A Selected Bibliography
Compiled by
Eddie Yeghiayan
Mind & Art: An Essay on the Varieties of Expression. Princeton, NJ: Princeton University Press, 1972. Paperback, 1978.
A New Theory of Beauty. Princeton Essays on the Arts, 1. Princeton, NJ: Princeton University Press, 1975.
Love and Beauty. Princeton, NJ: Princeton University Press, 1989.
"Expressive Predicates of Art." In John Hospers, ed., Artistic Expression, pp. 303-326. The Century Philosophy Series. New York: Appleton-Century-Crofts, 1971.
"Arguing about `Art'." In Benjamin R. Tilghman, ed.,
Language and
Aesthetics: Contributions to the Philosophy of Art, pp. 65-86.
Lawrencville: University Press of Kansas, 1973.
"Expressive Properties of Art." In Joseph Margolis, ed.,
Philosophy
Looks at the Arts: Contemporary Readings in Aesthetics. Revised
edition, pp. 325-345. Philadelphia: Temple University Press, 1978.
"Beauty and Sex." In Donald F. Gustafson and Bangs L. Tapscott,
eds.
Body, Mind, and Method: Essays in Honor of Virgil C. Aldrich,
pp. 225-240. Dordrecht, Holland; Boston: Reidel, 1979.
"A New Theory of Beauty." In W.E. Kennick, ed., Art and
Philosophy: Readings in Aesthetics. 2d edition, pp. 527-541. New
York: St. Martin's Press, 1979.
"Aesthetics." In Academic American Encyclopedia, Vol. 1, pp. 130-131. Princeton, NJ: Arete; Danbury, CT: Grolier, 1980, 1982.
"Experiences of Transcendence Evoked by Art." In Milan Damjanovic, ed., Creativity and the Human World. Proceedings of the 9th International Congress of Aesthetics, Dubrovnik, Croatia, 1980. Belgrade: International Congr ess of Aesthetics, 1980.
"Monroe Beardsley and American Aesthetics." In L. Aagard-Morgensen and L. De Vos, eds., Text, Literature, and Aesthetics: In Honor of Monroe C. Beardsley, pp. 111-122. Elementa, 45. Amsterdam: Rodopi; Wurzburg: Kön inghausen & Neumann, 1986.
"Beauty and Anti-Beauty in Literature--and Its Criticism." In Midwest Studies in Philosophy, 16. Notre Dame, IN: University of Notre Dame Press. [Forthcoming]
"Perceptual Acts and Pictorial Art: A Defense of Expression Theory." Journal of Philosophy (November 18, 1965), 62(22):669-677.
"Expressive Qualities of Ordinary Language." Mind (October 1967), 76(304):548-555.
"Subjectivity and Justification in Aesthetic Judgments." Journal of Aesthetics and Art Criticism (Fall 1968), 27(1):3-12.
"Various Variants." [Abstract] Journal of Philosophy (November 8, 1973), 70(19):723-724.
"The Poetry of Theory: Reflections on After the New Criticism." Journal of Aesthetics and Art Criticism (Summer 1984), 42(4):387-396.
"Beauty in Shards and Fragments." Journal of Aesthetics and Art Criticism (Winter 1990), 48(1):21-35.
"Towards a Critique of Contemporary Anaesthetics." Philosophic Exchange. [Forthcoming]
Review of David Best's Expressions in Movement and the Arts: A Philosophical Enquiry. Journal of Aesthetics and Art Criticism (Winter 1975), 34(2):206-207.
Review of Arthur Danto's The Philosophical Disenfranchisement of Art. Philosophical Review (April 1989), 98(2):268-273.
"An Examination of Ernst Cassirer's Philosophy of Language." Ph.D. Dissertation, Columbia University, 1965.
Abstract of A New Theory of Beauty. Artbibliographies Modern (1976), 7(1):56, #0509.
