Texts on Geoffrey Hartman

Eddie Yeghiayan

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• Abbott, H. Porter. "A Poetics of Radical Displacement: Samuel Beckett Coming up to Seventy."
  Texas Studies in Literature and Language (Spring 1975), 17(1): 236.

• Abbott, Scott. "`Des Dastehns grosser Anfangsbuchstab': Standing and Being in Rilke's Fifth Elegy." German Quarterly (Summer 1987), 60(3): 435, 445n6.

• Abraham, David. "Big Business, Nazis and German Politics at the End of Weimar." Review of Henry Ashby Turner's German Big Business and the Rise of Hitler. European History Quarterly (April 1987), 17(2): 244-245n31.

• Abrams, M.H. "Construing and Deconstructing." In Morris Eaves and Michael Fischer, eds., Romanticism and Contemporary Criticism, p. 128. Ithaca and London: Cornell University Press, 1986.

• Abrams, M.H. Doing Things with Texts: Essays in Criticism and Critical Theory, p. 298. New York: Norton, 1989.

• Abrams, M.H. Natural Supernaturalism: Tradition and Revolution in Romantic Literature, pp. 390, 526n36. New York: Norton, 1971.

• Ackland, Michael. "Charles Harpur's `The Bush Fire' and `A Storm in the Mountains': Sublimity, Cognition and Faith." Southerly (December 1983), 43(4): 472-473.

• _____."Cognitive Man and Divinity in the Short Descriptive Verse of Charles Harpur." Southern Review (Adelaide) (1983), 16(3): 403n11.

• _____."Innocence at Risk: Charles Harpur's Adaptation of a Romantic Archetype to the Australian Landscape." AUMLA (May 1988), 69: 258n9.

• Adamowski, T.H. "The Disenchantment of the Word." Queen's Quarterly (Autumn 1981), 88(3): 442, 455-456.

• _____."Intimacy and Distance: Sexuality and Orality in Sons and Lovers." Mosaic (1980), 13(2): 88n10.

• Adams, Hazard. "Contemporary Ideas of Literature: Terrible Beauty or Rough Beast?" In Murray Krieger and L.S. Dembo, eds., Directions for Criticism: Structuralism and Its Alternatives, pp. 55n1 , 74. Madison: University of Wisconsin Press, 1977.

• Adams, Hazard and Leroy Searle. "Geoffrey H. Hartman." In Hazard Adams and Leroy Searle, eds., Critical Theory Since 1965, pp. 344-345. Tallahassee: University Pr esses of Florida/Florida State University press, 1986.

• Adams, Vicki Millard. "The Concept of the Reader in Post World War II Anglo-American and French Criticism." Ph.D. Dissertation, Indiana University, 1980. Abstract in Dissertation Abstracts International ( June 1981), 41(12A):5096-A.

• Adelson, Leslie A. "There's No Place Like Home: Jeannette Lander and Ronnith Neumann's Utopian Quests for Jewish Identity in the Contemporary German Context." New German Critique (Spring-Summer 113n2.

• Ahlstrom, Sydney E. "The Romantic Religious Revolution and the Dilemmas of Religious History." Church History (June 1977), 46(2): 161.

• Aichele, George. "The Rabbis and the Post-Structuralists." Review of Geoffrey Hartman and Sanford Budick, ed., Midrash and Literature. Cross Currents (Winter 1987-88), 37(4): 486-488.

• Aiken, Susan Hardy. "The Uses of Duplicity: Isak Dinesen and Questions of Feminist Criticism."
  Scandinavian Studies (Autumn 1985), 57(4): 405-406, 411n16.

• Aizenberg, Edna. "Borges and the Hebraism of Contemporary Literary Theory." In Edna Aizenberg, ed., Borges and His Successors: The Borgesian Impact on Literature and the Arts, pp. 249, 250, 253 -255, 259, 260, 261, 262. Columbia: University of Missouri Press, 1990.

• _____."Introduction." In Edna Aizenberg, ed., Borges and His Successors: The Borgesian Impact on Literature and the Arts, p. 14. Columbia: University of Missouri Press, 1990.

• Albrecht, W.P. "To Autumn." (Letter) PMLA (January 1981), 96(1): 104.

• _____."Tragedy and Wordsworth's Sublime." Wordsworth Circle (Winter 1977), 8(1): 94n7.

• Alexander, Meena. "Dorothy Wordsworth: The Grounds of Writing." Women's Studies: An Interdisciplinary Journal (1988), 14(3): 206, 210n20.

• Allen, James Smith. "History and the Novel: Mentalité in Modern Popular Fiction."
  History and Theory (1983), 22(3): 240n29, 242n36, 243, 244, 244n49,

• _____."Toward a History of Reading in Modern France, 1800-1940." French Historical Studies (Fall 1987), 15(2): 285n56.

• Allen, Roger. "The Novella in Arabic: A Study of Fictional Genres." International Journal of Middle East Studies (November 1986), 18(4): 474, 482n9.

• Almeida, Hermione de. "Byron, Joyce, and the Modern Epic." South Atlantic Quarterly (Autumn 1983), 82(4): 402n8.

• Alonso, Carlos J. "Julio Cortázar: The Death of the Author." Revista de Estudios Hispánicos (May 1987), 21(2): 70n4, 71.

• Alpers, Paul. "Convening and Convention in Pastoral Poetry." New Literary History (Winter 1983), 14(2): 301, 304n40.

• Alter, Robert. "Old Rabbis, New Critics." Review of Geoffrey Hartman and Sanford Budick, ed., Midrash and Literature. New Republic (January 5, 1987), 196(1): 27 -33.

• _____."Outside the Academy." Review of Patrick Parrinder, Authors and Authority: English and American Criticism 1750-1990, and René Wellek, A History of Modern Criticism 1750-1950. Vol. VII: German, Rusian and Ea stern European Criticism, 1900-1950. London Review of Books (February 13, 1992), 14(3): 15.

• _____.The World of Biblical Literature, p. 199. New York: Basic Books, 1992.

• Altieri, Charles. "The Qualities of Action: A Theory of Middles in Literature." Boundary 2 (Winter 1977), 5(2): 346n1.

• Andersen, Lars Erslev and Hans Hauge, eds., Tekst og Trope: Dekonstruktion i Amerika. Aarhus: Modtryk, 1988.

• Andermatt-Conley, Verena. "A Doll's Story." New Literary History (Autumn 1977), 9(1): 187n2.

• Anderson, Perry. English Questions, p. 243. London: Verso, 1992.

• Anderson, Perry. "Apocalyptic Imagination." Review of Geoffrey Hartman's Wordsworth's Poetry 1787- 1814. TLS [Times Literary Supplement] (April 29, 1965), 3296: 332.

• Aquila, Richard E. "The Cartesian and a Certain `Poetic' Notion of Consciousness." Journal of the History of Ideas (October-December 1988), 49(4): 557n45.

• Arac, Jonathan. "Afterword." In Jonathan Arac, Wallace Martin, and Wlad Godzich, eds., The Yale Critics, pp. 190197. Minneapolis: University of Minnesota Press, 1983.

• _____."Arnoldian Prophecy: Making Critical History." Boundary 2 (Spring-Fall 1984), 12(3) & 13(1): 143, 144145, 154n6.

• _____."Bounding Lines: The Prelude and Critical Revision." Boundary 2 (Spring 1979), 7(3): 41, 46n15, 47n25.

• _____."The Impasse of American New Literary History." In his Critical Genealogies: Historical Situations for Postmodern Literary Studies, pp. 11-56. New York: Columbia University Press, 1987.

• _____."The Politics of The Scarlet Letter." In Sacvan Bercovitch and Myra Jehlen, eds., Ideology and Classic American Literature, pp. 249-250, 263nn5, 6. Cambridge: Cambr idge University Press, 1986.

• Archer, John. "Authority in Shelley." Studies in Romanticism (Summer 1987), 26(2): 261

• Arensberg, Mary and Sara E. Schyfter. "Hairoglphics in Faulkner's `A Rose for Emily': Reading the Primal Trace." Boundary 2 (Fall 1986-Winter 1987), 15(1-2): 123, 125, 133n2 .

• Argyros, Alexander J. A Blessed Rage for Order: Deconstruction, Evolution, and Chaos, pp. 23, 25, 49, 202, 204, 359. Ann Arbor: University of Michigan Press, 1991.

• _____."Learning from the Stock Market: Literature as Cultural Investment." Mosaic (Canada) (Summer 1989), 22(3): 113, 116.

• Argyros, Alexander J. and Jerry Aline Flieger. "Hartman's Contagious Orbit: Reassessing Aesthetic Criticism." Diacritics (Spring 1987), 17(1): 52-69. Review of Geoffrey Hartman's Criticism in the Wilderness, Deconstruction and Criticism, Psychoanalysis and the Question of the Text, and Saving the Text.

• Arkans, Norman. "Hardy's Poetic Landscapes." Colby Library Quarterly (March 1979), 15(1): 29.

• Arthur, Marylin B. "Classics and Psychoanalysis." Classical Journal (October- November 1977), 73(1): 58.

• Ash, Beth Sharon. "Jewish Hermeneutics and Contemporary Theories of Textuality: Hartman, Bloom, and Derrida." Review of Geoffrey Hartman and Sanford Budick, eds., Midrash and Literature. Modern Phi lology (August 1987), 85(1): 65-80.

• Asp, Carolyn. "Marvell's Nymph: Unravished Bride of Quiteness." Papers on Language and Literature (Fall 1978), 14(4): 396n4.

• Assmann, Aleida and Anselm Haverkamp, eds., Stimme, Figur: Kritik und Restitution in der Literaturwissenschaft. Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte, Sonderh [Supplement], 68. Stuttgart: Metzler, 1994.
       Festschrift for Geoffrey H. Hartman.

• Atkins, G. Douglas. "A(fter) D(econctruction): The Relations of Literature and Religion in the Wake of Deconstruction." Studies in the Literary Imagination (Spring 1985), 18(1): 91.

• _____."Afterword: On the Critical Character: Reading and Writing in the Post-Structural Age." New Orleans Review (Winter 1988), 15(4): 82, 83.

• _____."`Count It All Joy': The Affirmative Nature of Deconstruction." University of Hartford Studies in Literature (1984), 16(1): 120, 121, 122, 123, 127nn2, 8, 9.

• _____."Dehellenizing Literary Criticism." College English (March 1980), 41(7): 769-779. Reprinted in a slightly revised form in his Reading Deconstruction/Deconstructive Reading, pp . 34-48. Lexington: University Press of Kentucky, 1983.

• _____."Geoffrey H. Hartman." In Gregory S. Jay, ed., Modern American Critics Since 1955, pp. 134-150. Dictionary of Literary Biography, 67. Detroit, Michigan: Gale Research, A Bruccoli Layman Bo ok, 1988.

