Eddie Yeghiayan
Rabine, Leslie W.
Cites Paul Gilroy’s "Sounds Authentic: Black Music, Ethnicity, and the Challenge of a Changing Same" (1991).
This issue of the journal is on "Fashion & Fashionability in Modern French & Francophone Culture."
Rahier, Jean Muteba. "Blackness, the Racial/Spatial Order, Migrations, and Miss Ecuador 1995-96." American Anthropologist (June 1998), 100(2):421, 428n2, 429.
Rajagopal, Arvind. "Transnational Networks and Hindu Nationalism." Bulletin of Concerned Asian Scholars (July-September 1997), 29(3):46n3.
Cites Paul Gilroy’s "It Ain’t Where You’re From, It’s Where You’re At…: The Dialectics of Disasporic Identification" (1991).
Ram, Kalpana. "Introduction: Migratory Women, Travelling Feminisms." Women’s Studies International Forum (November-December 1998), 21(6):577n8, 578.
Special Issue on "Migrating Feminisms: The Asia/Pacific Region," edited by Kalpana Ram and J. Kehaulani Kauanui.
Ramazani, Jahan. "Metaphor and Postcoloniality: The Poetry of A.K. Ramanujan." Contemporary Literature (Spring 1998), 39(1):45n14, 52.
Ramirez, Renya Katarine. "Healing through Grief: Urban Indians Reimagining Culture and Community in San Jose, California." American Indian Culture and Research Journal (Fall 1998):329n7.
Special Edition: American Indians and the Urban Experience.
Rampton, M.B.H. "Interracial Panjabi in a British Adolescent Peer Group." Language in Society (September 1991), 20(3):392, 415, 421.
Cites Paul Gilroy and Errol Lawrence's "Two Tone Britain: White and Black Youth and the Politics of Anti-Racism" (1988).
Rampton, M.B.H. "A Non-Educational View of ESL in Britain." Journal of Multilingual and Multicultural Development (1988), 9(6):508, 527.
Ramsey, Guthrie P., Jr. "Cosmopolitan or Provincial: Ideology in Early Black Music Historiography, 1867-1940." Black Music Research Journal (Spring 1996), 16(1):12n2, 39.
Randeria, Shalini. "Jenseits von Soziologie und soziokultereller Anthropologie: Zur Ortsbestimmung der nichtwestlichen Welt in einer suküntftigen Sozialtheorie." Soziale Welt: Zeitschrift für Sozialwissenschaftliche Forschung und Praxis (1999), 50(4):379, 381.
Rath, Richard Cullen. "Echo and Narcissus: The Afrocentric Pragmatism of W. E. B. Du Bois." Journal of American History (September 1997), 84(2):483.
Ratnam, Niru. "Chris Ofili and the Limits of Hybridity." New Left Review (May-June 1999), 235:155.
This issue is entitled "The Dark Side of Democracy."
Rattansi, Ali. "Changing the Subject? Racism, Culture and Education." In James Donald and Ali Rattansi, eds., "Race", Culture, and Difference, pp. 34, 45. ‘Race’, Education and Society. London & Newbury Park, Calif.: Sage Publications in association with the Open University, 1992.
Reckwitz, Erhard. "’Postcolonially Ever After’: Bemerkungen zum Stand der Stand der Postkolonialismustheorie." Anglia: Zeitschrift für Englische Philologie (2000), 118 (1):24.
Regev, Motti. "To Have a Culture of Our Own: On Israeliness and its Variants." Ethnic and Racial Studies (March 2000), 23(2):225, 244.
Regis, Helen A. "Second Lines, Minstrelsy, and the Contested Landscapes of New Orleans Afro-Creole Festivals." Cultural Anthropology(November 1999), 14(4):472, 500.
Regisford, Dianne. "Rapping on the superhighway: Dianne Regisford takes a look into the future of global entertainment and discovers that New York is just a computer screen away." The Weekly Journal [London] (March 30,1995), 152:14.
Reid-Pharr, Robert F. "Tearing the Goat's Flesh: Homosexuality, Abjection and the Production of a Late Twentieth-Century Black Masculinity." Studies in the Novel (Fall 1996), 28(3):375, 393n7.
Reid-Pharr, Robert F. "Tearing the Goat's Flesh: Homosexuality, Abjection, and the Production of a Late-Twentieth-Century Black Masculinity." In Eve Kosofsky Sedgwick, ed., Novel Gazing: Queer Readings in Fiction, pp. 355-356, 375n7. Series Q. Durham, NC: Duke University Press, 1997.
Review of Dionne Brand’s Bread Out of Stone: Recollections, Sex, Recognitions, Race, Dreaming, Politics. Publishers Weekly (April 3,1995), 242(14):57.Revill, George. "Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space." Environment and Planning D: Society & Space (October 2000), 18(5):601, 612.
Rewt, Polly T. "Introduction: The African Diaspora and Its Origins." Research in African Literatures (Winter 1998), 29(4):6, 12n6.
This issue is entitled "The African Diaspora and Its Origins," edited by Polly T. Rewt.
Rex, John. "The Problematic of Multinational and Multicultural Societies." Ethnic and Racial Studies (July 1997), 20(3):467.
Rex, John. "A Working Paradigm for Race Relations Research." Ethnic & Racial Studies (January 1981), 4(1):23n1.
Cites Paul Gilroy’s "Managing the Underclass" 1980).
Rich, Sarah K. "Thinking Locally." Afterimage: The Journal of Media Arts and Cultural Criticism (March-April 1999), 26(5):18.