Abstract of "Perceptual Acts and Pictorial Art: A Defense of Pictorial Theory." Philosopher's Index: A Retrospective Index to U.S. Publications from 1940, Vol. 3, p. 1549. Dordrecht: Reidel, 1978.
Aldrich, Virgil. "`Expresses' and `Expressive'." Journal of Aesthetics and Art Criticism (Winter 1978), 37(2):208, 215, 216, 217nn18, 27, 28, 30.
Anton, J.P. Review of Guy Sircello's Love and Beauty. Choice (September 1989), 27(1):146.
Bachrach, Jay E. Review of Guy Sircello's Love and Beauty. Canadian Philosophical Reviews/Revues Canadienne de Comptes rendus en Philosophie (April 1989), 9(4):169-173.
Barrett, Cyril. "The NTB and its PQDs." Review of Guy Sircello's A New Theory of Beauty. TLS [Times Literary Supplement] (December 17, 1976), 3901:1594.
Bates, Stanley. Review of Donald F. Gustafson and Bangs L. Tapscott, eds., Body, Mind, and Method. Ethics (October 1981), 92(1):182.
Beardsley, Monroe C. "Comments on Six of My Commentators." In L. Aagaard-Mogensen and L. De Vos, eds., Text, Literature, and Aesthetics: In Honor of Monroe C. Beardsley, pp. 184-185. Elementa, 45. Amsterdam: Rodopi, 1986.
Beardsley, Monroe C. "The Refutation of Relativism." Journal of Aesthetics and Art Criticism (Spring 1983), 41(3):269, 270n4.
Bennett, John G. Review of Guy Sircello's Mind & Art. Philosophical Review (January 1975), 84(1):129-132.
Blizek, John G. Review of Guy Sircello's Mind & Art. Journal of Aesthetics and art Criticism (Winter 1973), 32(2):275-276.
Blocker, H. Gene. Review of Joseph Margolis, ed., Philosophy Looks at the Arts. Journal of Aesthetic Education (April 1980), 14(2):120-122.
Bond, E.J. Review of Guy Sircello's A New Theory of Beauty. Queen's Quarterly (Canada) (Summer 1977), 84(2):301-302.
Brown, John H. "Beauty." In Edward Craig, ed., Routledge Encyclopedia of Philosophy, Vol. 1, pp. 683, 684. London and New York: Routledge, 1998.
Carrier, David. Review of Guy Sircello's A New Theory of Beauty. Journal of Philosophy (June 1977), 74(6):372-375.
Carroll, Noël. "Beauty and the Genealogy of Art Theory." Philosophical Forum (Summer 1991), 22(4):332n21.
Clark, Walter H., Jr. Review of Guy Sircello's Mind & Art. Journal of Aesthetic Education (January 1976), 10(1):117-120.
Cohen, Ted. Review of Benjamin R. Tilghman, ed. Language and Aesthetics. Journal of Aesthetics and Art Criticism (Winter 1975), 3492):204-206.
Coleman, Earle J. "The Beautiful, the Ugly, and the Tao." Journal of Chinese Philosophy (June 1991), 18(2):214, 224n6.
Cordua, C. Review of Guy Sircello's Mind & Art. Dialogos (Puerto Rico) (1973), 9(24):203-205.
Cormier, Ramona. Review of Guy Sircello's Mind & Art. Bibliographie de la Philosophie/Bibliography of Philosophy (1974), 21(1):28, #55.
Cormier, Ramona. Review of Guy Sircello's A New Theory of Beauty. Bibliographie de la Philosophie/Bibliography of Philosophy (1979), 26(2):169, #509.
Crawford, Donald W. "Aesthetics in Discipline-based Art Education." Journal of Aesthetic Education (Summer 1987), 21(2):227, 232, 239.
Darling, John. Review of Donald F. Gustafson and Bangs L. Tapscott, eds., Body, Mind and Method. Philosophical Books (July 1980), 21:191-192.
Davies, Stephen. "The Ontology of Musical Works and the Authenticity of their Performances." Nous (March 1991), 25(1):27, 40.
