Eddie Yeghiayan
"Wordsworth, Inscriptions, and Romantic Nature Poetry." In Fredrick W. Hilles and Harold Bloom, eds., From Sensibility to Romanticism: Essays Presented to Fredrick A. Pottle, pp. 389-413. New York: Oxford University Press, 1965.
Reprinted in Beyond Formalism, pp. 206-230.
"Introduction: Poetry and Justification." In Geoffrey Hartman, ed., Hopkins: A Collection of Critical Essays, pp. 1-15. Twentieth Century Views. Englewood Cliffs, N.J.: Prentice-Hall, 1966.
Reprinted as "Hopkins Revisited" in Beyond Formalism, pp. 231-246.
"Ghostlier Demarcations." In Murray Krieger, ed., Northrop Frye in Modern Criticism, pp. 109-131. Selected Papers from the English Institute. New York & London: Columbia University Press, 1966.
Reprinted in Beyond Formalism, pp. 24-42.
Reprinted in W.K. Wimsatt, ed., Literary Criticism: Idea and Act: The English Institute, 1939-1972, Selected Essays, pp. 212-227. Berkeley: University of California Press, 1974.
Reprinted under the heading "(Herman) Northrop Frye," in Sharon R. Gunton, ed., Contemporary Literary Criticism, Volume 24, pp. 216-219. Detroit, Michigan: Gale Research, 1983.
"Romantic Poetry and the Genius Loci." In Peter Demetz, Thomas Greene and Lowry Nelson, Jr., eds., The Disciplines of Criticism: Essays in Literary Theory, Interpretation, and History, pp. 289-314. For René Wellek on the Occasion of His Sixty-Fifth Birthday. New Haven: Yale University Press, 1968.
Reprinted in Beyond Formalism, pp. 311-336.
"Blake and the `Progress of Poesy'." In Alvin H. Rosenfeld, ed., William Blake: Essays for S. Foster Damon, pp. 57-68. Providence, R.I.: Brown University Press, 1969.
Reprinted in Beyond Formalism, pp. 193-205.
"Introduction." In Geoffrey H. Hartman, ed., Wordsworth: Selected Poetry and Prose. New York: New American Library, Signet Book, 1970.
"Foreword." In Geoffrey H. Hartman, ed., New Perspectives on Coleridge and Wordsworth, pp. vii-xii. Selected Papers from the English Institute, 1970-71. New York: Columbia University Press, 1971.
"Reflections on the Evening Star: Akenside to Coleridge." In Geoffrey H. Hartman, ed., New Perspectives on Coleridge and Wordsworth, pp. 85-131. Selected Papers from the English Institute, 1970- 71. New York: Columbia University Press, 1971.
"The Sublime and the Hermeneutic." In
Mouvements premiers: Etudes critiques offertes à Georges Poulet,
pp. 149-157. Paris: José Corti,
1972.
See "From the Sublime to
the
Hermeneutic" in Beyond Formalism, pp. 114-123.
"The Dream of Communication." In Ruben Brower, Helen Vendler and John Hollander, eds., I.A. Richards: Essays in His Honor, pp. 157-177. New York: Oxford University Press, 1 973.
"Poem and Ideology: A Study of Keats's `To Autumn'." In Frank Brady, John Palmer and Martin Price, eds., Literary Theory and Structure: Essays in Honor of William K. Wimsatt, pp. 305-330. New H aven: Yale University Press, 1973.
Reprinted as "Poem and Ideology: A Study of `To Autumn'." In Harold Bloom, ed., John Keats, pp. 87-104. Modern Critical Views. New York: Chelsea House, 1985.
"Spectral Symbolism: Psychological and Mythological
Approaches to a Long Poem." In The Harry Camp Memorial Lectures,
pp. 41-54. The Harry Camp memorial lectures given at a conference
entitled "The Act of Interpretation: Myth, Symbol, Culture," sponsored by the Committee on Modern Thought and Literature at Stanford University, November 13-17, 1972.