• _____.Geoffrey Hartman: Criticism as Answerable Style. Critics of the Twentieth Century. London & New York: Routledge: 1990.

• _____."In Other Words: Gardening for Love--The Work of the Essayist." Kenyon Review (Winter 1991), 13(1): 62-63, 69.

• _____."Interpretation and Meaning in A Tale of a Tub." Essays in Literature (Fall 1981), 8(2): 238n3.

• _____."A Matter of Difference: Deconstruction and Eighteenth-Century Studies." Eighteenth Century: Theory and Interpretation (Fall 1987), 28(3): 268, 269n4.

• _____."Partial Stories: Hebraic and Christian Thinking in the Wake of Deconstruction." Notre Dame English Journal (Summer 1983), 15(3): 13, 20n21.

• _____."Pope's Poetry and the Reader's Responsibilities." College Literature (Spring 1982), 9(2): 85, 93, 95nn13, 14, 96nn36-40.

• _____."Reader-Responsibility Criticism: The Recent Work of Geoffrey Hartman." In his Reading Deconstruction/Deconstructive Reading, pp. 49-63. Lexington: University Press of Kentucky, 1983.

• Averill, James H. Review of Lawrence Lipking, ed., High Romantic Argument: Essays for M.H. Abrams. Studies in Romanticism (Winter 1983), 22(4): 632.

• _____."Suffering and Calm in Wordsworth's Early Poetry." PMLA (January 1976), 91(1): 233n9.

• Avni, Abraham. "Wordsworth and Ecclesiastes--A `Skeptical' Affinity." Research Studies (March 1981), 49(1): 66, 68-69n8.

• Bahti, Timothy. "Ambiguity and Indeterminacy: The Juncture." Comparative Literature (Summer 1986), 38(3): 209-223.

• _____."Dialectic and Negativity: Readings in the Rhetoric of Romanticism." Ph.D. Dissertation, Yale University, 1980. Abstract in Dissertation Abstracts International (May 1981), 41(11A):4703-A.

• _____."Figures of Interpretation, The Interpretation of Figures: A Reading of Wordsworth's `Dream of the Arab'." Studies in Romanticism (Winter 1979), 18(4): 601-606, 616n33, 624n46, 625.

• Baldick, Chris. "Deconstruction." In The Concise Oxford Dictionary of Literary Terms, p. 52. Oxford: Oxford University Press, 1991.

• Baldo, Jonathan. "A Semiotic Approach to Prospection in Shelley." Semiotica (1987), 64(3-4): 281, 295.

• Balfour, Ian. Review of Geoffrey Hartman and Sanford Budick, eds., Midrash and Literature.
  Comparative Literature Studies (March 1990), 27(3): 255-258.

• Bannet, Eve Tavor. Structuralism and the Logic of Dissent: Barthes, Derrida, Foucault, Lacan, pp. 229, 283. Urbana: University of Illinois Press, 1989.

• Bargad, Warren. "The Poetics of Allusion and the Hebrew Literary Tradition." Judaism (Fall 1977), 26(4): 481n1.

• Barney, Richard A. "Paul de Man and the Legacy of Suspicion." In Joseph Natoli, ed., Literary Theory's Future, pp. 93, 112n25. Urbana and Chicago: University of Illinois Pr ess, 1989.

• Baron, Michael. "Speaking and Writing: Wordsworth's `Fit Audience'." English (Autumn 1983), 32(144): 230.

• Bartlett, Brian. "`Inscrutable Workmanship': Music and Metaphors in The Prelude and The Excursion." Wordsworth Circle (Summer 1986), 17(3): 178, 180n12.

• Barzilai, Shuli and Morton Bloomfield. "New Criticism and Deconstructive Criticism, or What's New?" New Literary History (Autumn 1986), 18(1): 174, 189n2.

• Bate, Jonathan. "Wordsworth and the Naming of Places." Essays in Criticism (July 1989), 39(3): 200-201, 214n7.

• Bauman, Zygmunt. "Philosophical Affinities of Postmodern Sociology." Sociological Review (August 1990), 38(3): 443n14.

• Baumlin, James S. and Tita French Baumlin. "Psyche/Logos: Mapping the Terrains of Mind and Rhetoric." College English (March 1989), 51(3): 245, 260.

• Baumlin, Tita French. "The Birth of the Bard: Venus and Adonis and Poetic Apotheosis." Papers on Language and Literature (Spring 1990), 26(2): 210.

• Bazerman, Charles. "What Written Knowledge Does." Philosophy of the Social Sciences (1981), 11: 364, 373377.

• Beaugrande, Robert De. "Toward the Empirical Study of Literature: A Synoptic Sketch of a New `Society'." Poetics (April 1989), 18(1-2): 27.

• Bedford, R.D. "Similes of Unlikeness in Paradise Lost." Essays in Criticism (April 1975), 25(2): 189, 195n12.

• Beeker, Jon. "Symbolism of Ternary Structures in Paul Valéry's Charmes." Kentucky Romance Quarterly (1977), 24(4): 448n3.

• Beer, John. "Coleridge and Wordsworth on Reflection." Wordsworth Circle (Winter 1989), 20(1): 26, 29n19.

• Bell, Michael J. "`No Borders to the Ballad Maker's Art': Francis James Child and the Politics of the People." Western Folklore (October 1988), 47(4): 302n14.

• Bell-Villada, Gene H. "Criticism and the State (Political and Otherwise) of the Americas." In Gerald Graff and Reginald Gibbons, eds., Criticism in the University, pp. 129, 143n4. TriQuar terly Series on Criticism and Culture, No. 1. Evanston: Northwestern University Press, 1985.

• Bellas, Ralph A. Review of Geoffrey Hartman, ed., Hopkins: A Collection of Critical Essays. Thought (Spring 1967), 42(164): 131-132.

• Bellamy, Elizabeth J. "The Vocative and the Vocational: The Unreadability of Elizabeth in The Faerie Queene." ELH (Spring 1987), 54(1): 12, 20, 25n4, 27n19, 28nn20, 23, 2 9nn26, 28, 29, 30n36.

• Ben-Amos, Dan. "Jewish Folklore Studies." Modern Judaism (February 1991), 11(1): 23, 56.

• Bender, Eileen T. "The Woman Who Came to Dinner: Dining and Divining a Feminst `Aesthetic'." Women's Studies: An Interdisciplinary Journal (1986), 12: 316, 333n3.

• Ben-Ehphraim, Gavriel. "The Imagination and its Vicissitudes in Great Expectations." Hebrew University Studies in Literature and the Arts (Spring 1985), 13(1): 45.

• Bennett, Andrew J. "Enticing Conclusion: John Keats's `Ode on a Grecian Urn'." Word & Image (OctoberDecember 1989) 5(4): 310n31.

• Bennett, James R. "National Power and Objectivity in the Classroom." College English (December 1989), 51(8): 810, 821.

• Bennington, Geoffrey. "Deconstruction and the Philosophers (The Very Idea)." Oxford Literary Review (1988), 10(1-2): 117n8, 121n26.

• _____.Review of Geoffrey Hartman's Saving the Text. French Studies (July 1982), 36(3): 365-366.

• Benstock, Shari. "At the Margin of Discourse: Footnotes in the Fictional Text." PMLA (March 1983), 98(2): 220n2, 225.

• Berg, Temma F. " La Carte Postale: Reading (Derrida) Reading." Criticism (Summer 1986), 28(3): 323, 338n1, 340n12.

• Berg, Temma F. "Reading In/to Mark." Semeia (1989), 48: 205.

• Berger, Harry. "Biography as Interpretation, Interpretation as Biography." College English (November 1966), 28(2): 116.

• _____."Bodies and Texts." Representations (Winter 1987), 17: 157, 166n14.

• _____."Text Against Performance in Shakespeare: The Example of Macbeth." Genre (Spring & Summer 1982), 15(1 & 2): 52, 78n7.

• Bergonzi, Bernard. Exploding English: Criticism, Theory, Culture, pp. 133-134, 139, 233. Oxford: Clarendon Press, 1990.

• _____.Gerard Manley Hopkins, pp. 176, 179, 193. New York: Macmillan, 1977.

• _____."A Strange Disturbing World: The Conflicts in Criticism." Encounter (June-July 1982), 58(6) & 59(1): 62.

• Berlin, Adele. Review of Geoffrey Hartman and Sanford Budick, eds., Midrash and Literature. Journal of the American Oriental Society (July- September 1987), 107(3): 548-549.

• Berman, Art. From the New Criticism to Deconstruction: The Reception of Structuralism and Poststructuralism, pp. 5, 119, 134, 161, 190, 229, 251, 253-266, 272, 275, 280, 285, 294, 311. Urbana: University of Illinois Press, 1988.

• Berman, Jeffrey. Narcissism and the Novel, pp. 42, 45. New York: New York University Press, 1990.

• Bernhardt-Kabisch, Ernest. "The Stone and the Shell: Wordsworth, Cataclysm, and the Myth of the Glaucus." Studies in Romanticism (Winter 1984), 23(4): 471n30, 473n33.

• _____."Wordsworth and the Simplon Revisited." Wordsworth Circle (Autumn 1979), 10(4): 384n8.

• Bernbaum Ernest and Frank Jordan. "The Romantic Movement." In Frank Jordan, ed., The English Romantic Poets: A Review of Research and Criticism, pp. 21, 32, 55-56. 3rd, rev. ed. New York: MLA, 1972.

• Bernbaum Ernest, James V. Logan, Jr., and Ford T. Swetnam, Jr. "Wordsworth." In Frank Jordan, ed., The English Romantic Poets: A Review of Research and Criticism, pp. 94-96, 100, 107, 108, 115, 118, 121, 122, 123, 124, 127, 129, 130, 134. 3rd, rev. ed. New York: MLA, 1972.

• Bernheimer, Charles. "Strucuralist Plots and Counterplots." Boundary 2 (Spring 1976), 4(3): 982, 984nn13, 14.

• Bernstein, Gene M. "Lévi-Strauss's Totemism and Wordsworth's Lyrical Ballads." Studies in Romanticism (Fall 1979), 18(3): 383n1, 3 85, 388, 395, 398, 400.

• _____."The Mediated Vision: Eliade, Lévi-Strauss, and Romantic Mythopoesis." In Marjorie W. McCune, Tucker Orbison and Philip M. Withim, eds., The Binding of Proteus: Perspectives on Myth and the Literary Process, pp. 158-161. Lewisburg: Bucknell University Press; London: Associated University Presses, 1980.