Deutsch, Eliot. "On the Concept of Art." Journal of Chinese Philosophy (September 1976), 3(4):397n24.
Donnell-Kotrozo, Carol. "Representation and Expression: A False Antinomy." Journal of Aestehtics and Art Criticism (Winter 1980), 39(2):169, 172nn19, 20.
Draper, Paul. "Pain and Pleasure: An Evidential Problem for Theists." Nous (June 1989), 23(3):349, 349n5.
Duncan, Elmer H. Review of Benjamin H. Tilghman, ed., Language and Aesthetics. Bibliographie de la Philosophie/Bibliography of Philosophy (1975), 22(1):31-32.
Duncan, Elmer H. Review of Guy Sircello's A New Theory of Beauty. Leonardo (Spring 1978), 11(2):161.
Eaton, Marcia M. "Metaphor and the Causal Theory of Expression." Personalist (October 1977), 58(4):360-362, 368n3.
Eldridge, Richard. "Problems and Prospects of Wittgensteinian Aesthetics." Journal of Aesthetics and Art Criticism (Spring 1987), 45(3):255, 256, 260nn18, 28.
Fletcher, James J. Review of Guy Sircello's A New Theory of Beauty. Review of Metaphysics (September 1976), 30(1):139-140.
Fokkema, D.W. "The Problem of Generalization and the Procedure of Literary Evaluation." Neophilologus (1974), 58:263, 272n56.
Gillespie, Patti P. Review of Guy Sircello's A New Theory of Beauty. Quarterly Journal of Speech (October 1976), 62(3):318.
Glickman, Jack. "Dance and Theory of Expression." Dance Research Journal (Spring-Summer 1978), 10(2):63n1.
Godlovitch, Stan. "Ontology, Epistemic Access, and the Sublime." [In Hebrew] Iyyun (1995), 44:55-71.
Gracyk, Theodore A. "Having Bad Taste." British Journal of Aesthetics (April 1990), 30(2):119, 129n9.
Hall, A.C. Review of Peter Kivy's The Corded Shell: Reflections on Musical Expression. Music Theory Spectrum (1984), 6:103.
Hein, H. Review of Guy Sircello's Mind & Art. Leonardo (1975), 8:169-170.
Hochberg, Julian. "Art and Perception." In Edward C. Carterette and Morton P. Friedman, eds., Handbook of Perception, Vol. 10: Perceptual Ecology, pp. 242, 257. New York: Academic Press, 1978.
Hoffman, Robert. Review of Guy Sircello's A New Theory of Beauty. Library Journal (February 1, 1976), 101(3):532.
Hoffman, Robert. Review of Ben Tilghman, ed., Language and Aesthetics. Library Journal (June 1, 1973), 98(11):1823.
Hoffmann, Ronald. "Molecular Beauty." Journal of Aesthetics and Art Criticism (Summer 1990), 48(3):204n26.
Hospers, John. "Introduction." In John Hospers, ed., Artistic Expression, p. 114. Century Philosophy Series. New York: Appleton-Century-Crofts, 1971.
Hospers, John. "Professor Sircello on Expression." Personalist (Summer 1975), 56(3):316-329.
Iseminger, Gary. Review of Guy Sircello's Love and Beauty. Journal of Aesthetics and Art Criticism (Spring 1991), 49(2):167-168.
Iseminger, Gary. Review of Joseph Margolis, ed., Philosophy Looks at the Arts. Journal of Aesthetics and Art Criticism (Summer 1980), 38(4):463-465.
Jones, Peter. Review of Benjamin R. Tilghman, ed., Language and Aesthetics. British Journal of Aesthetics (Winter 1974), 14(1):90-93.
Juhl, P.D. "Life, Literature, and the Implied Author." Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte (June 1980), 54(2):181n15, 198n50.
Kennick, W.E. "Introduction." In W.E. Kennick, ed., Art and Philosophy: Readings in Aesthetics. 2d ed., pp. 196-197, 483. New York: St. Martin's Press, 1979.
