Texts by Rosalind Krauss, 1977

Eddie Yeghiayan

• "Notes on the Index: Seventies Art in America." (Part 1) October (Spring 1977), 3: 68-81. See "Notes on the Index: Seventies Art in America" (1987) and The Originality of the Avant-Garde and Other Mo dernist Myths (1985), pp. 196-209.

• "Notes on the Index: Seventies Art in America." (Part 2) October (Fall 1977), 4: 58-67. See "The Originality of the Avant- Garde and Other Modernist Myths (1985), pp. 210-219.

• Passages in Modern Sculpture. New York: Grossman/Viking; London: Thames and Hudson, 1977.
  Contents:

  1: Narrative Time: The Question of the Gates of Hell:7-37.
  2: Analytic Space: Futurism and Constructivism:39- 67.
  3: Forms of Readymade: Duchamp and Brancusi:69- 103.
  4: A Game Plan: The Terms of Surrealism:105- 146.
  5: Tanktotem: Welded Images:147- 200.
  6: Mechanical Ballets: Light, Motion, Theater:201-242.
  7: The Double Negative: A New Syntax of Sculpture:243-288.

• "Popular and Unpopular Art." Partisan Review (1977), 44(3): 345-351. Part of a symposium on Popular and Unpopular Art that took place at New York University on March 21, 1977, with William Phillips introducing the speakers. The speakers were Rosalind Krauss, Robert Brustein and Michael Wood. The participants in the discussion following the papers included Rosalind Krauss, Marshall Berman, Robert Brustein, Larry Rivers, William Phillips, Andrew Arato, Rockwell Anderson, Hilton Kramer, Morris D ickstein, Michael Wood, Leonard Kriegel and Stanley Kauffmann.

• The Sculpture of David Smith: A Catalogue Raisonné. Garland Reference Library of the Humanities, 73. New York: Garland, 1977.

• "Works on Paper: American Art 1945-1975: The Washinton Art Consortium Collection." In Works on Paper: American Art, 1945-1975, pp. 7-31. Seattle: Washington Art Consortium, 1977.