• _____."A Structuralist Reading of `Anecdote for Fathers' and `We are Seven'." Wordsworth Circle (Autumn 1979), 10(4): 340, 343nn1, 5.

• Bersani, Leo. A Future for Astyanax: Character and Desire in Literature, p. x. Boston: Little, Brown, 1976.

• Bessière, Jean. "Dire la mimesis aujourd'hui." Neohelicon (1986), 13(2): 77n29.

• Bewell, Alan J. "The Political Implication of Keats's Classicist Aesthetics." Studies in Romanticism (Summer 1986), 25(2): 220.

• _____."A `Word Scarce Said': Hysteria and Witchcraft in Wordsworth's `Experimental' Poetry of 1797-1798." ELH (Summer 1986), 53(2): 390n53.

• Bialostosky, Don H. "Narrative Irony and the Pleasure Principle in `Anecdote for Fathers' and `We Are Seven'." JEGP (April 1982), 81(2): 238n16.

• _____."On First Looking into Norton's Wordsworth." CEA Critic (Spring 1990), 52(3): 55, 56, 60.

• _____."Wordsworth, New Literary Histories, and the Constitution of Literature." In Kenneth R. Johnston, Gilbert Chaitin, Karen Hanson and Herbert Marks, eds., Romantic Revolutions: Criticism and Theory, p. 414. Bloo mington & Indianapolis: Indiana University Press, 1990.

• _____."Wordsworth's Dialogic Art." Wordsworth Circle (Summer 1989), 20(3): 141, 142, 147.

• Bidney, Martin. "Diminishing Epiphanies of Odin: Carlyle's Reveries of Primal Fire." Modern Language Quarterly (March 1983), 44(1): 63-64.

• Bidney, Martin. "Radiant Geometry in Wordsworthian Epiphanies." Wordsworth Circle (Summer 1985), 16(3): 114, 119n1.

• _____."Solomon and Pharaoh's Daughter: Blake's Response to Wordsworth's Prospectus to The Recluse." JEGP (October 1986), 85(4): 533n5.

• Birdsall, Eric R. "Nature and Society in Descriptive Sketches." Modern Philology (August 1986), 84(1): 39-41.

• Birdsall, Eric R. "Wordsworth Scholarship: An Annual Register." Wordsworth Circle (Summer 1975), 6(3): 196.

• Birdsall, Eric R. "Wordsworth Scholarship: An Annual Register." Wordsworth Circle (Summer 1976), 7(3): 189.

• Birdsall, Eric R. "Wordsworth Scholarship: An Annual Register." Wordsworth Circle (Summer 1978), 9(3): 237.

• Birkett, Mary Ellen. " Pictura, Poesis and Landscape." Stanford French Review (Fall 1978), 2(2): 245n24.

• Bishop, Lloyd. "`Le Lac' as Exemplar of the Greater Romantic Lyric." Romance Quarterly (November 1987), 34(4): 412, 413nn13, 14.

• Bisztray, George. "The Historical Perspective of Contemporary Literary Scholarship." Neohelicon (1985), 12(2): 97n1.

• Bivona, Daniel. "Disraeli's Political Trilogy and the Antinomic Structure of Imperial Desire." Novel (Spring 1989), 22(3): 309.

• Black, Joel D. "Levana: Levitation in Jean Paul and Thomas De Quincey." Comparative Literature (Winter 1980), 32(1): 59n35.

• Blake, Kathleen. "Elizabeth Barrett Browning and Wordsworth: The Romantic Poet as a Woman." Victorian Poetry (Winter 1986), 24(4): 393n6.

• Blakemore, Steven. "Strange Tongues: Cooper's Fiction of Language in The Last of the Mohicans." Early American Literature (Spring 1984), 19(1): 40n8, 41.

• Blanchard, Marc Eli. "The Future of Deconstruction." Review of Geoffrey Hartman's Saving the Text. Semiotica (1984), 50(3-4): 301-315.

• Blodgett, E.D. "Cold Pastorals: A Prolegomenon." Canadian Review of Comparative Literature/Revue Canadienne de Litterature Comparée (Spring 1979), 6: 170-171n16.

• Blondel, Jacques. Review of Geoffrey Hartman's The Fate of Reading and Other Essays. Etudes Anglaises (January-March 1978), 31(1): 70-71.

• Bloom, Edward, ed. "Hermeneutic Hesitation: A Dialogue between Geoffrey Hartman and Julian Moynahan." Novel (Winter 1979), 12(2): 101-112.

• Bloom, Harold. "Geoffrey Hartman." In Harold Bloom, ed., The Art of the Critic: Literary Theory and Criticism from the Greeks to the Present, pp. 541-542. New York & Philadelpha: Chelsea Ho use, 1990.

• _____."Poetic Crossing, II: American Stances." Georgia Review (Winter 1976), 30(4): 787-788.

• _____."Poetic Crossing: Rhetoric and Psychology." Georgia Review (Fall 1976), 30(3): 503-506, 520.

• _____.Poetics of Influence, pp. 33, 141, 150, 151, 153, 250, 252. Edited by John Hollander. New Haven: Schwab, 1988.

• _____.Wallace Stevens: The Poems of Our Climate, pp. 17, 19, 382, 383, 384, 385, 386, 402. Ithaca and London: Cornell University Press, 1977.

• _____.Yeats, pp. 8, 10, 472nn3, 4. London: Oxford University Press, 1970.

• Bloom, Peter, "A Return to Berlioz's Retour à la vie." Musical Quarterly (July 1978), 64(3): 380.

• Boegeman, Margaret Byrd. "Lives and Literacy: Autobiography in Freshman Composition." College English (February 1980), 41(6): 664.

• Bogel, Fredric V. "Dulness Unbound: Rhetoric and Pope's Dunciad." PMLA (October 1982), 97(5): 845, 854.

• Böhler, Michael. Review of Geoffrey Hartman's The Fate of Reading. Arcadia (1977), 12(2): 169-172. In German.

• Bonney, William W. "Torpor and Tropology in Tennyson's `Merlin and Vivien'." Victorian Poetry (Winter 1985), 23(4): 361.

• "Books of Interest." Review of Geoffrey Hartman's The Fate of Reading. Milton Quarterly (December 1976), 10(4): 129-130.

• Booth, Wayne C. Critical Understanding: The Powers and Limits of Pluralism, pp. 367-368n18. Chicago and London: University of Chicago Press, 1979.

• _____."`Preserving the Exemplar': or, How Not to Dig Our Own Graves." Critical Inquiry (Spring 1977), 3(3): 415n14, 416n22, 419.

• Borklund, Elmer. "Hartman, Geoffrey H." In his Contemporary Literary Critics, 2d ed., pp. 262-268. London: Macmillan, 1982.

• Bornstein, George. "Beyond Modernism." Review of Geoffrey Hartman's Beyond Formalism. Michigan Quarterly Review (Summer 1973), 12(3): 278-284.

• Bosch, James Vanden. "Moral Criticism: Promises and Prospects." In Clarence Walhout and Leland Ryken, eds., Contemporary Literary Theory: A Christian Appraisal, p. 25. Grand Rapids, Michigan: Eerdmans, 1991.

• Boulgher, James D. "The Numinous in Poetry." Thought (June 1979), 54(213): 144n3, 152n13, 154, 160.

• Bové, Paul A. "The Ineluctability of Difference: Scientific Pluralism and the Critical Intelligence." Boundary 2 (Fall-Winter 1982-83), 11(1-2): 173, 176n28. Reprinted as "The Ineluctability of Difference." In Jonathan Arac, ed., Postmodernism and Politics, pp. 23, 25n30. Theory and History of Literature, 28. Minneapolis: University of Minnesota Press, 1986.

• _____."Mendacious Innocents, or, The Modern Genealogist as Conscientious Intellectual: Nietzsche, Foucault, Said." Boundary 2 (Spring 1981), 9(3) & (Fall 1981), 10(1): 360, 387.

• Bowen, Barbara E. "The Sea Resists: Midrash and the (Psycho)Dynamics of Intertextuality." Poetics Today (Winter 1989), 10(4): 662-663, 676.

• _____."Untroubled Voice: Call-and-Response in Cane." Black American Literature Forum (Spring 1982), 16(1): 12, 18n4. Reprinted in Henry Louis Gates, Jr., ed., Black Literature and Literary Theory, pp. 188, 202n4. New York and London: Routledge, 1984.

• Boyarin, Daniel. "Inner Biblical Ambiguity, Intertextuality and the Dialectic of Midrash: The Waters of Marah." Prooftexts (January 1990), 10(1): 44-45, 48n34.

• _____."Voices in the Text: Midrash and the Inner Tension of Biblical Literature." Revue Biblique (October 1986), 93(4): 589-590.

• Boyle, James. "The Politics of Reason: Critical Legal Theory and Local Social Thought." University of Pennsylvania Law Review (April 1985), 133(4): 707n73.

• Bracher, Mark. "Ideology and Audience Response to Death in Keats's `To Autumn'." Studies in Romanticism (Winter 1990), 29(4): 633.

• Bradbury, Malcolm. "Parody." Amerikastudien/American Studies (1985), 30(2): 222n7.

• Brady, Kristin. "Continuity and Indeterminacy in Hawthorne's Unfinished Romances." English Studies in Canada (September 1985), 11(3): 333n50

• Brand, Dana. "Milton's Presence in Wordsworth's London: A Discussion of the Structure of Book VII of The Prelude." CEA Critic (Summer 1986), 48(4) & (Fall < !-- YR-->1986), 49(1): 72, 75n4.

• Breslin, James E.B. From Modern to Contemporary American Poetry 1945-1965, pp. 256-257, 259. Chicago: University of Chicago Press, 1984.

• Briggs, Ward W., Jr. "Housman and Polar Errors." American Journal of Philology (Fall 1983), 104: 268

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• Contemporary Literary Criticism, Volume 27, "Geoffrey H. Hartman," pp. 178-189. Edited by Jean C. Stine. Detroit, Michigan: Gale Research, 1984.
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  • Bergonzi, Bernard. "A Strange Disturbing World: The Conflicts in Criticism." Encounter (June 1982), 6 & (July 1982), 1: 58, 60-67.]:189.
    
  • Crews, Frederick. ["Criticism without Constraint." Commentary (January 1982), 73(1): 65-71.]:187-189.

  • Culler, Jonathan. ["Reading and Misreading." Yale Review (Autumn 1975), 56(1): 88-95.]:184.
    
  • Des Pres, Terence. ["Continental Drift." Nation (November 8, 1980), 231(15): 471-473.]:186.
    
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  • _____.["Reading about Writing." New York Times Book Review (November 9, 1980): 11, 32-33.]:186187.
    
  • Graff, Gerald. [Review of Criticism in the Wilderness: The Study of Literature Today. New Republic (November 1, 1980), 183(18): 34-37.]:185-186.
    