Stanford, Calif.: Stanford University Press, 1973.
An
earlier version of this paper was given as a Harry F. Camp lecture at Stanford University. It has subsequently been edited for publication. See "Spectral Symbolism and the Authorial Self:
An Approach to Keats's Hyperion.” Essays in Criticism (January 1974), 24(1): 1-19.
"Nature and the Humanization of the Self in Wordsworth." In
M.H. Abrams, ed., English Romantic Poets: Modern Essays in
Criticism, pp. 123-132. 2d ed. New York &
London: Oxford University Press, 1975.
Revised version of
"Introduction." In Geoffrey H. Hartman, ed.,
William Wordsworth: Selected Poetry and Prose. New York: New American Library, Signet Book, 1970.
"Preface." In Geoffrey Hartman, ed., Psychoanalysis and the Question of the Text, pp. vii-xix. Selected Papers from the English Institute, New Series, No. 2. Baltimore, MD: Johns Hopkins University Press, 1978.
"Psychoanalysis: The French Connection." In Geoffrey Hartman, ed., Psychoanalysis and the Question of the Text, pp. 86-113. Selected Papers from the English Institute, New Series, No. 2. Baltimore, Md: Johns Hopkins University Press, 1978.
Reprinted in Saving the Text, pp. 96-117.
"Preface." In Deconstruction and Criticism, pp. vii-ix. New York: Seabury, A Continuum Book, 1979.
"Words, Wish, Worth: Wordsworth." In Deconstruction and Criticism, pp. 177-216. New York: Seabury, A Continuum Book, 1979.
"Diction and Defense in Wordsworth." In Joseph H. Smith, ed., The Literary Freud: Mechanisms of Defense and the Poetic Will, pp. 205-215. Psychiatry and the Humanities, 4. New Haven, Conn.: Yale University Press, 1980.
"Words and Wounds." In Enid Rhodes Peschel, ed., Medicine and Literature, pp. 178-188. Introduction by Edmund D. Pellegrino. New York: Watson Academic, 1980. See Savin g the Text, pp. 118-157.
"The Poetics of Prophecy." In Lawrence Lipking, ed., High Romantic Argument: Essays for M.H. Abrams, pp. 15-40. Ithaca & London: Cornell University Press, 1981.
Reprinted as "The Poetics of Prophecy: Jeremiah." In Harold Bloom, ed., The Bible, pp. 205-223. Modern Critical Views. New York: Chelsea House, 1987.
"Criticism, Indeterminacy, Irony." In Paul Hernadi, ed., What Is Criticism?, pp. 113-125. Bloomington: Indiana University Press, 1981.
"Preface." In Maurice Blanchot, The Gaze of Orpheus, and Other Literary Essays, pp. x-xi. Translated by Lydia Davis. Edited, with an Afterword, by P. Adams Sitney. Barrytown, N.Y.: Station Hill Press, 1981.
"Jeremiah 20: 7-12: A Literary Response." In Robert Polzin and Eugene Rothman, eds., The Biblical Mosaic: Changing Perspectives, pp. 184-195. The Society of Biblical Literature Semeia Studies. P hiladelphia, Pennsylvania: Fortress Press; Chico, California: Scholars Press, 1982.
"Reading Aright: Keats's `Ode to Psyche'." In Eleanor Cook, Chaviva Hosek, Jay Macpherson, Patrcia Parker and Julian Patrick, eds., Centre and Labyrinth: Essays in Honour of Northrop Frye, pp. 210-226. Toronto: University of Toronto Press, 1983.
"The New Wilderness: Critics as Connoisseurs of Chaos." In Ihab Hassan and Sally Hassan, eds., Innovation/Renovation: New Perspectives on the Humanities, pp. 87-110. Madison: Universi ty of Wisconsin Press, 1983.
