Texts about Jean Baudrillard: Fabian, Johannes - Fusco, Coco

Eddie Yeghiayan

• Fabian, Johannes. "Rules and Process: Thoughts on Ethnography as Communication." Philosophy of the Social Sciences (1979), 9(1):20-21n15.
        "No one has, to my knowledge, given a more radical and compelling account of the incommensurability of dialectic (production-) and structuralist (code-) theory than J. Baudrillard."

• Fagnani, F. and G. Dumenil. "Health Indicators or Health System Analysis? Extracts from a French Survey?" Social Indicators Research: An International and Interdisciplinary Journal for Quality-of-Life Measurement (June 1976), 3(1):53, 74.

• Faisant, Claude. "L'Érotisme dans le Folastries de Ronsard." Europe (November-December 1986), 691-692:68n2.

• Fajardo, Diógenes. "Culminación de una trilogía: Finale capriccioso con Madonna de Rafael Huberto Moreno-Durán." Hispamerica: Revista de Literatura (December 1987), 16(48):125.

• Falk, Pasi. "Corporeality and Its Fates in History." Acta Sociologica (1985), 28(2):121, 122, 124, 135.
        Cites several of Baudrillard's observations on the body: the dead body really is the model for the body; the body become a visage, a collection of signs to be interpreteted; the body enters the realm of signs and becomes a mannequin. Also mentions Baudrillard's intepretation of capitalist commodity production as sign production and of consumption as consumption of signs.

• Falk, Pasi. "The Past to Come." Economy and Society (August 1988), 17(3):375, 388-390, 394.
        Discusses Baudrillard's concepts of hyperreality and simulation.

• Falk, Pasi. "The Representation of Presence: Outlining the Anti-Aesthetics of Pornography." Theory, Culture & Society (May 1993), 10(2):34, 39.

• Falkenberg, Pamela. "'The Text! The Text!': Andre Bazin's Mummy Complex, Psychoanalysis and the Cinema." Wide Angle (1987), 9(4):48, 52n12, 55n39.
        This issue is on André Bazin and is edited by Dudley Andrew.

• Falkenberg, Pamela. "'Hollywood' and the 'Art-Cinema' as a Bipolar Modeling System : A bout de souffle and Breathless." Wide Angle (1985), 7(3):51, 52, 53, 53nn19, 21, 22, 24, 25.

• Fantasia, Rick. "Fast Food in France." Theory and Society (April 1995), 24(2):213, 240n58.

• Farberman, Harvey A. "Fantasy in Everyday Life: Some Aspects of the Intersection between Social Psychology and Political Economy." Symbolic Interaction (Spring1980), 3(1):9.

• Farberman, Harvey A. "Symbolic Intercation and Postmodernism: Close Encounter of a Dubious Kind." Symbolic Interaction (Winter 1991), 14(4):473, 476, 486.

• Farinelli, Franco. "Le incomparabili rivoluzioni/The Unequalled Revolutions." Casabella (January-February 1989), 53( 553-554):117n7. Bilingual.
        The author argues that the precession of simulacra, Baudrillard maintains wrongly, is distinctive of our contemporary era, but he is right that ever since land existed in our modern era, the cartographic representation preceded the land itself.

• Fatela, Joao. "Brumes sur l'espoir…Aspects d'une démocratisation le Portugal." Esprit (January 1979), 1:12n24.

• Faurschou, Gail. "Obsolescence and Desire: Fashion and the Commodity Form." In Hugh J. Silverman, ed., Postmodernism--Philosophy and the Arts. Continental Philosophy III. New York & London: Routledge, 1990.

• Featherstone, Mike. "The Heroic Life and Everyday Life." Theory, Culture and Society (February 1992), 9(1):178n3, 180.
        Mentions that traces of a positive evaluation of everyday life by Maffesoli and de Certeau can be found in the writings of Baudrillard and that Baudrillard afirms the cynical and 'mirror-like' capacity of the masses to resist absorption and manipulation by the mass media.

• Featherstone, Mike. "Perspectives on Consumer Culture." Sociology (Febraury 1990), 24(1): 7, 12, 16, 20.

• Featherstone, Mike. "Postmodernism, Cultural Change, and Social Practice." In Douglas Kellner, ed., Postmodernism/Jameson/Critique, pp. 122-123. PostModernPositions, 4. Washington, D.C. : Maisonneuve Press, 1989.