  • Lawrence, Lerner. ["Stendhal's Mirror." Encounter (December 1972), 39(6): 62-66.]:179.
    
  • Marshall, Donald. ["Beyond Formalism." Partisan Review (1977), 44(1): 131-134.]:184-185.
    
  • Poirier, Richard. ["A Star Trek in the Theory of Poetics." New York Times Book Review (April 20, 1975): 21-26.]:180-182.
    
  • Ricks, Christopher. ["The Greatness of Wordsworth." New York Review of Books (January 28, 1965), 3(12): 10, 12.]:178.
    
  • Riddel, Joseph N. [Review of Beyond Formalism: Literary Essays, 1958-1970. Comparative Literature (Spring 1973), 25(3): 178-181.]:179-180.
    
    

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• Cox, C.B. "Editorial." Critical Quarterly (Winter 1985), 27(4): 3.

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• Criniti, Nicola. "Granio Liciniano: storia di una scorpeta." Nouva Rivista Storica (September-October 1982), 66(5-6): 473.

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• De Man, Paul. "Time and History in Wordsworth." Diacritics (Winter 1987), 17(4): 4-5, 14, 15, 16.

• DeMaria, Robert, Jr. "The Ideal Reader: A Critical Fiction." PMLA (May 1978), 93(3): 473nn1, 3.

• DePietro, Thomas M. "Literary Example as History: The Example of Auerbach's Mimesis." Clio (Spring 1979), 8(3): 386n4.

• De Prospo, R.C. "Deconstructive Poe(tics)." Diacritics (Fall 1988), 18(3): 49, 63.

• De Rocher, Gregory. "The Curing Text: Maurice Scève's Delie as the Delie." Romantic Review (January 1987), 78(1): 15, 20.

• Derwin, Susan. Review of Geoffrey H. Hartman, ed., Bitburg in Moral and Political Perspective. MLN (December 1987), 102(5): 1241-1244.

• Desmond, William. "Hegel, Dialectic, and Deconstruction." Philosophy and Rhetoric (1985), 18(4): 262n1.

• Des Pres, Terrence. "Continental Drift." Review of Geoffrey Hartman's Criticism in the Wilderness. Nation (November 8, 1980), 231(15): 471-473.

• Detweiler, Robert. Review of Geoffrey Hartman's Criticism in the Wilderness. South Atlantic Review (September 1982), 47(3): 83-86.

• Diamond, Eliezer. "The World of the Talmud." In Barry W. Holtz, ed. The Schocken Guide to Jewish Books, p. 64. New York: Schocken Books, 1992.

• Dickstein, Morris. "The Romantic Agony." Review of Geoffrey Hartman's Wordsworth's Poetry 1787- 1814. Partisan Review (Winter 1966), 33(1): 139-142.

• Diehl, Joanne Feit. "Dickinson and Bloom: An Antithetical Reading of Romanticism." Texas Studies in Literature and Language (Fall 1981), 23(3): 427, 440n14, 441n24.

• Diehl, Joanne Feit. "Emerson, Dickinson, and the Abyss." ELH (Winter 1977), 44(4): 700n46.

• Dillingham, Thomas F. "`Blest Light': Christopher Smart's Myth of David." In Raymond-Jean Frontain and Jan Wojcik, eds., The David Myth in Western Literature, pp. 128, 202n7. West Lafayette, Indiana: Purdue University Press, 1980.

• Dillon, Steven C. "Milton and the Poetics of Extremism." Milton Studies (1989), 25: 271, 273, 282nn9, 14, 21.

• Dimock, Wai-Chee. "Reinventing Literary History." Review of Lawrence Buell's New England Literary Culture. American Quarterly (Summer 1987), 39(2): 287, 291n1.

• Dissanayake, Wimal. Review of Geoffrey Hartman's The Fate of Reading. Journal of Aesthetics and Art Criticism (Winter 1976), 35(2): 252-253.

• Docherty, Thomas. Review of Geoffrey Hartman and Patricia Parker, eds., Shakespeare and the Question of Theory. Review of English Studies (November 1987), 38(152): 553-555.

• Doherty, Gerald. "`The Waste Land' as Modernist Discourse." Orbis Litterarum (1985), 40(3): 249, 257n15.

• Doherty, Gerald. "White Circles/Black Holes: Worlds of Difference in A Passage to India." Orbis Litterarum (1991), 46(1): 113, 122.

• Dolby-Stahl, Sandra K. "A Literature of Folkloristic Methodology for the Study of Meaning in Personal Narrative." Journal of Folklore Research (April 1985), 22(1): 64n4.

• Donnelly, Colleen. "The Syntactic Counterplot of the Devils' Debates and God's Council." Language and Style (Winter 1986), 19(1): 58, 73nn2, 4.

• Donoghue, Denis. "The Constricted World of the Critic." Review of Geoffrey Hartman's Criticism in the Wilderness. Times Higher Education Supplement (December 12, 1980), 423: 13.

• Donoghue, Denis. "Deconstructing Deconstruction." Review of Deconstruction and Criticism. New York Review of Books (June 12, 1980), 27(10): 37-41.

• Donoghue, Denis. "Mediate and Immediate." Review of Geoffrey Hartman's The Fate of Reading and Other Essays. TLS [Times Literary Supplement] (August 22, 1975), 3832: 934.

• Donoghue, Denis. "Reading about Writing." Review of Geoffrey Hartman's Criticism in the Wilderness.
  New York Times Book Review (November 9, 1980): 11, 32-33.

• Donoghue, Denis. Review of Geoffrey Hartman's Minor Prophecies. New York Review of Books (August 15, 1991), 38(14): 53-56.

• Dowling, William C. " Tristram Shandy's Phantom Audience." Novel (Spring 1980), 13(3): 284n1.

• Downes, David A. "Spiritual Mysteries in Hopkins's Dublin Years: 1885." Hopkins Quarterly (April 1987January 1988), 14(1-4): 52.

• Downing, David B. "The Swelling Waves: Visuality, Metaphor, and Bodily Reality in The Scarlet Letter." Studies in American Fiction (Spring 1984), 12(1): 26-27n4.

• Drew, Margaret A. In Margaret A. Drew, ed., Facing History and Ourselves: Holocaust and Human Behavior: An Annotated Bibliography, p. 22. New York: Walker, 1988.

• Dryden, Edgar A. "The Entangled Text: Melville's Pierre and the Problem of Reading." Boundary 2 (Spring 1979), 7(3): 159, 172n15.

• Dryden, Edgar A. "The Image in the Mirror: The Double Economy of James's Portrait." Genre (Spring 1980), 13(1): 40, 48n27.

• D'Souza, Dinesh. Illiberal Education: The Politics of Race and Sex on Campus, pp. 180, 181, 183, 192, 292nn102, 107, 294n131. New York: Free Press, 1991.

• Duckworth, Alistair M. " Little Dorrit and the Question of Closure." Nineteenth-Century Fiction (June 1978), 33(1): 130.

• Duffy, Edward. "Where Shelley Wrote and What He Wrote for: The Example of `The Ode to the West Wind'." Studies in Romanticism (Fall 1984), 23(3): 356n15.

• Dunn, Allen. "Derrida at Work and Play: Morality and the Appropriation of Deconstruction." Boundary 2 (Fall 1985-Winter 1986), 14(1-2): 237, 238, 257, 259n22.

• Dunn, Richard J. "Vision and Revision: In Memoriam XCV." Victorian Poetry (Summer 1980), 18(2): 135-136.

• Durant, David. "The Vanity of Elevation in Mid-Eighteenth Century Poetry." Texas Studies in Literature and Language (Winter 1986), 28(4): 406n42.

• During, Simon. "On Cultural Values and Fascism." Southern Review (Adelaide) (July 1984), 17(2): 166-167, 181n1.

• Dust, Patrick H. "In Search of Mature Philosophy of Literary Criticism." Dieciocho (1980), 3(2): 106n7.

• Eagleton, Terry. Literary Theory: An Introduction, pp. 145, 184. Minneapolis: University of Minnesota Press, 1983.

• Eagleton, Terry. "Marxism and Deconstruction." Contemporary Literature (Fall 1981), 22(4): 485.

• Eagleton, Terry. The Significance of Theory, p. 71. The Bucknell Lectures in Literary Theory. Oxford: Blackwell, 1990.

• Eagleton, Terry. Walter Benjamin or Towards a Revolutionary Criticism, p. 139. London: Verso, NLB, 1981.

• Earl, James W. "Introduction: The Novel." Thought (December 1984), 59(235): 382.

• Eastman, Jacqueline F. "The Language of Flowers: A New Source for `Lotus Eaters'." James Joyce Quarterly (Spring 1989), 26(3): 392n3, 395n26.

• Eckhard, Caroline D. "A Commonsensical Protest Against Deconstruction, or, How the Real World at last Became a Fable." Thought (September 1985), 60(238): 311, 314-315, 320.

• Eco, Umberto. Interpretation and Overinterpretation, pp. 60-62, 63, 68-69-70. Cambridge: Cambridge University Press, 1992.

• "Editor's Comment." Southern Humanities Review (Winter 1987), 21(1):iii-iv.

• Edmundson, Mark. "Freudian Mythmaking: The Case of Narcissus." Kenyon Review (Spring 1988), 10(2): 22.

• Edmundson, Mark. "Keats's Mortal Stance." Studies in Romanticism (Spring 1987), 26(1): 85n1, 88n7, 94n11.

• Edmundson, Mark. "`Lilacs': Walt Whitman's American Elegy." Nineteenth Century Literature (March 1990), 44(4): 467n7, 479n30.

• Edwards, Gavin. "Mind--Forg'd Manacles: A Contribution to the Discussion of Blake's `London'."
  Literature and History (Spring 1979), 5(1): 92, 103n12.

• Eilberg-Schwartz, Howard. "Who's Kidding Whom? A Serious Reading of rabbinic Word Plays." Journal of the American Academy of Religion (Winter 1987), 55(4): 765n1, 786.

• Eilenberg Susan. "`Michael', `Christabel', and the Poetry of Possession." Criticism (Spring 1988), 30(2): 222n14, 17.

• Eilenberg Susan. "Mortal Pages: Wordsworth and the Reform of Copyright." ELH (Summer 1989), 56(2): 359, 371n16, 372n22, 373n41.

• Eilenberg Susan. "Wordsworth's `Michael': The Poetry of Property." Essays in Literature (Spring 1988), 15(1): 25n15.

• Elam, Helen Regueiro. Review of Geoffrey Hartman's The Unremarkable Wordsworth. Wordsworth Circle (Autumn 1988), 19(4): 164-166.