"Shakespeare's Poetical Character in Twelfth Night." In Geoffrey Hartman and Patricia Parker, eds., Shakespeare and the Question of Theory, pp. 37-53. New York: Methuen, 1985.
Reprinted in Harold Bloom, ed., William Shakespeare's 'Twelfth Night', pp. 129-145. Modern Critical Interpretations. New York: Chelsea House, 1987.
"The Unremarkable Wordsworth." In Marshall Blonsky, ed., On Signs, pp. 321-333. Baltimore: Johns Hopkins University Press, 1985.
"The Struggle for the Text." In Geoffrey Hartman and Sanford Budick, eds., Midrash and Literature, pp. 318. New Haven, Conn.: Yale University Press, 1986.
Translated into Spanish by Laura Flores as "La Lucha por el texto." In Lisa Block de behar, ed., Diseminario: La Desconstruccion otro descubrimiento de America, pp. 233-251. Montevideo, Uruguay: XYZ Editores, 1987.
"Envoi: 'So Many Things'." In Nelson Hilton and Thomas A. Vogler,
eds., Unnam'd Forms: Blake and Textuality, pp.
242-248. Berkeley:
University of California Press, 1986.
Essays in this
volume grew out of a conference entitled "Blake and Criticism" held at the
University of California, Santa Cruz, May 20- 21, 1982.
"Understanding Criticism."
In G. Douglas Atkins and Michael L. Johnson, eds.,
Writing and Reading Differently: Deconstruction and the
Teaching of Composition and Literature, pp. 149-168. Lawrence: University Press of Kansas,
1985.
Chiefly papers from the University of Alabama's Annual Symposium on English and American Literature,
1982.
"The Lesson of Bitburg." In Encyclopaedia Judaica. Yearbook 1985/6. Jerusalem: Encyclopaedia Judaica, 1986.
"Tea and Totality: The Demand of Theory on Critical Style."
In Gregory S. Jay and David L. Miller, eds.,
After Strange Texts: The Role of Theory in the Study of
Literature, pp. 29-45. University: University of Alabama
Press, 1986.
See Minor Prophecies, pp.
57-73.
"The State of the Art of Criticism." In Ralph Cohen, ed.,
The Future of Literary Theory, pp. 86-101.
New York: Routledge, 1989.
This essay was written in May 1986.
An earlier version issued as a pamphlet "The State of the Art of Criticism.” Proceedings of the Israel Academy of Sciences and Humanities (1987), 7(1): 19pp. Read 28 May 1986.
See also "The State of the Art" in
Minor Prophecies, pp. 90-109.
" Numbers. The Realism of Numbers/The Magic of Numbers." In David Rosenberg, ed., Congregation: Contemporary Writers Read the Jewish Bible, pp. 39-50. San Diego: Harcourt Brace Jovanovich, 1987.
"Evening Star and Evening Land." In Richard Machin and Christopher
Norris, eds., Post-Structuralist Readings of English Poetry,
pp. 264-293. Cambridge: Cambridge University Press, 1987.
Reprinted from The Fate of
Reading and Other Essays (1975), pp. 147-178.
"Foreword" to Bernard F. Stehle, Another Kind of Witness, pp. vii-ix. Afterword by Sister Gloria Coleman. Philadelphia: Jewish Publication Society, 1988.
"The Discourse of a Figure: Blake's `Speak Silence' in Literary History." In Sanford Budick and Wolfgang Iser, eds., The Languages of the Unsayable: The Play of Negativity in Literature and Literary Theory, pp. 225-240. Irvine Studies in the Humanities. New York: Columbia University Press, 1989.
Translated into Spanish by María Inés Segundo as "El Discurso de la Figura: `Habla Silencio' de Blake en la Historia Literaria." In Lisa Block de behar, ed., Diseminario: La Desconstruccion otro descubrimiento de Ameri
ca, pp. 275-291. Montevideo, Uruguay: XYZ Editores, 1987.
