Texts by Rosalind Krauss, 1964

Eddie Yeghiayan

• "Boston Letter." Art International (February 15, 1964), 8(1): 32-34.

• "Boston Letter." Art International (November 25, 1964), 8(9): 43, 48.

• Within the Easel Convention: Sources of Abstract- Expressionism. Cambridge, Massachusetts: Harvard University. Fogg Art Museum, 1964.

  A catalogue of an exhibition held at the Fogg Museum, Harvard University, May 7-June 7, 1964.
  Rosalind Krauss' essay "Within the Easel Convention: Sources of Abstract-Expressionism," pp. 1-13.
  In the Catalogue portion, she writes on Willem De Kooning's "Bird of Paradise" (1947), "Untitled" (1937), "Orestes" (1947), "Gray and Black Composition" (1948), "Ashvill e" (1948-49), pp. 15-18, Max Ernst's "Blind Swimmer" (1934), pp. 18-19, Arshile Gorky's "Pirate II" (1943), "Virginia Landscape" (1943), pp. 20-22, Hans Hofmann's "Lighthouse" (1947), and "Abstract I" "Entombment" (1951), pp. 22-24.