• Eldridge, Richard. "Form and Content: An Aesthetic Theory of Art." British Journal of Aesthetics (Autumn 1985), 25(4): 311, 317n18.

• Eldridge, Richard. "On Knowing How to Live: Coleridge's `Frost at Midnight'." Philosophy and Literature (October 1983), 7(2): 223, 228n13.

• Eley, Geoff. "Nazism, Politics and Public Memory: Thoughts on the West German Historikerstreit 1986-1987." Past & Present (November 1988), 21: 176n7, 198n62.

• Eley, Geoff. Review of Geoffrey Hartman, ed., Bitburg in Moral and Political Perspective. Michigan Quarterly Review (Spring 1987), 26(2): 439-441.

• Ellis, David. Wordsworth, Freud, and the Spots of Time: Interpretation in `The Prelude', pp. 5, 13, 43, 147, 148, 160, 164-166, 181n24, 184n15, 192nn20, 21. Cambridge & New York: Cambridge University Press, 1985. pp. 164-166 entitled "A Note on Hartman."

• Ellis, John M. Against Deconstruction, pp. 140n2, 151n8, 156n3, 163. Princeton, New Jersey: Princeton University Press, 1989.

• Ellis, Reuben J. "Joan Durbeyfield Writes to Margaret Saville: An Intermediary Reader in Thomas Hardy's Tess of the d'Urbervilles." Colby Library Quarterly (March 1988), 24(1): 26.

• Ellis, Virginia Ridley. Gerard Manley Hopkins and the Language of Mystery, pp. 35n30, 42n6, 339. Columbia and London: University of Missouri Press, 1991.

• Ende, Stuart A. Keats and the Sublime, pp. 2, 6, 13, 17, 26, 113, 117, 142-143, 185nn1, 4, 186nn13, 22, 23, 187n40, 189n17, 190nn19, 28, 1, 191nn12-14. New Haven and London: Yale University Press, 1976.

• England, A.B. "Wordsworth's Context for Bartholomew Fair: Intimations of Burke on the Force pf Material Objects." Studies in English Literature 1500- 1900 (Autumn 1990), 30(4): 612, 6 16n13.

• Engler, Balz. "`Yon' and the Pragmatics of Poetry." English Studies (December 1989), 70(6): 564.

• Epstein, Julia L. "Writing the Unspeakable: Fanny Burney's Mastectomy and the Fictive Body." Representations (Fall 1986), 16: 164n15.

• Erwin, John W. "The Reader is the Medium: Ashbery and Ammons Ensphered." Contemporary Literature (Autumn 1980), 21(4): 599.

• Erwin, John W. "Unexpressive Nuptial Song: Reading as Deconstruction." Kodikas/Code Ars Semeiotica (1982), 4-5(34): 278n4.

• Esch, Deborah. "A Defence of Rhetoric/The Triumph of Reading: De Man, Shelley and The Rhetoric of Romanticism." University of Toronto Quarterly (Spring 1988), 57(3): 497 n10, 498n20.

• Esch, Deborah. "A Jamesian About-Face: Notes on `The Jolly Corner'." ELH (Fall 1983), 50(3): 603n6, 604n20.

• Evans, John X. "The Leaves of Vallombrosa: Milton's Great- Rooted Simile." English Studies (October 1990), 71(5): 401.

• Evans, Richard J. "The New Nationalism and the Old History: Perspectives on the West German Historikerstreit." Journal of Modern History (December 1987), 59(4): 761.
       Review article that cites Geoffrey Hartman's Bitburg in Moral and Political Perspective.

• Fairbanks, A. Harris. "The Form of Coleridge's Dejection Ode." PMLA (October 1975), 90(5): 883-884n4.

• Falck, Colin. "Structure and Intuition." Philosophy and Literature (October 1985), 9(2): 191, 196n13.

• Falconer, Graham. "Introduction" to an issue on Flaubert. Nineteenth Century French Studies (Spring 1984), 12(3): 272, 279n1.

• Falk, David. "Beyond the Volcano: The Religious Vision of Malcolm Lowry's Late Fiction." Religion & Literature (Autumn 1984), 16(3): 29, 38.

• Farenga, Vincent. "Pindaric Craft and the Writing of Pythia IV." Helios (Fall 1977), 5(2): 32n7.

• Farness, Jay. "Plato's Architexture: Some Problems for Philosophical Interpretation." Arethusa (Spring 1988), 21(1): 41n19.

• Farness, Jay. "Strange Contraries in Familiar Coleridge." Essays in Literature (Fall 1986), 13(2): 231, 243n1, 244nn15, 16.

• Fekete, John. The Critical Twilight: Explorations in the Ideology of Anglo-American Literary Theory from Eliot to McLuhan, pp. 107, 112, 113, 114, 126, 246n1, 247nn19, 21, 279. London: Routledge & Kegan Paul, 1978.

• Felperin, Howard. Beyond Deconstruction: The Uses and Abuses of Literary Theory, pp. 108n2, 113, 120-122, 132, 132-133, 137, 139, 145. Oxford: Clarendon Press, 1985.

• Felperin, Howard. "Romance and Romanticism." Critical Inquiry (Summer 1980), 6(4): 705n11.

• Ferguson, Margaret W. "The Exile's Defense: DuBellay's La Deffence et illustration de la languae françoyse." PMLA (March 1978), 93(2): 288n24.

• Ferguson, Margaret W. "Sidney's A Defence of Poetry: A Retrial." Boundary 2 (Winter 1979), 7(2): 87n7.

• Festa-McCormick, Diana. "Tchen and the Temptation of the Flesh." Twentieth Century Literature (Fall 1978), 24(3): 323n3.

• Finch, Casey. "Immediacy in the Odes of William Collins." Eighteenth-Century Studies (Spring 1987), 20(3): 284, 286, 288.

• Fine, Gary Alan and Sherryl Kleinman. "Interpreting the Sociological Classics: Can There be a `True' Mewaning of Mead?" Symbolic Interaction (Spring 1986), 9(1): 142n2, 144.

• Fineman, Daniel D. "The Parodic and Production: Criticism and Labor." Minnesota Review (Spring 1982), 18: 66, 83n1.

• Finholt, Richard. "Northrop Frye's Theory of Countervailing Tendencies: A New Look at the Mode and Myth Essays." Genre (Summer 1980), 13(2): 253n5.

• Fioretos, Aris. "Prayer and Ignorance in Rilke's `Buch vom mönchischen Leben'." Germanic Review (Fall 1990), 65(4): 171, 174, 176nn3, 4, 27, 29.

• Firmat, Gustavo Pérez. "Antonio Machado and the Poetry of Ruins." Hispanic Review (Winter 1988), 56(1): 14n10, 16.

• Firmat, Gustavo Pérez. "The Novel as Genres." Genre (Fall 1979), 12(3): 271.

• Fischer, Lucy "Shot/Countershot: An Intertextual Approach to Women's Cinema." Journal of Film and Video (Winter 1989), 41(4): 7, 13.

• Fischer, Michael. Does Deconstruction Make Any Difference? Poststructuralism and the Defense of Poetry in Modern Criticism, pp. xi, 1-2, 13, 60-61, 70, 76, 79, 85-86, 88-93, 102-103, 105-108, 109, 114, 119, 123-124, 137n31, 138n33. Bloomington: Indiana University Press, 1985.

• Fischer, Michael. "The Legacy of English Romanticism: Northrop Frye and William Blake." Blake (Spring 1978), 11(4): 283n4.

• Fischer, Michael. "Why Realism Seems So Naive: Romanticism, Professionalism, and Contemporary Critical Theory." College English (March 1979), 40(7): 744, 745, 749.

• Fischer-Lichte, Erika. "Walter Benjamin's `Allegory'." American Journal of Semiotics (1986), 4(1-2): 167.

• Fitzgerald, William. "Articulating the Unarticulated: Form, Death and Other in Keats and Rilke." MLA (December 1985), 100(5): 965n6, 966n14.

• Fletcher, Angus. Colors of the Mind: Conjectures on Thinking in Literature, pp. 77, 88-89, 117, 120, 121, 124, 167, 184, 185, 291n8, 292nn2, 4, 6, 296n2, 297nn11, 14, 16. Cambridge, Mass.: Harvard University Press, 1991.

• Fletcher, Angus. Review of Geoffrey Hartman's Beyond Formalism. College English (December 1972), 34(3): 414-425.

• Flieger, Jerry Aline. The Purloined Punch Line: Freud's Comic Theory and the Postmodern Text, pp. 4-5, 262n21, 275. Baltimore and London: Johns Hopkins University Press, 1991.

• Flora, J.M. Review of Geoffrey Hartman's Criticism in the Wilderness. Studies in Short Fiction (Fall 1981), 18(4): 463-464.

• Fogel, Stanley. "The Importance of Being Earnest: Literary Critics in America." Canadian Review of American Studies (Spring 1986), 17(1): 109, 110, 113. Reprinted in his The Postmodern University: Essays on the Deconstruction of the Humanities, pp. 75, 76, 81. Toronto: ECW Press, 1988.

• Foley, Barbara. "The Politics of Deconstruction." Genre (Spring-Summer 1984), 17(1-2): 115-118, 128, 133n6.

• Forrey, Robert. "Theodore Dreiser: Oedipus Redivivus." Modern Fiction Studies (Autumn 1977), 23(3): 342n2.

• Foster, Mark. "`Tintern Abbey' and Wordsworth's Scene of Writing." Studies in Romanticism (Spring 1986), 25(1): 79.

• Fraade, Steven D. "Interpreting Midrash 1: Midrash and the History of Judaism." Review of Jacob Neusner, Judaism and Scripture. Prooftexts (May 1987), 7(2): 191n1.

• Fraade, Steven D. "Interpreting Midrash 2: Midrash and Its Literary Contexts." Review of Geoffrey Hartman and Sanford Budick, eds., Midrash and Literature. Prooftexts (September 1987), 7(3): 290-300.

• Fraden, Rena. "Response to Professor Carolyn Porter." New Literary History (Winter 1990), 21(2): 273, 277n1.

• Frank, Lawrence. "Reading the Gravel Page: Lyell, Darwin, and Conan Doyle." Nineteenth-Century Literature (December 1989), 44(3): 384n20.

• Frattali, Steven Vincent. "Across the Field: Nature and Selfhood in the Poetry of Robert Frost." Ph.D. Dissertation, State University of New York at Binghampton, 1988. Abstract in Dissertation Abstracts Internat ional (November 1989), 50(5A):1305-A.

• Freedman, Ralph. "Eyesight and Vision: Forms of the Imagination in Coleridge and Novalis." In Alan Cheuse and Richard Koffler, eds., The Rarer Action: Essays in Honor of Francis Fergusson, p. 206. New Bru nswick, New Jersey: Rutgers University Press, 1970.