• Feenberg, Andrew. "The Ambivalence of Technology." Sociological Perspectives (Spring 1990), 33(1):49n2, 49.

• Feenberg, Andrew. "Beyond the Politics of Survival." Theory and Society (May 1979), 7(3):359n54.

• Feenberg, Andrew. "Post-Industrial Discourses." Theory and Society (December 1990), 19(6):731, 732-733, 736n62, 737nn65, 67-72.

• Fekete, John. "Literature and Politics/Literary Politics." Dalhousie Review (Spring-Summer 1986), 66(1-2):82-83, 85.

• Fekete, John. "The Stimulations of Simulations: Five Theses on Science- Fiction and Marxism." Science-Fiction Studies (November 1988), 15(3) [46]:317, 321n4, 322, 323.

• Felski, Rita. "Fin de siècle, fin de sexe: Transsexuality, Postmodernism and the Death of History." New Literary History (1996), 27(2):337-349.
        Reprinted In Robert D. Newman, ed., Centuries' Ends, Narrative Means, pp. 225-237. Stanford, Calif.: Stanford University Press, 1996.
        This volume grew out of the conference 'Centuries' Ends, Narrative Means,' sponsored by the Interdisciplinary Group for Historical Literary Study at Texas A&M University on March 24-27, 1994.

• Féral, Josette. "Bibliography." Sub-Stance (1977), 18-19:205.
        This issue is entitled "Theater in France: Ten Years of Research."

• Ferguson, Marjorie. "Invisible Divides: Communication and Identity in Canada and the U.S." Journal of Communication (Spring 1993), 43(2):44, 54.

• Ferguson, Marjorie. "Marshal McLuhan Revisited: 1960s Zeitgeist or Pioneer Postmodernist?" Media, Culture & Society (January 1991), 13(1):75, 80, 81, 84, 86, 88n18, 88.
        This issue of the journal is on "Postmodernism."

• Fernández, Eugenio. "La condición posmodena: Reflexiones a partir de Lyotard." Cuadernos del Norte (July-August 1987) 8(43):31, 38n5.

• Fernandez, José Benito. "Lucido Seductor." Cuadernos del Norte (July-August 1984), 5(26):17-19.

• Feuer, Jane. "Reading Dynasty: Television and Reception Theory." South Atlantic Quarterly (Spring 1989), 88(2):455, 460n26.
        This issue is entitled "Film and TV Theory Today," edited by Jane Gaines.

• Field, Norma. "Somehow: The Postmodern as Atmosphere." South Atlantic Quarterly (Summer 1988), 87(3): 552, 555, 568n3, 569n13.
        Issue is on "Postmodernism and Japan."

• Fields, A. Belden and Wolf-Dieter Narr. "Human Rights as a Holistic Concept." Human Rights Quarterly (February 1992), 14(1):15.

• Fine, Alain. "La pulsion de mort au regard de la maladie somatique." Revue Française de Psychanalyse (March-April 1989), 53(2):722-723, 734.
        This issue is entitled "La pulsion de mort."

• Firat, A. Fuat. "The Consumer in Postmodernity." Advances in Consumer Research (1991), 18:70, 71, 72, 74.

• Firat, A. Fuat. Review of Alvin Toffler's Powershift. Journal of Marketing (July 1993), 57(3):141.
        An understanding of Baudrillard's works would have forced Toffler to explore the processes of consumption that signify and represent the products of technology, appropriating values and meanings and transformations of technology.

• Firat, A. Fuat and Alladi Venkatesh. "Liberatory Postmodernism and the Reenchantment of Consumption." Journal of Consumer Research (December 1995), 22(3):244, 249, 250, 251, 252, 264.

• Fisette, Jean. "La Penée critique en noir et blanc."Voix & Images: Littérature Québécoise (Spring 1988), 13(3) [39]:483, 488n2.

• Fiske, John and Kevin Glynn. "Trials of the Postmodern." Cultural Studies (October 1995), 9(3):506, 507, 512-513, 517, 521.

• Fjellman, Stephen J. Vinyl Leaves: Walt Disney World and America, pp. 300, 301, 302, 373, 401, 446n8, 447nn12-18, 465n11. Institutional Structures of Feeling. Boulder: Westview Press, 1992.