Review of "The Unmapped Body: 3 Black Artists (Sutapa Biswas, Sonia Boyce, and Keith Piper), Yale University Art Gallery, New Haven, Connecticut, October 13,1998-January 3,1999. The Unmapped Body: 3 Black British Artists, essay by Ian Baucom. New Haven: Yale University Press,1998.
Roach, Joseph R. "Slave Spectacles and Tragic Octoroons, a Cultural Genealogy of Antebellum Performance." Theatre Survey (November 1992), 33(2):169, 186-187.
Roberts, Susan. "Scholar's Choice." Environment and Planning D: Society & Space (April 1999), 17(2):247.
Robins, Steven. "Breaking Out of the Straitjacket of Tradition: The Politics and Rhetoric of 'Development' in Zimbabwe." World Development (September 1998), 26(9):1693.
Robinson, Jenny. " Spaces of Democracy: Remapping the Apartheid City." Environment and Planning D: Society & Space (October 1998), 16(5):547.
Rodkin, Philip C. "The Psychological Reality of Social Constructions." Ethnic and Racial Studies (October 1993), 16(4):644, 653.
Roediger, David R. "The Pursuit of Whiteness: Property, Terror, and Expansion, 1790-1860." Journal of the Early Republic (Winter 1999), 19(4):579n1.
Roediger, David. "What if Labor Were Not White and Male? Recentering Working-Class History and Reconstructing Debate on the Unions and Race." International Labor and Working-Class History (Spring 1997), 51:79, 92n24.
Rogers, Alisdair. "The Politics of the British Inner City." Geoforum (1990), 21(4):461, 463.
Rogers , A. "Towards a Geography of the Rainbow Coalition,1983-89."Environment and Planning D: Society & Space (December 1990), 8(4):409, 421, 425.
Rogers, Susan. "Embodying Cultural Memory in Paule Marshall's Praisesong for the Widow." African American Review (Spring 2000), 34(1):91, 93.
Rogoff, Irit. "Twenty Years On ... Inside, Out." Art Journal (Winter 1998), 57(4):49.
Part of a section devoted to the topic "Liminalities: Discussions on the Global and the Local."
Rojek, Chris and Bryan Turner. "Decorative Sociology: Towards a Critique of the Cultural Turn." Sociological Review (November 2000), 48(4):633, 646.
Romero, Lora. Home Fronts: Domesticity and Its Critics in the Antebellum United States, pp. 65-66, 68, 129nn37, 38. New Americanists. Durham, NC & London: Duke University Press,1997.
Rommen, Timothy. "Home Sweet Home: Junkanoo as National Discourse in the Bahamas." Black Music Research Journal (Spring 1999),19(1):88-89, 92.
Rosaldo, Renato. "Foreword." Stanford Law Review (May 1996), 48(5):1039n6, 1040.
This is the preface to an issue entitled "Surveying Law and Borders."
Rose, Gillian "Spatialities of 'Community', Power and Change: The Imagined Geographies of Community Arts Projects." Cultural Studies (January 1997), 11(1):2, 15.
Rose, Sonya O. "Resuscitating Class." Social Science History (Spring 1998), 22(1):23, 26.
Rose, Tricia "’Fear of a Black Planet’: Rap Music and Black Cultural Politics in the 1990s." Journal of Negro Education (Summer 1991), 60(3):284, 290.
Cites Paul Gilroy’s There Ain’t No Black in the Union Jack (1987).
Rose, Tricia. "Orality and Technology: Rap Music and Afro-American Cultural Resistance." Popular Music and Society (Winter 1989), 13(4):44n1.
This is a special issue on Rock Music.
Rosello, Mireille. "Introduction." Paragraph: The Journal of the Modern Critical Theory Group (March 1995), 18(1):10-11, 11nn2, 7.
This issue is entitled "Practices of Hybridity," edited by Mireille Rosello.
Roseman, Marina. "The Canned Sardine Spirit takes the mic." World of Music (2000), 42 (2):132.
The issue is entitled "Spirit Practices in a Global Ecumene."
Ross, Andrew. "Mr. Reggae DJ, Meet the International Monetary Fund." Black Renaissance/Renaissance Noire (July 31, 1998), 1(3):208.
Rothberg, Michael. "W.E.B. DuBois in Warsaw: Holocaust Memory and the Color Line, 1949-1952." Yale Journal of Criticism (Spring 2001), 14(1):189n23.
Rowe, John Carlos. "Post-Nationalism, Globalism, and the New American Studies."
Cultural Critique (Fall 1998 ), 40:21, 26n13, 27.
This Special Issue is entitled "The Futures of American Studies," and is edited by Robyn Wiegman.
Roy, Parama. Review of Inderpal Grewal’s Home and Harem: Nation, Gender, Empire, and the Cultures of Travel, Mrinalini Sinha’s Colonial Masculinity: The 'Manly Englishman' and the' Effeminate Bengali' in the Late Nineteenth Century, and Ann Laura Stolers’ Race and the Education of Desire: Foucault's History of Sexuality and the Colonial Order of Things. Signs: Journal of Women in Culture and Society (Summer 1998), 23(4):1079.
Roy, Sanjoy. "Dirt, Noise, Traffic: Contemporary Indian Dance in the Western City; Modernity, Ethnicity and Hybridity." In Helen Thomas, ed., Dance in the City, pp. 71, 85. New York: St. Martin's Press, 1997.
Ryang, Sonia. "Categories and Subjectivities in Identification of North Koreans in Japan." Journal of Asian and African Studies (December 1997), 32(3-4):259, 261.
Ryang, Sonia. "Inscribed (Men's) Bodies, Silent (Women's) Words: Rethinking Colonial Displacement of Koreans in Japan." Bulletin of Concerned Asian Scholars (October-December 1998), 30(4):14n21.