• Freedman, Ralph. "Intentionality and the Literary Object." In Murray Krieger and L.S. Dembo, eds., Directions for Criticism: Structuralism and Its Alternatives, p. 144. Madison: University of Wisconsin Press, 1977.

• Freeman, Barbara. " Frankenstein with Kant: A Theory of Monstrosity, or the Monstrosity of Theory." Sub-Stance (1987), 52: 28, 31n11.

• Freeman, Donald C. "Keats's `To Autumn': Poetry as Process andd Pattern." Language and Style (Winter 1978), 11(1): 16n14.

• Freije, George F. "Grace in Hopkins's `Deutschland'." English Language Notes (September 1975), 13(1): 38.

• Freund, Elizabeth. "Strategies of Inconclusiveness in Henry IV, Part I." In Maurice Charney, ed., Shakespearean Comedy, pp. 212, 216n9. New York Literary Forum, 5-6. New York: New Literary Forum, 1980.

• Frey, Charles. "Interpreting The Winter's Tale." Studies in English Literature 1500- 1900 (Spring 1978), 18(2): 328n48.

• Fried, Michael. "Painter into Painting: On Courbet's After Dinner at Ornans and Stonebreakers." Critical Inquiry (Summer 1982), 8(4): 649n38.

• Friedman, Geraldine. "History in the Background of Wordsworth's `Blind Beggar'." ELH (Spring 1989), 56(1): 147n21, 148n25.

• Frohock, W.M. Review of Geoffrey Hartman's André Malraux. Modern Philology (November 1962), 60(2): 149151.

• Fromm, Harold. "Sparrows and Scholars: Literary Criticism and the Sanctification of Data." Georgia Review (Summer 1979), 33(2): 256-257, 271.

• Frosch, Thomas R. "Wordsworth's `Beggars' and a Brief Instance of `Writer's Block'." Studies in Romanticism (Winter 1982), 21(4): 625, 629.

• Fry, Paul H. "The Absent Dead: Wordsworth, Byron, and the Epitaph." Studies in Romanticism (Fall 1978), 17(4): 414n3, 415n8.

• Fry, Paul H. "Made Men: A Review Article on Recent Shelley and Keats Studies." Texas Studies in Literature and Language (Fall 1979), 21(3): 443-444.

• Fry, Paul H. The Reach of Criticism: Method and Perception in Literary Theory, pp. 176, 200, 204, 231n17, 233n68. New Haven and London: Yale University Press, 1983.

• Fujihira, Ikuko. "From Voice to Silence: Writing in Absalom, Absalom!" Studies in English Literature (Tokyo) (1984): 77.

• Furst, Lilian and Michael Goldberg. "Interpretation of What? Hartman and Budick's Midrash and Literature." Journal of Religion (July 1987), 67(3): 348-352.

• Galperin, William H. "Anti-Romanticism, Victorianism, and the Case of Wordsworth." Victorian Poetry (Winter 1986), 24(4): 358-359.

• Galperin, William H. "Authority and Deconstruction in Book V of The Prelude." Studies in English Literature 1500- 1900 (Autumn 1986), 26(4): 613, 614, 628n1.

• Galperin, William H. "The Defeat of the Suitors: Homer and Joyce Once More." James Joyce Quarterly (Summer 1983), 20(4): 459.

• Galperin, William H. "`Then...the Voice was Silent': `The Wanderer' vs. The Ruined Cottage." ELH (Summer 1984), 51(2): 362nn15, 16.

• Galperin, William H. "`Turns and Counter-Turns': The Crisis of Sincerity in the Final Books of The Prelude." Modern Language Quarterly (September 1979), 40(3): 264n7, 273n11.

• Garber, Frederick. Review of Geoffrey Hartman's The Fate of Reading. Comparative Literature (Spring 1978), 30(2): 172-178.
  Wordsworth and the Poetry of Encounter, pp. x, 35, 152n2. Urbana: University of Illinois Press, 1971.

• Gardin, Jean-Claude. "Plural Readings and Singular Sciences of Literature." Diogenes (Summer 1982), 118: 11n13.

• Gardner, Helen. In Defence of the Imagination, pp. 169, 175-176. Cambridge, Mass.: Harvard University Press, 1982.

• Gates, Barbara. " The Prelude and the Development of Wordsworth's Historical Imagination." Etudes Anglaises (April-June 1977), 30(2): 171

• Gates, Henry Louis, Jr. "The `Blackness of Blackness': A Critique of the Sign and the Signifying Monkey." Critical Inquiry (June 1983), 9(4): 717.

• Gates, Henry Louis, Jr. "Editor's Introduction: Writing `Race' and the Difference It Makes." Critical Inquiry (Autumn 1985), 12(1): 17, 20n21.

• Gates, Henry Louis, Jr. Figures in Black: Words, Signs, and the `Racial' Self, pp. 245, 270, 296n42. New York: Oxford University Press, 1987.

• Gates, Henry Louis, Jr. "Introduction: Criticism in de Jungle." Black American Literature Forum (Winter 1981), 15(4): 123, 126, 126n4, 127n8. Reprinted in Henry Louis Gates, Jr., ed., Black Litera ture and Literary Theory, pp. 3, 4, 6. New York and London: Routledge, 1984.

• Gates, Henry Louis, Jr. The Signifying Monkey: A Theory of African-American Literary Criticism, pp. 25, 234, 262n34, 279n19. New York: Oxford University Press, 1988.

• Gaukroger, Stephen. "Logic, Language, and Literature: The Relevance of Frege." Oxford Literary Review (1983), 6(1): 95n10.

• Gelley, Alexander. "Metonymy, Schematism, and the Space of Literature." New Literary History (Spring 1980), 11(3): 480-481, 487n29.

• Gelley, Alexander. Narrative Crossings: Theory and Pragmatics of Prose Fiction, pp. 19, 26, 53. Baltimore and London: Johns Hopkins University Press, 1987.

• Gelley, Alexander. "Toward a Theory of History in Literature: Merleau-Ponty and Gadamer." PTL: A Journal of Descriptive Poetics and Theory of Literature (1976), 1: 359, 365.

• Gerhart, Mary. "The Dilemma of the Text: How to `Belong' to a Genre." Poetics (October 1989), 18(4-5): 365366, 373.

• Ghannoum, Muhammad. "English Romanticism in Contemporary Revisionist Theory." Ph.D. Dissertation, Columbia University, 1991. Abstract in Dissertation Abstracts International (October 1991), 52(4 A):1323-A.

• Giannasi, Jenefer M., et al. "Stylistics Annual Bibliography:1984." Style (Winter 1985), 19(4): 427, 431, 438439.

• Gilbert, Eliot L. "`Tumult of Images': Wilde, Beardsley, and Salome." Victorian Studies (Winter 1983), 26(2): 154n23.

• Gilbert, Sandra M. and Susan D. Gubar. "Ceremonies of the Alphabet: Female Grandmatologies and the Female Authorgraph." In Domna C. Stanton, ed., The Female Autograph, p. 51n49. New York Literary Forum, 12-13. New York: New York Literary Forum, 1984.

• Gilbert, Sandra M. and Susan D. Gubar. "Sexual Linguistics: Gender, Language, Sexuality." New Literary History (Spring 1985), 16(3): 535, 542n71.

• Gilbertson, Carol. "`Many Miltons in this one Man': Marvell's Mower Poems and Paradise Lost." Milton Studies (1987), 22: 151, 155, 159, 168n1, 170nn15, 16, 20, 171n24.

• Gillespie, Gerald. "New Apocalypse for Old: Kermode's Theory of Modernism." Boundary 2 (Winter 1975), 3(2): 322n19.

• Gillespie, Gerald. Review of Geoffrey Hartman's Beyond Formalism. Comparative Literature Studies (December 1972), 9(4): 455-458.

• Ginzburg, Elliot. "Jewish Mysticism." In Barry W. Holtz, ed. The Schocken Guide to Jewish Books, pp. 164, 183, 190. New York: Schocken Books, 1992.

• Glavin, John J. "`The Exercise of Saints': Hopkins, Milton, and Patience." Texas Studies in Literature and Language (Spring 1978), 20(1): 149n2.

• Gleckner, Robert F. Blake's Prelude: `Poetical Sketches', pp. 29, 31-32, 39, 44-45, 60-61, 69, 73, 84, 88, 92, 121, 127, 165nn30, 34-36, 38, 165-166n1, 166n7, 171n20, 174nn51, 52, 175n58, 177n27, 178n39, 179nn47, 4 8, 185n18. Baltimore and London: Johns Hopkins University Press, 1982.

• Glickman, Susan. "Canadian Prospects: Abram's Plains in Context." University of Toronto Quarterly (Summer 1990), 59(4): 515n16.

• Glickman, Susan. " The World as Will and Idea: A Comparative Study of An American Dream and Mr. Sammler's Planet." Modern Fiction Studies (Winter 1982-83), 28(4): 581.

• Godden, Richard. "Edgar Allan Poe and the Detection of Riot." Literature and History (Autumn 1982), 8(2): 221, 272n40.

• Gold, David. "Comprehending Indian Devotional Religion: Cow Love, Cowboys, and the Religohistorical Imagination." History of Religions (May 1987), 26(4): 419n29.

• Goldberg, Jonathan. "Deconstruction as/of Politics." MLN (December 1981), 96(5): 1106, 1107, 1110-1111, 1112nn2, 7.

• Goldhill, Simon. "Two Notes on Telos and Related Words in the Oresteia." Journal of Hellenic Studies (1984), 104: 173.

• Gonzalez, Eduardo. "Baroque Endings: Carpentier, Sarduy and Some Textual Contingencies." MLN (March 1977), 92(2):282, 285-286.

• Goodhart, Sandor. "After the Tragic Vision: Krieger and Lentricchia, Criticism and Crisis." In Bruce Henricksen, ed., Murray Krieger and Contemporary Critical Theory, p. 190. Irvine Studies in the Humanities. New York: Columbia University Press, 1986.

• Goodheart, Eugene. "Arnold at the Present Time." Critical Inquiry (March 1983), 9(3):451-468.

• Goodheart, Eugene. "The Failure of Criticism." New Literary History (Winter 1976), 7(2): 386, 392n23.

• Goodheart, Eugene. The Failure of Criticism, pp. 3, 20, 177n22. Cambridge, Mass.: Harvard University Press, 1978.

• Goodheart, Eugene. "Geoffrey Hartman's Criticism in the Wilderness: The Study of Literature Today." In his Pieces of Resistance, pp. 63-88. Cambridge & New York: Cambridge University Press, 1987.