• Flichy, Patrice. "Current Approaches to Mass Communication Research in France. Media, Culure and Society (April 1980), 2(2):180, 187.
        Cites Baudrillard's critique of classical media theory and his claim that "the masses" resist the media by their silence and blind existence.

• Flieger, Jerry Aline. "Posting the Modern (Casing the Comic)." In The Purlioned Punch Line: Freud's Comic Theory and the Postmodern Text, pp. 20-54. Baltimore: Johns Hopkins University Press, 1991.

• Flikke, Geir. "Amerika -- tre syn pa autentisk folelse: Tocqueviile, Hamsun og Baudrillard." Samtiden [Oslo] (1991), 6:80-90.

• Flogstad, Kjartan. "Massans energi." BLM: Bonniers Litterära Magasin (February 1985), 54(1):22-24.

• Fontaine, José. "Foucault et Baudrillard. Deux méditations sur le pouvoir." Revue Nouvelles [Bruxelles] (1978), 67:79-85.

• Folly, Jeanne. "Fragments d'un discours ironique." Evénement du Jeudi (November 8-14, 1990), 314:135.
        On Cool Memories II (1987-1990) (1990).

• Foote, Kenneth E. "Object as Memory: The Material Foundations of Human Semiosis." Semiotica (1988), 69(3-4):244, 264.

• Foote, Kenneth E. "To Remember and Forget: Archives, Memory, and Culture." American Archivist (Summer 1990), 53(3):379n2.

• Foss, Paul. "Despero Ergo Sum." In André Frankovits, ed., Seduced and Abandoned: The Baudrillard Scene, pp. 9-16. Semiotext(e). Autonomedia. Glebe, NSW, Australia & New York: Stonemoss Services & Semiotexte(e), 1984.

• Foster, Hal. "L'Amour faux,." Art in America (January 1986), 74(1):126, 128nn19, 26.
        On photography and surrealism.

• Foster, Hal. "The Art of Fetishism: Notes on a Dutch Life." In Emily Apter and William Pietz, eds., Fetishism as Cultural Discourse, pp. 122-124, 149. Ithaca & London: Cornell University Press, 1993.

• Foster, Hal. "The Art of Spectacle." Art in America (April 1983), 71(4):144, 145, 151, 199, 199nn2, 5, 10, 19.
        On Robert Longo.
        Quotes Baudrillard on the loss of the real and fascism.

• Foster, Hal. "Between Modernism and the Media." Art in America (Summer 1982), 70(6):17n5.
        On the tactics of contemporary artists. Graffiti, the act of anti-media response, is now an art in the media of irresponsibility.

• Foster, Hal. "The Expressive Fallacy." Art in America (January 1983), 71(1):82, 83, 137nn10, 13.
        On Expressionist art.

• Foster, Hal. "For a Concept of the Political in Art." Art in America (April 1984) 72(4):17-18, 23nn7, 8, 25n15.

• Foster, Hal. "(Post)Modern Polemics." Perspecta: The Yale Architectural Journal (1984), 21:149, 153n8.
        Neo-conservative postmodernism is marked by the implosion of style in pastiche, by the erosion of history, by the death of the author as origin or center of meaning, and by what Baudrillard calls, the hysterical, historical retrospection.

• Foster, Hal. "The 'Primitive' Unconscious of Modern-Art." October (Fall 1985), 34:60, 66, 69.

• Foster, Hal. "The Problem of Pluralism." Art in America (January 1982), 70(1):15n17.
        On the need for a newly critical art.
        Quotes Baudrillard on fashion as a factor in social inertia.

• Foster, Hal. The Return of the Real: The Avant-Garde at the End of the Century, pp. 76, 90, 105, 128, 130, 132. Cambridge, Mass: MIT Press, 1996.

• Foster, Hal. "Signs Taken for Wonders." Art in America (June 1986), 74(6): 86, 87, 89, 91, 139nn6, 9, 19, 20, 22, 23.
        On the new quasi-abstract painters.

• Foster, Hal. "Subversive Signs." Art in America (November 1982), 70(10):92n5.
        Art and the media in the works of Barbara Kruger and Jenny Holzer. Quotes Baudrillard on the relation of power and speech.