"Looking Back on Paul de Man." In Lindsay Waters and Wlad Godzich, eds., Reading de Man Reading, pp. 3-24. Theory and History of Literature, 59. Minneapolis: University of Minnesota P
ress, 1989.
Earlier version of two parts of this article appeared in The London
Review of Books (March 15-April 14, 1984), and The
New Republic (March 7, 1988).
"Afterword." In Alan Adelson and Robert Lapides, eds., Lodz Ghetto: Inside a Community Under Siege, pp. 511-516. Annotations and Bibliographical Notes by Marek Web. New York: Viking; London: Penguin, 1989.
"Stories Before Our Eyes." In
Remembering for the Future: Vol. 3, The Impact of the Holocaust and
Genocide on
Jews and Christians. Oxford & New York: Pergamon Press, 1989.
Proceedings of the International
Scholars' Conference, Oxford, July 10-13,
1988.
"Essay." In Elements of Time. Boston: Facing History and Ourselves National Foundation, 1989.
"`Was it for this...?': Wordsworth and the Birth of the Gods." In Kenneth R. Johnston, Gilbert Chaitin, Karen Hanson and Hilbert Marks, eds., Romantic Revolutions: Criticism and Theory, pp. 8-25. Essays selected from the papers presented at an international symposium held in Bloomington, Indiana in 1988. Bloomington & Indianapolis: Indiana University Press, 1990.
"Preface.” Guide to Yale University Library Holocaust Video Testimonies, I: Fortunoff Video Archive for Holocaust Testimonies, pp. vii-viii. Garland Library of Social Science, 604. New York and London: Garland, 1990.
"Closing Remarks." In Peter Hayes, ed., Lessons and Legacies: The Meaning of the Holocaust in a Changing World, pp. 329-336. Evanston, Illinois: Northwestern University Press, 1991.
"The Exterminating Angel." In David Rosenberg, ed., The Movie That Changed My Life, pp. 227-237. New York: Viking, 1991.
"The Book of Destruction." In Saul Friedlander, ed., Probing the Limits of Representation: Nazism and the 'Final Solution'. Cambridge, Mass.: Harvard University Press, 1992.
"Restitutive Criticism." In Vita Fortunati, ed.,
Bologna: la cultura italiana e le letterature straniere moderne
, Vol. II, pp. 23-30. Bologna: Universita di Bologna;
Ravenna: Longo, 1992.
"Atti del Congresso internazionale `Bologna, la cultura
italiana e le letterature straniere moderne', Bologna, 17-22
ottobre 1988."
"English as Something Else." In Susan Gubar and Jonathan Kamholtz, ed., English Inside Out: The Places of Literary Criticism, pp. 37-46. Essays from the 50th Anniversary of the English Institute. New York: Routledge, 1993.
"The Voice of Vichy." In Lawrence D. Kritzman, ed., Auschwitz and After: Race, Culture, and 'The Jewish Question' in France, pp. 15-24. New York: Routledge, 1994.
"A Project for the Sun." In Lawrence Besserman, ed., The Challenge of Periodization: Old Paradigms and New Perspectives, pp. 147-159. Garland Reference Library of the Humanities, 1938. New York: Garland, 1996.
"Videographie, Oral History und Bildung: Das Yale Testimony Project." In Cathy Gelbin, ed., Archiv der Erinnerung: Interviews mit Überlebenden der Shoah, Vol. 1, pp. 41-65. Potsdam: MPZ, 1998.
"Sculptor as Midwife." In The Ransom of the Father: Lachman 1999, pp. 15-23. Ramat Gan: The Museum of Jewish Art, 1999.
"Der geist des Maurice Blanchot." In Gertrud
Koch, ed., Bruchlinien: Tendenzen der
Holocaustforschung. Beträge zur Geschichtskultur, 20.Cologne:
Böhlau, 1999.
Some of the papers are from an
international conference held at the Kulturhuissen schaftliches Institut
Essen, Essen, Germany in Spring 1997.