, Marvin Chodorow, and Roy Harvey Pearce, eds., Progress and Its Discontents, pp. 449-469. Berkeley, Los Angeles and London: Un
iversity of California Press, 1982.
Papers based on a Conference sponsored by the Western Center
of the American Academy of Arts and Sciences, held in February
1979, in Palo Alto, California.
See Words about Words
about Words (1988), Chapter
2.
Translated into Chinese in Fengzhen Wang, ed., Selected Works of
Current Western Literary Criticism, pp. 352-372.
Beijing: Li Jiang Press, 1992.
"Presentation and Representation in the Renaissance
Lyric: The Net of Words and the Escape of the Gods." In John D. Lyons and Stephen G. Nichols, eds., Mimesis: From Mirror to Method, Augustine to Descartes, pp. 110-131. Hanover, NH: University Press of New
England, 1982.
-- Reprinted in Richard Machin and Christopher Norris, eds.,
Post-Structuralist Readings of English Poetry,
pp. 20-37. Cambridge: Cambridge University Press, 1986.
See Words about Words
about Words (1988), Chapter
11.
"The Literary Privilege of Evaluation." In Joseph P. Strelka, ed., Literary Theory and Criticism: Festschrift in Honor of René Wellek, Part I: Theory, pp. 369-391. Berne, Frankfurt & New York: Lang, 1984. See Words about Words about Words (1988), Chapter 8.
"Literature vs. Ecriture: Constructions and Deconstructions in Recent Critical Theory." In Victor A. Kramer, ed., American Critics at Work: Examinations of Contemporary Literary Theory, pp. 27-48. Troy, N.Y.: Whitston, 1984.
"Literary Invention and the Impulse to Theoretical
Change:
`Whether Revolution Be the Same'." In Miklós Szabolcsi, József Kovács, Matild Gulyás, eds., Change in Language and Literature,
pp. 115-136. Budapest: Akadémiai Kiadó, 1986.
Proceedings of the 16th Triennial Congress of the Federation
Internationale des Langues et Litteratures Modernes [FILLM],
August 22-27, 1984, held in Budapest.
Revised version of published as "Literary Invention and the Impulse to
Theoretical Change: `Or Whether Revolution Be the Same'."
New Literary History (Autumn 1986), 18(1):
191-208.
"Introduction: The Literary, the Textual, the Social" In Murray Krieger, ed., The Aims of Representation: Subject/Text/History, pp. 1-22. Irvine Studies in the Humanities. New York: Columbia University Press, 1987.
"Poetry as Art, Language as Aesthetic Medium." In Doug
Bolling, ed., Philosophy and Literature, pp. 5-34. Art and Philosophy, 3. New York: Haven, 1987.
Lead essay of the
volume to which nine philosophers and
critics respond. See Part 2 of this bibliography.
"From Theory to Thematics." In Rajnath, ed., Deconstruction: A Critique, pp. 10-31. Basingstoke, Macmillan, 1989.
"Representation in Words and in Drama: The Illusion of the Natural Sign." In Frederick Burwick and Walter Pape, eds., Aesthetic Illusion: Theoretical and Historical Approaches, pp. 183-216. Berlin and New York: de Gruyter, 1990.
"The Semiotic Desire for the Natural Sign: Poetic Uses and Political Abuses." In David Carroll, ed., The States of `Theory': History, Art, and Critical Discourse, pp. 221-253. Irvine Studies in Humanties. New York: Columbia University Press, 1990.
"The Social vs. the Aesthetic in the History of American Criticism." In Alfred Hornung, Richard R. Doerries and Gerhard Hoffmann, eds., Democracy and the Arts in the United States, pp. 195-203. Munich: Fink, 1995.
"`Das Problem der Ekphrasis'. Wort und Bild, Raum und Zeit--und das literarische Werk." In Gottfried Boehm and Helmut Pfotenhauer, eds., Beschreibungskunst, Kunstbreschreibung: Ekphrasis von der Antike bis zur Gegenwart, pp. 41-57. Bild und Text. Munich: Fink, 1995.
"The Language of Poetry and the Untranslatability of Cultures." In Heinz Antor and Kevin L. Cope, eds., Intercultural Encounters: Studies in English Literatures, pp. 103-109. Essays Presented to Rüdiger Ahrens on the Occasion of His Sixtieth Birthday. Anglistische Forschungen, 265. Heidelberg: C. Winter, 1999.