• Foster, Hal. "Uncanny Images." Art in America (November 1983), 71(10):204n2.

• Fouques, Bernard. "Farabeuf, entre l'anathème et l'anamorphose." Bulletin Hispanique (July-December 1981), 83(3-4):416n21.

• Fouquet, Pierre de. "Marxisme et socialisme étatique." Revue d'Études Comparatives Est-Ouest (March 1981), 12(1):113n63.

• Fox, Stephen. "The Production and Distribution of Knowledge through Open and Distance Learning." Educational & Training Technology International (August 1989), 26(3): 277, 278.

• Frabotta, Biancamaria. "The Apotheosis of the Voice in Alberto Moravia's Vita interiore." Sub-Stance (1987), 53:49, 54n8.
        Translated by Keala Jewell.

• Fradier, G. "Nouveaux musées, nouvelles formes des musées. Le Centre national d'art et de Culture Georges Pompidou." Museum (1978), 30(2):76.

• Francis, Jere R. "Auditing, Hermeneutics, and Subjectivity." Acccounting Organizations and Society (April 1994), 19(3):261, 267.

• Franco, Jean "Gender, Death and Resistance; Facing the Ethical Vacuum." Chicago Review (1987), 35(4):77.
        How postmodernism confronts fear and torture in Latin America.

• Frank, Arthur W. "Twin Night Moves of the Medical Simulacrum: Jean Baudrillard and David Cronenberg." In William Stearns and William Chaloupka, eds., Jean Baudrillard: The Disappearance of Art and Politics, pp. 82-97. New York: St. Martin's Press, 1992.

• Frank, Lisa. "What Time It Is: Theology and Postmodernist Theory." Dalhousie Review (Summer 1984), 64(2):448, 449, 451n37.

• Franklin, Sarah, Celia Lury and Jackie Stacey. "Feminism and Cultural Studies: Pasts, Presents, Futures." Media, Culture & Society ( April 1991), 13(2):176, 188.
        This issue is entitled "The Analysis of 'Culture'."

• Franko, Mark. "Repeatability, Reconstruction and Beyond." Theatre Journal (March 1989), 41(1):57n4.

• Frankovits, André. "Letter of Introduction." In André Frankovits, ed., Seduced and Abandoned: The Baudrillard Scene, pp. 5-8. Semiotext(e). Autonomedia. Glebe, NSW, Australia & New York: Stonemoss Services & Semiotexte(e), 1984.

• Frankovits, André, ed., Seduced and Abandoned: The Baudrillard Scene. Semiotext(e). Autonomedia. Glebe, NSW, Australia & New York: Stonemoss Services & Semiotexte(e), 1984.

• Frappier-Mazur, Lucienne. "Desire, Writing, and Identity in the Romantic Mystical Novel : Notes for a Definition of the Feminine." Style (Summer 1984) 18(3):342, 352.
        This issue is on "Psychopoetics."

• Frappier-Mazur, Lucienne. "Narcisse travesti: Poétique et idéologie dans La Dernière Mode de Mallarmé." French Forum (January 1986), 11(1):50-51, 55n5, 8, 56nn17, 21.

• Frasconi, Luciano. "L'apocalittico Baudrillard." Aut Aut (January-February 1974), 139:67-70.

• Fraser, Andrew. "The Legal Theory We Need Now." Socialist Review (July-October 1978), 8(4-5) [40-41]:158, 186n17.
        Refers to Baudrillard's critique of the productivist orientation -- people make themselves through productivist activity -- of orthodox Marxism.

• Freedman, Barbara. "Frame-Up: Feminism, Psychoanalysis, Theater." Theatre Journal (October 1988), 40(3): 393.
        Quotes Baudrillard on simulation and the hyperreal.

• Freeman, Jody. "The Disciplinary Function of Rape's Representation: Lesons from the Kennedy Smith and Tyson Trials." Review of Lynn A. Higgins and Brenda R. Silver, eds. Rape and Presentation. Law and Social Inquiry: Journal of the American Bar Foundation (Summer 1993), 18(3):5544n64.

• Freitas, Anthony, Susan Kaiser, and Tania Hammidi. "Communities, Commodities, Cultural Space, and Style." Journal of Homsexuality (1996), 31(1-2):102, 105.
        Quotes Baudrillard that "to consume is to produce again."