Khatchadourian, Haig. Review of Guy Sircello's A New Theory of Beauty. Journal of Aesthetics and Art Criticism (Spring 1977), 35(3):361-363.
Korsmeyer, Carolyn. "Pictorial Assertion." Journal of Aesthetics and Art Criticism (Spring 1985), 43(3):257, 263, 265nn3, 12, 13.
Leibowitz, Flo. "The Attitudes of Theory: Refelctions on After the New Criticism. Journal of Aesthetics and Art Criticism (Spring 1987), 45(3):233-236.
Levinson, Jerrold. "Erotic Art." In Edward Craig, ed., Routledge Encyclopedia of Philosophy, Vol. 3, p. 409. London and New York: Routledge, 1998.
Lindgren, Kristina. "UCI Professor Guy Sircello, 55, Dies of AIDS Complications." Los Angeles Times (August 19, 1992):B9.
Lord, Catherine. "A Note on Ruth Lorand's `Free and Dependent Beauty: A Puzzling Issue'." British Journal of Aesthetics (April 1991), 31(2):168n3.
Lowenthal, David. "Finding Valued Landscapes." Progress in Human Geography (October 1978), 2(3):397, 417.
Machamer, Peter K. "Recent Work on Perception." American Philosophical Quarterly (January 1970), 7(1):20.
Madden, Kathleen R. Review of Guy Sircello's Mind & Art. Review of Metaphysics (June 1973), 26(4):766-767.
Maddy, Penelope. "Guy Sircello, 1936-1992. Professor of Philosophy." University of California: In Memoriam, 1992:163-164.
Margolis, Joseph. "The Intentional Fallacy and Expressive Qualities." In Joseph Margolis, ed., Philosophy Looks at the Arts: Contemporary Readings in Aesthetics. Revised edition, pp. 291-292. Philadelphia: Temple University Pr ess, 1978.
Margolis, Joseph. "Recent Currents in Aesthetics of Relevance to Contemporary Visual Artists." Leonardo (Spring 1979), 1292):113, 119.
Margolis, Joseph. "Recent Work in Aesthetics." In Kenneth G. Lucey and Tibor R. Machan, eds., Recent Work in Philosophy, p. 299. Totowa, NJ: Rowman and Allanheld, 1983.
Martin, John N. "Order Theoretic Properties of Holistic Ethical Theories." Environmental Ethics (Fall 1991), 13(3):232n11.
Moore, Ronald. "Ugliness." In Michael Kelly, ed., Encyclopedia of Aesthetics, Vol. 4, p. 421. New York and Oxford: Oxford University Press, 1998.
Nathan, Daniel O. "Irony and the Artist's Intentions." British Journal of Aesthetics (Summer 1982), 22(3):255n1.
Oakerjee, S.K. Review of Guy Sircello's A New Theory of Beauty. Indian Philosophical Quarterly (April 1978), 5:459-470.
Palmer, Penelope. Review of Guy Sircello's Mind & Art. Philosophical Quarterly (Scotland) (April 1974), 24(94):92-94.
Peterson, John M. "Architectural Judgment: Effects of Design Differences in Products and Judges." Perceptual and Motor Skills (October 1981), 53:419.
Pickrel, Thomas. "L'élan de la musique: Antonio Gherardi's Chapel of Santa Cecilia and the Congregazione dei Musici in Rome." Storia dell'arte (1987), 61:254n87.
Rader, Melvin and Bertram Jessup. Art and Human Values, pp. 141-142. Foreword by Virgil C. Aldrich. Englewood Cliffs, NJ: Prentice-Hall, 1976.
Review of Benjamin R. Tilghman, ed., Language and Aesthetics. Choice (December 1973), 10(10):1566.
Review of Guy Sircello's Mind & Art. Choice (March 1973), 10(1):117.
Review of Guy Sircello's A New Theory of Beauty. Catholic Literary World (December 1976), 48:221.
Review of Guy Sircello's A New Theory of Beauty. Choice (March 1976), 13(1):85.
