Eddie Yeghiayan
"Between Babel and Pentecost: Imaginary Languages in the Middle Ages." In Brigitte Cazelles and Charles Méla, eds., Modernité au moyen âge: Le Défi du passé. Geneva: Droz. Forthcoming.
"Cultural Integration and Disintegration in the Europe of 1992." Insieme/Together (Summer 1990). Forthcoming.
"Dante's Ovidian Self-Correction in Paradiso 17." In The Poetry of Allusion. Forthcoming.
"Dante's Sexual Solecisms: Gender and
Genre in the `Commedia'."
Romanic Review (January 1988), 79(1):143-163.
Reprinted in Stephen G. Nichols, Jr., The New Medievalism.
Baltimore: Johns Hopkins University Press, 1990. Forthcoming.
David Humphrey. Catalogue essay. New York: David McKee Gallery, 1988.
"Epic Demonstrations: Fascist Modernity and the 1932 Exhibition of the Fascist Revolution." In Richard Golsan, ed., Fascism/Literature/Aesthetics. Hanover, NH: University Press of New England. Forthcoming.
(with Kevin Brownlee, Robert Hollander, and Nancy J. Vickers.) Editor. L'Espositione di Bernardino Daniello da Lucca sopra la Comedia di Dante. Hanover, NH & London: University Press of New England for Dartmouth College, 1989.
"Feminine Masks in Boccaccio's Vernacular Poetic Task." Proceedings of the Conference on "Boccacio 1990: the Poet and His Renaissance Reception," University of Pennsylvania. Forthcoming.
"Filippo Tommaso Marinetti." In Lawrence Smith and John Piccone, eds., Twentieth Century Italian Poetry: An Anthology. Toronto: University of Toronto Press. Forthcoming.
"Forwarding Address." Stanford Italian Review.Forthcoming.
Translation, Introduction and Commentary. Gabriele D'Annununzio's "`The Beast Who Wills': Il Mattino (di Napoli), Sunday-Monday 25-26 September, 1892." Stanford Italian Review (1986), 6(12):265-277.
"The Impossible Monument: Nietzsche's Discourse on Memory in the Architectural Imagination." Proceedings of the "Überbau/Neubau/Abbau: Nietzsche and an Architecture of Our Minds" Conference. Getty Center for the History of Art and the Humanities. Forthcoming.
"Nietzsche's Italian Style: Gabriele D'Annunzio." Stanford Italian Review (1986), 6(12):247-263.
"Le parole del silenzio in Gabriele D'Annunzio," "Appendice: La bestia elettiva." Quaderni Dannunziani (1989), 3-4:35-59.
(with Rachel Jacoff.) Editor. The Poetry of Allusion: Virgil and Ovid in Dante's Comedy. Stanford: Stanford University Press. Forthcoming.
"Politics and Poetics in Marinetti's Zang Tumb Tuuum. Stanford Italian Review (Spring 1985), 5(1):75-92.
Review of Peter Dronke's Dante and Medieval Latin Traditions. Italica (Winter 1989), 66(4):460-463.
"Shades: On a Portrait by De Chirico." Art Issues [Los Angeles]. Forthcoming.
"Si pia l'ombra d'Anchise si porse: Paradiso 15.25." In The Poetry of Allusion. Forthcoming.
"The Transfiguration of History at the
Center of Dante's Paradise." Ph.D. Dissertation,
Stanford University, 1984.
Abstract in Dissertation Abstracts International (July 1984), 45(1):178-A-179-A.
The Transfiguration of History at the Center of Dante's Paradise. Princeton, N.J. & Guildford: Princeton University Press, 1986.
"Transfigurazione e metamorfosi nel Paradiso dantesco." In Giovanni Barblan, ed., Dante e la Bibbia, pp. 273-292. Proceedings of an International Conference on "Dante e la Bibbia" held in Florence, September 26-28, 1986. Biblioteca del' "Archivum Romanicum," 210. Florence: Olschki, 1988.
"Virgilio madre e Beatrice ammiraglio: Generi grammaticali e letterari nella Commedia." In Robert Hollander and Gian Carlo Alessio, eds., Dante in America. Milan: Franco Angeli, 1989.