• Fresnault-Deruelle, Pierre. "Des personnages qui sonnent faux: quelques réflexions d'ordre iconologique." Semiotica (1985), 54(3-4):400, 404.

• Friedman, R.M. "Exorcising the Past: Jewish Figures in Contemporary Films." Journal of Contemporary History (July 1984), 19(3):515, 526n12.
        Refers to Baudrillard's view that history, the lost referent, has become a myth which invades the cinema and that the Freudian account of fetishism explains the fascination with the fascist era; see Baudrillard's "L'histoire, un scénario retro" (1977).

• Frith, Simon. "What is a Washing Machine?" [Cover-title "The thoughts of Jean Baudrillard, star philosopher"] New Statesman (June 3, 1988), 115(2984):23-24.
        Review of Jean Baudrillard: Selected Writings (1988), edited by Mark Poster.
        Cover-title "The thoughts of Jean Baudrillard, star philosopher."
        "Despite its elusiveness and occasional obscurity, Jean Baudrillard's philosophy, argues Simon Frith, is of major importance, to our age of greed, consumption and panic about cultural production."

• Frohmann, Bernd. "Communication Technologies and the Politics of Postmodern Information Science." Canadian Journal of Information and Library Science/Revue canadienne des Sciences de l'Information et de Bibliothéconomie (July 1994), 19(2):4, 10, 19.

• Frohmann, Bernd. "The Power of Images: A Discourse Analysis of the Cognitive Viewpoint." Journal of Documentation (December 1992), 48(4):384, 386n41.

• Froidevaux, Gerald. "Modernisme et modernité: Baudelaire face à son époque." Littérature (October 1986), 63:103n28.
        This issue is entitled "Communiquer/Représenter."

• Frosh, Stephen. "The Psychopathology of Freudian Life.". Theory & Psychology (August 1994), 4(3):459.
        Review of Patricia Kitcher's Freud's Dream: A Complete Interdisciplinary Science of Mind
        Mentions Baudrillard announcement of the death of psychoanalysis's project as a whole.

• Frosh, Stephen. Review of E. Trist and H. Murray, ed.The Social Engagement of Social Science-A Tavistock Anthology, Vol. I, The Sociopsychological Perspective . Human Relations (September 1992), 45(9):877-878, 881.
        Cites Baudrillard's opposition to psychoanalytic interpretations that search for underlying causes.

• Frosh, Stephen. "The Semantics of Therapeutic Change." Journal of Family Therapy (May 1991), 13(2):175, 185.

• Frow, John. Marxism and Literary History, pp. 105, 108, 252n7, 252-253nn16, 17. Oxford: Blackwell, 1986.
        Asserts that Baudrillard is nostalgic for a 'lost' referentiality, a lost world of real objects and the pleine parole. Also contrasts Baudrillard and Deleuze on simulacra.

• Frug, Jerry. "Decentering Decentralization." University of Chicago Law Review (Spring 1993), 60(2):309-310, 334, 336n347.

• Fuchs, Stephan and Steven Ward. "What Is Deconstruction, and Where and When Does It Take Place? Making Facts in Science, Building Cases in Law." American Sociological Review (August 1994), 59(4):482, 483, 483n8, 497.

• Fujitani, Takashi. "Electronic Pageantry and Japan's 'Symbolic Emperor'." Journal of Asian Studies (November 1992), 51(4):828-829, 848.
        Discusses Baudrillard's notion of hyperreality and asserts that it destroys reality, callapsing under the weight of infinitely replicating simulacra, and that this frustrates the ability of the dominant producers of meaning to communicate with the masses.

• Funtowicz, Silvio O. and Jerome R. Ravetz. "The Good, the True and the Post-Modern." Futures (December 1992), 24(10):963, 964, 967, 969, 971, 976nn3, 12, 17, 19, 20.

• Fusco, Coco. "Sankofa & Black Audio Film Collective." In Russell Ferguson, William Olander, Marcia Tucker and Karen Fiss, eds., Discourses: Conversations in Postmodern Art and Culture, pp. 25, 28n8. New York: The New Museum of Contemporary Art; Cambridge, Mass.: MIT Press, 1990.