Review of John Hospers, ed. Artistic Expression. Journal of Aesthetics and Art Criticism (Winter 1971), 30(2):274.
Robinson, Jenefer M. "The Eliminability of Artistic Acts." Journal of Aesthetics and Art Criticism (Fall 1977), 36(1):81-89.
Robinson, Jenefer M. "Expressing the Way the World Is: Expression as Reference." Journal of Aesthetic Education (January 1979), 13(1):30, 31-32, 42n5.
Robinson, Jenefer M. "Style and Personality in the Literary Work." Philosophical Review (April 1985), 94(2):229n3, 231, 241n19.
Roblin, Roland. Review of Guy Sircello's A New Theory of Beauty. International Studies in Philosophy (1977), 9:204-205.
Roblin, Roland. "Validating Judgments of Beauty." Personalist (July 1978), 59(3):288-294.
Sankowski, Edward. "Emotion and Appreciation of Art." Journal of Aesthetic Education (April 1976), 10(2):49, 66n9.
Schultz, Robert A. "Causation and Convention in Expression: A Reply to Professor Eaton." Personalist (October 1977), 58(4):372, 373n9.
Sharpe, R.A. Contemporary Aesthetics: A Philosophical Analysis, pp. 113, 191n6. Brighton, Sussex: Harvester, 1983.
Sheppard, Anne. Aesthetics: An Introduction to the Philosophy of Art, p. 159n13. Oxford & New York: Oxford University Press, 1987.
Shiner, Roger A. "The Mental Life of a Work of Art." Journal of Aesthetics and Art Criticism (Spring 1982), 40(3):258, 259-260, 266n3.
Sparshott, Francis. "The Case of the Unreliable Author." Philosophy and Literature (October 1986), 10(2):166n28.
Sparshott, Francis. The Theory of the Arts, pp. 222-223, 544n71, 654n64. Princeton, NJ: Princeton University Press, 1982.
Sparshott, Francis. "What Works of Art Are: Notes Towards a Homespun Ontology." Pacific Philosophical Quarterly (October 1980), 61(2):362, 367n35.
Stecker, Robert. "Expression of Emotion in (Some of) the Arts." Journal of Aesthetics and Art Criticism (Summer 1984), 42(4):418n19.
Stolnitz, Jerome. Review of Benjamin R. Tilghman, ed., Language and Aesthetics. Journal of Value Inquiry (Fall 1976), 10:236-237.
Taliaferro, Charles. "The Ideal Aesthetic Observer Revisited." British Journal of Aesthetics (January 1990), 30(1):12n11.
Taliaferro, Charles. "The View from Above and Below." Heythrop Journal (October 1989), 30(4):401n23, 402n25.
Vermazen, Bruce. "Expression as Expression." Pacific Philosophical Quarterly (July 1986), 67(3):222n1, 224n25.
Walton, Kendall L. "Style and the Products and Processes of Art." In Berel Lang, ed., The Concept of Style, pp. 51n8, 53n9. Summer Institute of Aesthetics held in Boulder, Colorado, June 6-July 1, 1977. Philadelphia: Universi ty of Pennsylvania Press, 1979.
Walton, Kendall L. "Style and the Products and Processes of Art." In Berel Lang, ed., The Concept of Style, pp. 80n8, 81n9. Revised and expanded edition. Summer Institute of Aesthetics held in Boulder, Colorado, June 6-July 1, 1977. Philadelphia: University of Pennsylvania Press, 1979.
Watson, Gary. "Virtues in Excess." Philosophical Studies (July 1984), 46(1):70, 71n4.
Whittaker, J.H. Review of Guy Sircello's Mind & Art. Library Journal (February 1, 1973), 98:424.
Williams, Clifford. Review of Guy Sircello's Love and Beauty. International Philosophical Quarterly (December 1990), 30(4):501-502.
Wollheim, Richard. Art and Its Objects. 2d ed., p. 248. Cambridge: Cambridge University Press, 1980.