Eddie Yeghiayan
"'After the Love Has Gone': Bio-Politics and Etho-Poetics in the Black Public Sphere."
In Angela McRobbie, ed., Back to Reality? Social Experience and Cultural Studies, pp. 83-115. Manchester & New York: Manchester University Press, 1997.
Reprint of "'After the Love Has Gone': Bio-Politics and Etho-Poetics in the Black Public Sphere" (1994).
Between Camps: Race and Culture in Postmodernity: An Inaugural Lecture. Inaugural Lecture Series. London: Goldsmiths College, London University, 1997.
20pp. A pamphlet.
"Diaspora and the Detours of Identity." In Kathryn Woodward, ed., Identity and Difference, pp. 299-343. Culture, Media and Identities. London & Thousand Oaks, Calif.: Sage Publications in association with the Open University, 1997.
"Exce(or)cising Power: Black Bodies in the Black Public Sphere." In Helen Thomas, ed., Dance in the City, pp. 21-34. New York: St. Martin's Press, 1997.
"For the Transcultural Record." In Trade Routes: History and Geography: 2nd Johannesburg Biennale 1997. Okwui Enwezor, artistic Director. Colin Richards, et al., curators. Johannesburg, South Africa: Greater Johannesburg Metropolitan Council; Den Haag, Netherlands: Prince Claus Fund for Culture and Development. Johannesburg: Thorold's Africana Books, 1997.
"Million Man Mouthpiece." Sight and Sound (August 1997), 7(8):16-18.
On Spike Lee's film Get on the Bus.
"Scales and Eyes: 'Race' Making Difference." In Sue Golding, ed., The Eight Technologies of Otherness, pp. 190-196. London & New York: Routledge, 1997.
"White Man's Bonus." Review of Richard Dyer’s White. TLS. Times Literary Supplement (August 29, 1997), 4926:10.
"Y-a pas de Black dans l'Union Jack." Liber: Revue Internationale des Livres (September 1997), 32:3.
Translated by Françoise Wirth.
A Supplement to Actes de la Recherche en Science Sociales (September 1997), 119(32):3.