Eddie Yeghiayan
"Alfred Stieglitz's `Equivalents'." Arts Magazine (February 1980), 54(6): 134-137.
"Architects' Drawings/Artists' Buildings." In Nancy Foote, ed., Drawings: The Pluralist Decade, pp. 32-34. Philadelphia: Institute of Contemporary Art, 1980. Catalogue of an exhibition held in P hiladelphia, Pennsylvania, Institute of Contemporary Art, University of Pennsylvania (October 4-November 9, 1980), Chicago, Illinois: Museum of Contemporary Art (May 29-June 26, 1981).
"Death of a Hermeneutic Phantom: Materialization of the Sign in the Work of Peter Eisenman." A + U: Architecture and Urbanism (January 1980), 112: 189-219.
Written in June 1977. See "Death o
f a Hermeneutic Phantom: Materialization of
the Sign in the Work of Peter Eisenman" (1987).
"14 Americans Directions of the 1970s: A Film." By Michael Blackwood and Nancy Rosen. New York: Michael Blackwood Productions, 1980.
1 videocassette. (58 min.) : sd., col. ; 1/2 in. VHS format.
Consultants: Rosalind Krauss, et al.
Examines a diverse group of New York-based artists in order to record many of the most provocative works and ideas of the past decade. Covers a wide spectrum of artistic concepts and media.
"Grids, You Say." In Grids: Format and Image in 20th Century Art, pp. [1-8]. New York: Pace Gallery, 1980. Catalogue of an exhibition at the Pace Gallery, New York, December 16, 1978-January 20, 1979 and the Akron Art Institute, Akron, Ohio, March 24-May 6, 1979.
"Introduction." Irving Penn, Earthly Bodies: 76 Photographs of the Female Nude, Negatives and Silver Prints Made in 1949-1950, pp. 2, 4, 6-7, 9. 11. New York: Marlborough Gallery, 1980. Catalogue of an exhibition held September 4- October 1, 1980 at the Marlborough Gallery.
"Irving Penn: `Earthly Bodies'." Arts Magazine (September 1980), 55(1): 84-86.
(with Benjamin H.D. Buchloh and Annette Michelson.) "Joseph Beuys at the Guggenheim." October (Spring 1980), 12: 3-21.
This conversation took place on January 5, 1980 and was occasioned by the exhibit
ion, and accompanying catalogue by Caroline
Tisdall, of Joseph Beuys' work at the Guggenheim Museum, New York from November 1, 1979 to January 2, 1980.
"Jump over the Bauhaus." October (Winter 1980), 15: 102-110.
A review of the exhibition "Avant-Garde Photography in Germany, 1919-1939," San Francisco Museum of Modern Art, December 1980 - February 8, 1981, and accompanying catalogue by Van Deren Coke and Ute Eskildsen.
"Poststructuralism and the `Paraliterary'." October (Summer 1980), 13: 36-40. See The Originality of the Avant-Garde and Other Modernist Myths (1985), pp. 291-295.
"Reading Photographs as Text." In Bernard Rose, ed., Pollock Painting, pp. [73-79.] Photographs by Hans Namuth. New York: Agrinde, 1980.
"Re-presenting Picasso." Art in America (December 1980), 68(10): 90-96.
"To the Editor." [Letter] Arts Magazine (November 1980), 55(3): 22.
Response to Robert Pincus-Witten's "Entries: If Even in Fractions." Arts Magazine (September 1980), 55(1): 116-119. For Pincus-Witten's reply
see "To the Editor." [Letter] Arts Magazine (November 1980), 55(3): 22. See also Douglas Crimp's "To the Editor." [Letter] Arts Magazine (November 1980), 55(3): 22.