Texts by Rosalind Krauss, 1994

Eddie Yeghiayan

• Agnes Martin. Madrid: Museo Nacional Centro de Arte Reina Sofia, 1994.

  Text in Spanish and English. See "The /Cloud/" (1992).

  (with Benjamin Buchloh, Alexander Alberro, Thierry de Duve, Martha Buskirk, and Yve-Alain Bois.) "Conceptual Art and the Reception of Duchamp." October (Fall 1994), 70: 126-146.

  A roundtable discussion.

  "Cy's Up." Artforum (September 1994), 33(1): 70-75, 118.

  Translated Denis Hollier's "Surrealist Precipitates: Shadows Don't Cast Shadows." October (Summer 1994), 69: 111-132.

  "The Grid, the /Cloud/, and the Detail." In Detlef Mertins, ed., The Presence of Mies, pp. 132147. New York: Princeton Architectural Press, 1994.

  This publication follows the symposium held on September 26, 1992 in the Council Chamber of Toronto City Hall to mark the twenty-fifth anniversary of the Toronto-Dominion Centre. Translated Jean-Pierre Criqui's "On Robert Morris and the Issue of Writing: A Note Full of Holes." In Robert Morris : The Mind/Body Problem, pp. 80-87. New York: Guggenheim Museum Foundation, 1994.

  "Letters: To the editor." Artforum (November 1994), 33(3): 7.

  Response to Barry Schwabsky's "Letters: To the editor." Artforum (November 1994), 33(3): 7, on Rosalind Krauss' "Cy's Up (1994).

  "`Michel, Bataille et moi', and I." Artforum (January 1994), 32(5): 74-75.

  On the occasion of MoMA's "Miró," a major exhibition on the 100th anniversary of the artist's birth. Part of 9 appreciations under the heading "Young at Heart: Miró at 100."

  "`Michel, Bataille et moi'." October (Spring 1994), 68: 3-20.

  "The Mind/Body Problem: Robert Morris in Series." In Robert Morris: The Mind/Body Problem, pp. 2-17. New York: Guggenheim Museum Foundation, 1994.

  Robert Morris retrospective, curated by Rosalind Krauss and Thomas Krens, held at New York's Solomon R. Guggenheim Museum (Uptown), Guggenheim Museum (SoHo), January-April 1994. The exhibit will travel to the Georges Pompidou Center from June 28-October 9, 1995.

  The Optical Unconscious. October Books. Cambridge, Mass.: MIT Press, 1994.

  Paperback edition of The Optical Unconscious (1993).

  (with Hal Foster, Benjamin Buchloh, Yve-Alain Bois, Helen Molesworth and Denis Hollier.) "The Politics of the Signifier II: A Conversation on the Informe and the Abject." October (Winter 1994), 67: 3-21.

  Roundtable discussion took place September 12, 1993.

  (with Denis Hollier, Annette Michelson, Hal Foster, Silvia Kolbowski, Martha Buskirk and Benjamin H.D. Buchloh.) "The Reception of the Sixties." October (Summer 1994), 69: 3-21.

  Roundtable discussion on Robert Morris Exhibition: Minimalist Art, a 1994 perspective.

  "Richard Serra: Skulptur/Sculpture." In Richard Serra: Props, pp. 28-109. Konzeption von Austellung und Katalog, Richard Serra und Christoph Brockhaus/Conception of the Exhibition and the Catalogue, Richa rd Serra and Christoph Borckhaus. Duisburg: Wilhelm Lehmbruck Museum, Zentrum für europaïsche Skulpture; Düsseldorf: Richter, 1994.

  Published on the occasion of an exhibition of the same name held at the Wilhelm Lehmbruck Museum, Duisburg, January 16-April 3, 1994 .

  German and English texts. German translation by Kay Heymer and Madeline Ferretti. See Richard Serra/Sculpture (1986).

  "Robert Morris: autour du problème corps/esprit/Around the Mind/Body Problem." Art Press (July-August 1994), 193: 24-32.

  In French and English. French translation by Frank Straschitz. Interview with Robert Morris, with foreward by Rosalind Krauss, curator of the 1994 Solomon R. Guggenheim Museum exhibit in New York.

  Translated Thierry de Duve's "Echoes of the Readymade: Critique of Pure Modernism." October (Fall 1994), 70: 61-97.

  "Visual Gravities: A Conversation with Rosalind Krauss." Any (March-April 1994), 1(5): 30-31.

  Interview conducted by John Rajchman.

  "We Lost It at the Movies." Art Bulletin (December 1994), 76(4): 578-580.

  Part of the journal's "A Range of Critical Perspectives: The Subject in/of Art History."