• Goodheart, Eugene. The Skeptic Disposition in Contemporary Criticism, pp. 25, 33, 34-37, 141, 144, 172. Princeton, New Jersey: Princeton University Press, 1984.

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• " Frankenstein: Creation as Catastrophe." PMLA (October 1981), 96(5): 900, 903n15.

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• _____."Organic Unity: Analysis and Deconstrcution." In Reed Way Dasenbrock, ed., Redrawing the Lines: Analytic Philosophy, Deconstruction, and Literary Theory, p. 104. Minneapolis: University of Minnesota Press, 1989.

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• Smith, John H. "U-Topian Hegel: Dialectic and Its Other in Poststructuralism." German Quarterly (Spring 1987), 60(2): 259n6, 260n20, 261n34.

• Smith, Lyle H., Jr. "Beyond the Romantic Sublime: Gerard Manley Hopkins." Renascence (Spring 1982), 34(3): 176, 184nn9, 10.
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• Snead, James A. "On Repetition in Black Culture." Black American Literature Forum (Winter 1981), 15(4): 153n11.

• Snow, Edward A. "Head of a Young Girl." Salmagundi (Spring-Summer 1979), 44-45: 128.

• Sokoloff, Naomi B. "Hopkins' `Windhover' and Tchernichovsky's `Eagle! Eagle!'." Prooftexts (May 1983), 3(2): 193, 202n5, 203n12.

• Solomon, J. Fisher. "The Concept of the Humanities." Semiotica (1987), 64(1-2): 141-156.

• _____."Realism, Rhetoric, and Reification: Or, the Case of the Missing Detective in Our Mutual Friend." Modern Philology (August 1988), 86(1): 40.

• Solotorevsky, Myrna. "'La Muerte y la brújula', parodia irónica de una convención genérica." Neophilologus (October 1986), 70(4): 553n5.

• Soufas, C. Christopher, Jr. "On the Discrimination of Contemporary Criticisms: An Annotated Introductory Bibliography." College Literature (Fall 1982), 9(3): 239, 244, 245, 246.

• Spacks, Patricia Meyer. "The Eighteenth-Century Collins." Modern Language Quarterly (March 1983), 44(1): 3, 5n7, 7-8.

• Sparshott, Francis. "Frye in Place." Canadian Literature (Winter 1979), 83: 153n26.

• Spector, Stephen J. "Wordsworth's Mirror Imagery and the Picturesque Tradition." ELH (Spring 1977), 44(1): 86, 105nn5, 8.

• Sperry, Stuart M. "Recent Studies in the Nineteenth Century." Studies in English Literature 1500- 1900 (Autumn 1981), 21(4): 702.

• "Some Versions of Keats." Modern Language Quarterly (June 1977), 38(2): 180-181.

• Spillers, Hortense J. "Formalism Comes to Harlem." Black American Literature Forum (Summer 1982), 16(2): 60, 63n7.

• Spinrad, Phoebe S. "Death, Loss, and Marvell's Nymph." PMLA (January 1982), 97(1): 52, 59n6.

• Spivak, Gayatri Chakravorty. "Sex and History in The Prelude (1805): Books Nine to Thirteen." Texas Studies in Literature and Language (Fall 1981), 23(3): 358n5.

• Springer, Carolyn. "Far from the Madding Crowd: Wordsworth and the News of Robespierre's Death."
  Wordsworth Circle (Autumn 1981), 12(4): 244.

• Sprinker, Michael. "Aesthetic Criticism: Geoffrey Hartman." In Jonathan Arac, Wlad Godzich and Wallace Martin, eds., The Yale Critics: Deconstruction in America, pp. 43-65. Theory and History o f Literature, 6. Minneapolis: University of Minnesota Press, 1983.
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• "Ruskin on the Imagination." Studies in Romanticism (Spring 1979), 18(1): 117n6.

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• Stamelman, Richard. "The Shroud of Allegory: Death, Mourning, and Melancholy in Baudelaire's Work." Texas Studies in Literature and Language (Fall 1983), 25(3): 405n6, 407n14.

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• Staudt, Kathleen Henderson. "Incarnation Reconsidered: The Poem as Sacramental Act in The Anathemata of David Jones." Contemporary Literature (Spring 1985), 26(1): 12.

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• _____."Moses-cide: Midrash and Contemporary Literary Criticism." Review of Susan A. Handelman's The Slayers of Moses: The Emergence of Rabbinic Interpretation in Modern Literary Theory. Prooftexts (May 1984), 4(2): 201-202.

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• Stewart, Garrett. " Lamia and the Language of Metamorphosis." Studies in Romanticism (Winter 1976), 15(1): 15n11.

• Stewart, Garrett. "The New Mortality of Bleak House." ELH (Fall 1978), 45(3): 444, 485n4, 486nn5-7.

• Stillinger, Jack. "Emma Willard and Wordsworth's `Spots of Time'." Wordsworth Circle (Spring 1990), 21(2): 72.

• Stimme, Figur: Kritik und Restitution in der Literaturwissenschaft. Edited by Aleida Assmann and Anselm Haverkamp. Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte, Sonderh [Supplement], 68. Stuttgart: Metzler, 1994.
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• Stoddard, Eve Walsh. "`All Freaks of Nature': The Human Grotesque in Wordsworth's City." Philological Quarterly (Winter 1988), 67(1): 58n23.

• _____."Flashes of the Invisible World: Reading The Prelude in the Context of the Kantian Sublime." Wordsworth Circle (Winter 1985), 16(1): 36, 37n15.

• Stone, Donald D. "Arnold, Nietzsche, and the `Revaluation of Values'." Nineteenth-Century Literature (December 1988), 43(3): 290n2.

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  Novel (Winter 1987), 20(2): 126, 136.

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• _____."Metamorphoses of the Muse in Romantic Poesis: Christabel." ELH (Winter 1977), 44(4): 642, 645, 655n6, 656n19.

• Strier, Richard. "Shakespeare and the Question of Theory." Review of Geoffrey Hartman and Patricia Parker, eds., Shakespeare and the Question of Theory. Modern Philology (August 19 88), 86(1): 56-76.

• Stuart, Colin Christopher and John Scoggan. "The Orientation of the Parasols: Saussure, Derrida, and Spicer." Boundary 2 (Fall 1977), 6(1): 191, 197, 251n3, 252n13.

• Stubbs, Andrew. "The Politics of Art: Eli Mandel's `Journals'." Canadian Literature (Autumn-Winter 1989) 122123: 24-25n14.

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• _____."`Or one could weep because another wept': The Counterplot of Auden's `The Shield of Achilles'." JEGP (April 1984), 83(2): 215n3.

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• Swann, Karen. "Public Transport: Adventuring on Wordsworth's Salisbury Plain." ELH (Winter 1988), 55(4): 832n13.

• "Suffering and Sensation in The Ruined Cottage." PMLA (January 1991), 106(1): 87, 95.

• Swingle, L.J. Review of James Engell's The Creative Imagination: Enlightenment to Romanticism. Modern Language Quarterly (March 1982), 43(1): 96.

• "Romantic Unity and English Romantic Poetry." JEGP (July 1975), 74(3): 361n1.

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  TLS [The Times Literary Supplement] (December 9-15, 1988), 4471: 1377.

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• _____.The World, the Text, and the Critic, pp., 149, 228-229, 263, 306nn2-5. Cambridge, Mass.: Harvard University Press, 1983.

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• Sánchez-Eppler, Karen. "Decomposing: Wordsworth's Poetry of Epitaph and English Burial Reform."
  Nineteenth-Century Literature (March 1988), 42(4): 418n9.

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• Schippers, J.G. "On Persuading (Some Notes on the Implied Author in Critical Discourse)." Dutch Quarterly Review of Anglo- American Letters (1981), 11(1): 34-54.

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• Schleifer, Ronald. "George Moore's Turning Mind: Digression and Autobiographical Art in Hail and Farewell." Genre (Winter 1979), 12(4): 480.

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• "Narrative in Yeats's In The Seven Woods." Journal of Narrative Technique (Fall 1976), 6(3): 156, 170n4.

• _____."The Poison of Ink: Modernism and Post- War Literary Criticism." New Orleans Review (1981), 8(4): 242, 243n12, 249n31.

• _____.Rhetoric and Death: The Language of Modernism and Postmodern Discourse Theory, pp. 81, 96-97, 218, 237. Urbana and Chicago: University of Illinois Press, 1990.

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• Scholes, Robert. Textual Power: Literary Theory and the Teaching of English, p. 135. New Haven and London: Yale University Press, 1985.

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• Schulz, Dieter. "Emerson's Visionary Moments: The Disintegration of the Sublime." Amerikastudien/American Studies (1983), 28(1): 27n13.

• Schwanitz, Dietrich. Review of F.C. McGrath's The Sensible Spirit: Walter Pater and the Modernist Paradigm. Anglia (1989), 107(1-2): 250. In German.

• Schwartz, Murray M. "D.H. Lawrence and Psychoanalysis: An Introduction." D.H. Lawrence Review (Fall 1977), 10(3): 221.

• Schwartz, Murray M. and David Willbern. "Literature and Psychology." In Jean-Pieree Barricelli and Joseph Gibaldi, eds., Interrelations of Literature, pp. 206, 215, 221, 222. New Yor k: Modern Language Association of America, 1982.

• Schwartz, Regina M. "Free Will and Character Autonomy in the Bible." Notre Dame English Journal (Winter 1983), 15(1): 73n41.

• _____."Joseph's Bones and the Resurrection of the Text: Remembering in the Bible." PMLA (March 1988), 103(2): 122n1, 124.

• Schwarz, Daniel R. "Progressive Dubiety: The Discontinuity of Disraeli's Political Trilogy." Victorian Newsletter (Spring 1975), 47: 17, 18.

• _____."`Tell Us in Plain Words': An Introduction to Reading Joyce's Ulysses." Journal of Narrative Techique (Winter 1987), 17(1): 37, 38n6.

• Schweik, Susan. "Writing War Poetry Like a Woman." Critical Inquiry (Spring 1987), 13(3): 541.

• Schweizer, Harold. "Canonicity and Blasphemy in the Book of Job." CEA Critic (Fall 1988), 51(1): 49, 51n24.

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• Scott, Patrick. "Genre and Perspective in the Study of Victorian Women Writers: The Case of Elizabeth Missing Sewell." Victorian Newsletter (Fall 1984), 66: 6n2.

• Searle, John. "The World Turned Upside Down." Review of Jonathan Culler's On Deconstruction. New York Review of Books (October 27, 1983), 30(16): 79.

• Searle, Leroy. "Tradition and Intelligibility: A Model for Critical Theory." New Literary History (Winter 1976), 7(2): 410n3.

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• Segal, Eliezer. "Law as Allegory? An Unnoticed Literary Device in Talmudic Narratives." Prooftexts (May 1988), 8(2): 252n2.

• Segal, Naomi. "Midrash and Feminism." Paragraph (November 1990), 13(3): 251, 252, 264n1, 265n2.

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• Seifrid, Thomas. "Writing against Matter: On the Language of Andrej Platonov's Kotlovan." Slavic and East European Journal (Fall 1987), 31(3): 371, 386.

• Selinger, Bernie. " Gulliver's Travels: Swift's Version of Identity Formation." Mosaic (Canada) (Summer 1984), 17(3): 15n15.

• Selz, Dorothy B. "Structuralism for the Non-Specialist: A Glossary and a Bibliography." College English (October 1975), 37(2): 165.

• Sertori, D. Carpi. Review of Geoffrey Hartman and Sanford Budick, eds., Midrash and Literature. Lingua e Stile (December 1987), 22(4): 595-598. In Italian.

• Seyan, Azade. Representation and Its Discontents: The Critical Legacy of German Romanticism, pp. 16, 21, 180. Berkeley: University of California Press, 1992.

• Shapiro, Gary. "From the Sublime to the Political: Some Historical Notes." New Literary History (Winter 1985), 16(2): 234n22.

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• Sharpe, William. "Urban Theory and Cultural Blight: Accomodating the Unreal City." New Orleans Review (Spring 1983), 10(1): 87, 88.

• Shaw, William David. "Consolation and Catharsis in In Memoriam." Modern Language Quarterly (March 1976), 37(1): 61n16.

• _____."Mill on Poetic Truth: Are Intuitive Inferences Valid?" Texas Studies in Literature and Language (Spring 1981), 23(1): 47, 51n25.

• "Philosophy and Genre in Victorian Poetics: The Idealist Legacy." ELH (Summer 1985), 52(2): 501n31.

• _____.Victorians and Mystery: Crises of Representation, pp. 132, 196, 218, 350. Ithaca: Cornell University Press, 1990.

• Sheats, Paul D. Review of Geoffrey Hartman's The Unremarkable Wordsworth. Nineteenth-Century Literature (March 1991), 45(4): 508-512.

• Shell, Marc. "`What is Truth?': Lessing's Numismatics and Heidegger's Alchemy." MLN (April 1977), 92(3): 550n5.

• Sherry, Charles. "Wordsworth's Metaphors for Eternity: Appearance and Representation." Studies in Romanticism (Spring 1978), 17(2): 193n1.

• Sherry, Peggy Meyer. "`Vom armen B.B.' as Signature: Between Text and Speaking Subject." MLN (April 1979), 94(3): 474n26.

• Sherry, Vincent B., Jr. "`Unmistakable marks': Symbols and Voices in David Jones's In Parenthesis." Critical Quarterly (Winter 1983), 25(4): 63, 72n3.

• Sherwin, Paul. "Dying into Life: Keats's Struggle with Milton in Hyperion." PMLA (May 1978), 93(3): 395n19.

• " Frankenstein: Creation as Catastrophe." PMLA (October 1981), 96(5): 900, 903n15.

• Showalter, Elaine. "Feminist Criticism in the Wilderness." Critical Inquiry (Winter 1981), 8(2): 180.

• "Looking Forward: American Feminists, Victorian Sages." Victorian Newsletter (Spring 1984), 65: 7.

• _____."Women's Time, Women's Space: Writing the History of Feminist Criticism." Tulsa Studies in Women's Literature (Spring-Fall 1984), 3(1-2): 41, 43n36.

• Shusterman, Richard. "Analytic Aesthetics, Literary Theory, and Deconstruction." Monist (January 1986), 69(1): 22, 24, 35n1, 36nn7, 9.

• _____."Blindness and Anxiety: I.A. Richards and Some Current Trends of Criticism." Etudes Anglaises (OctoberDecember 1986), 39(4): 420-421, 422.

• _____."Deconstruction and Analysis: Confrontation and Convergence." British Journal of Aesthetics (Autumn 1986), 26(4): 311-312, 324n2, 325nn4, 22.

• _____."Organic Unity: Analysis and Deconstrcution." In Reed Way Dasenbrock, ed., Redrawing the Lines: Analytic Philosophy, Deconstruction, and Literary Theory, p. 104. Minneapolis: University of Minnesota Press, 1989.

• "Poetics and Current Analytic Aesthetics." Poetics Today (1986), 7(2): 323, 329.

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• Siebers, Tobin. "Language, Violence, and the Sacred: A Polemical Survey of Critical Theories." Stanford French Review (1986), 10(1-3): 216n13.

• Silver, Brenda R. "Periphrasis, Power, and Rape in A Passage to India." Novel (Fall 1988), 22(1): 86n1, 90n16, 105n42.

• Silverman, Hugh J. "Dufrenne's Phenomenology of Poetry." Philosophy Today (Spring 1976), 20(1): 24n16.

• _____."Prolegomena to a Theory of Literature." Journal of the British Society for Phenomenology (January 1981), 12(1): 31, 40n16.

• Sim, Stuart. "De-composing in Bad Faith: Its Cause and Cure." Critical Quarterly (Winter 1982), 24(4): 25-26, 2728, 29, 33, 36nn3, 4, 11-13, 18, 19, 22

• "Deconstructing the Pun." British Journal of Aesthetics (Autumn 1987), 27(4): 326-334.

• Simpson, David. "Criticism, Politics, and Style in Wordsworth's Poetry." Critical Inquiry (September 1984), 11(1): 69-70, 72, 79n5, 80n24.

• _____."Going on about the War without Mentioning the War: The Other Histories of the Paul de Man Affair." Critical Quarterly (Winter 1989), 31(4): 60, 66, 68n6.

• Sims-Gunzenhauser, William D. "The Treacherous Forest of Symbols: Duality and Anti-Self-Consciousness in Eichendorff and Baudelaire." Comparative Literature Studies (Septemner 1980), 17(3): 312, 315n17.

• Sinfield, Alan. "Against Appropriation." Essays in Criticism (July 1981), 31(3): 182.

• Singer, Alan. "The Methods of Form: On Narrativity and Social Consciousness." Sub-Stance (1983), 12(4) [41]: 64, 68, 70, 71, 72, 77nn8, 11.

• Siskin, Clifford. "Personification and Community: Literary Change in the Mid and Late Eighteenth Century." Eighteenth-Century Studies (Summer 1982), 15(4): 390n33.

• "A Preface to Creative Criticism." Kenyon Review (Spring 1983), 5(2): 85-97.

• Sitter, Deborah Ayer. "The Debate of The Waves." Durham University Journal (June 1976), 68(2): 125.

• Sitterson, Joseph C., Jr. "The Genre and the Place of the Intimations Ode." PMLA (January 1986), 101(1): 36n8, 37.

• _____."Oedipus in the Stolen Boat: Psychoanalysis and Subjectivity in The Prelude." Studies in Philology (Winter 1989), 86(1): 97n2.

• _____."Psychoanalytic Models and Literary Theory." University of Toronto Quarterly (Fall 1981), 51(1): 89, 92n33.

• Skura, Meredith Anne. The Literary Use of the Psychoanalytic Process, pp. vii, 30. New Haven: Yale University Press, 1981.

• Slavin, Arthur J. "Telling the Story: G.R. Elton and the Tudor Age." Sixteenth-Century Journal (Summer 1990), 21(2): 157n25.

• Slinn, E. Warwick. "Deconstruction and Meaning: The Textuality Game." Philosophy and Literature (April 1988), 12(1): 84, 87n8.

• Slouka, Mark Z. "Demonic History: Geography and Genealogy in Melville's Pierre." ESQ: A Journal of the American Renaissance (1989), 35(2) [135]: 160n17.

• Smith, John H. "U-Topian Hegel: Dialectic and Its Other in Poststructuralism." German Quarterly (Spring 1987), 60(2): 259n6, 260n20, 261n34.

• Smith, Lyle H., Jr. "Beyond the Romantic Sublime: Gerard Manley Hopkins." Renascence (Spring 1982), 34(3): 176, 184nn9, 10.

• Snare, Gerald. "Dissociation of Sensibility and the Apology for Poetry in the Twentieth Century." Studies in the Literary Imagination (Spring 1982), 15(1): 127n18.

• Snead, James A. "On Repetition in Black Culture." Black American Literature Forum (Winter 1981), 15(4): 153n11.

• Snow, Edward A. "Head of a Young Girl." Salmagundi (Spring-Summer 1979), 44-45: 128.

• Sokoloff, Naomi B. "Hopkins' `Windhover' and Tchernichovsky's `Eagle! Eagle!'." Prooftexts (May 1983), 3(2): 193, 202n5, 203n12.

• Solomon, J. Fisher. "The Concept of the Humanities." Semiotica (1987), 64(1-2): 141-156.

• _____."Realism, Rhetoric, and Reification: Or, the Case of the Missing Detective in Our Mutual Friend." Modern Philology (August 1988), 86(1): 40.

• Solotorevsky, Myrna. "'La Muerte y la brújula', parodia irónica de una convención genérica." Neophilologus (October 1986), 70(4): 553n5.

• Soufas, C. Christopher, Jr. "On the Discrimination of Contemporary Criticisms: An Annotated Introductory Bibliography." College Literature (Fall 1982), 9(3): 239, 244, 245, 246.

• Spacks, Patricia Meyer. "The Eighteenth-Century Collins." Modern Language Quarterly (March 1983), 44(1): 3, 5n7, 7-8.

• Sparshott, Francis. "Frye in Place." Canadian Literature (Winter 1979), 83: 153n26.

• Spector, Stephen J. "Wordsworth's Mirror Imagery and the Picturesque Tradition." ELH (Spring 1977), 44(1): 86, 105nn5, 8.

• Sperry, Stuart M. "Recent Studies in the Nineteenth Century." Studies in English Literature 1500- 1900 (Autumn 1981), 21(4): 702.

• "Some Versions of Keats." Modern Language Quarterly (June 1977), 38(2): 180-181.

• Spillers, Hortense J. "Formalism Comes to Harlem." Black American Literature Forum (Summer 1982), 16(2): 60, 63n7.

• Spinrad, Phoebe S. "Death, Loss, and Marvell's Nymph." PMLA (January 1982), 97(1): 52, 59n6.

• Spivak, Gayatri Chakravorty. "Sex and History in The Prelude (1805): Books Nine to Thirteen." Texas Studies in Literature and Language (Fall 1981), 23(3): 358n5.

• Springer, Carolyn. "Far from the Madding Crowd: Wordsworth and the News of Robespierre's Death."
  Wordsworth Circle (Autumn 1981), 12(4): 244.

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