Compiled by
Eddie Yeghiayan
Edited (with Roy Harvey Pearce). The Act of the Mind: Essays on the Poetry of Wallace Stevens . Baltimore: Johns Hopkins Press, 1965.
"The Aims and Uses of Literature." [sound recording] 1 sound disc: analog, 33 1/3 rpm; 12in. Research Triangle, NC: National Humanities Center, 1988.
"Anonymous Walkers." Nation (April 23, 1960), 190:351-354.
"Antitheses of Criticism: Reflections on the Yale Colloquium." MLN (December 1966), 81:557-571.
"Ariachne's Broken Woof." Georgia Review (Spring 1977), 31(1): 44-60. "Ariadne's Thread: Repetition and the Narrative Line." Critical Inquiry (Autumn 1976), 3(1): 57-77.
Edited, with a foreword, pp. v- vii. Aspects of Narrative: Selected Papers from the English Institute . New York & London: Columbia University Press, 1971.
"`Beginning with a Text.' Review of Edward Said's Beginnings ." Diacritics ( 1976), 6(3):2-7.
"Béguin, Balzac, Trollope et la double analogie redouble." In Albert Béguin et Marcel Raymond, pp. 135-154. Paris: Corti, 1979.
"A `Buchstbliches' Reading of The Elective Affinities ." In Rodolphe Gasché, Carole Jacobs and Henry Sussman, eds., Glyph #6: Johns Hopkins Textual Studies , pp. 1-23. Baltimore, MD & London: Johns Hopkins University Press, 1979.
"Character in the Novel: A Real Illusion." In Samuel I. Mintz, Alice Chandler and Christopher Mulvey, eds., From Smollett to James: Studies in the Novel and Other Essays Presented to Edgar Johnson , pp. 277-285. Charlottesville: University Press of Virginia, 1981.
Edited (with David Borowitz). With an Introduction by
Ada B. Nisbet. Charles Dickens and George Cruikshank
: Papers Read at a Clark Library Seminar on May 9, 1970.
William Andrews Clark Memorial Library Seminar Papers. Los Angeles:
William Andrews Clark Memorial Library, UCLA, 1971.
Includes Miller's essay: "The Fiction of Realism: Sketches by Boz , Oliver Twist
and Cruikshank's Illustrations," pp. 1-69.
Charles Dickens: The World of His Novels . Cambridge: Harvard University Press, 1958. Pbk. Bloomington: Indiana University Press, Midland Books, 1969.
"The Creation of the Self in Gerard Manley Hopkins." ELH ( 1955), 22:293-319.
"The Critic as Host." Critical Inquiry (Spring 1977), 3:439-447.
"La Critique de Georges Poulet." Mercure de France ( 1965), 353:652-674.
"Deconstructing the Deconstructors." Review of Joseph N. Riddel's The Inverted Bell . Diacritics ( 1975), 5(2): 24-31.
The Disappearance of God: Five Nineteenth-Century
Writers . Cambridge: Belknap Press of
Harvard University Press; London: Oxford University Press, 1963.
Pbk. New York: Schocken Books, 1963.
Reissued with a new preface. Cambridge, Mass. &
London: Belknap Press of Harvard University Press,
1975.
"The Disarticulation of the Self in Nietzsche." Monist (April 1981), 64: 247-261.
"Dismembering and Disremembering in Nietzsche's `Truth and Lies in a Non-Moral Sense'." Boundary 2 (Spring 1981), 9(3): 41-54.
The Ethics of Reading: Kant, de Man, Eliot,
Trollope, James, and Benjamin . The Wellek Library Lectures at the
University of California, Irvine. New York:
Columbia University Press, 1987.
Pbk. 1989.
"The Ethics of Reading: Vast Gaps and Parting Hours." In Ira Konigsberg, ed., American Criticism in the Poststructuralist Age , pp. 19-41. Ann Arbor: University of Michigan Press, 1981.
Fiction and Repetition: Seven English Novels . Cambridge, Mass.: Harvard University Press; Oxford: Blackwell, 1982.
"The Fiction of Realism: Sketches by Boz , Oliver Twist , and Cruikshank's Illustrations." In Ada Nisbet and Blake Nevius, eds., Dickens Centennial Essays , pp. 85-113. Berkeley: University of California Press, 1971.
"The Figure in the Carpet."
Poetics Today ( 1980), 1(3): 107-118. The Form of Victorian Fiction: Thackeray, Dickens, Trollope,
George Eliot, Meredith, and Hardy. Ward-Phillips Lectures in English
jLanguage and Literature, 2. Notre Dame, IN & London:
University of Notre Dame Press, 1968.
Rpr. Cleveland, OH: Arete Press,
1979. Includes a new preface.
"Franz Kafka and the Metaphysics of Alienation." In N. A. Scott, Jr., ed., The Tragic Vision and the Christian Faith, pp. 281-305. New York: Association Press, 1957.
"From Narrative Theory to Joyce: From Joyce to Narrative Theory." In Bernard Benstock, ed., The Seventh of Joyce , pp. 3-4. Bloomington: Indiana University Press, 1982.
"The Function of Rhetorical Study at the Present Time." ADE Bulletin (September-November 1979), 62:10-18.
"Geneva or Paris? The Recent Work of Georges Poulet. " University of Toronto Quarterly (April 1970), 39:212-228.
"The Geneva School." Virginia Quarterly Review (Summer 1967), 43(3):477-482.
"The Geneva School: The Criticism of Marcel Raymond, Albert Bguin, Georges Poulet, Jean Rousset, Jean-Pierre Richard, and Jean Starobinski." Critical Quarterly (Winter 1966), 8(4):305-321.
Edited (with Carolyn D. Scott and James F. Scitt). Gerard Manley Hopkins . St. Louis, MO: Herder, 1969.
" Gleichnis in Nietzsche's Also Sprach Zarathustra ." International Studies in Philosophy ( 1985), 17:3-15.
"`Heart of Darkness' Revisited." In Ross C. Murfin, ed., Conrad Revisited: Essays for the Eighties , pp. 31-50. University: University of Alabama Press, 1985.
"`Herself against herself': The Clarification of Clara Middleton." In Carolyn G. Heilbrun and Margaret R. Higonnet, eds., The Representation of Women in Fiction , pp. 98-123. Selected Papers from the En glish Institute, 7. Baltimore & London: Johns Hopkins University Press, 1983.
"History as Repetition in Thomas Hardy's Poetry: The Example of `Wessex Heights'." In Malcolm Bradbury and D. Palmer, eds., Victorian Poetry , pp. 222- 253. London: Edward Arnold, 1972.
"Hommage à Georges Poulet." MLN (December 1982), 97(5): 1039-1041.
"How Deconstruction Works." New York Times Magazine (February 9, 1986): 25.
"`I'd have my Life unbe': La Ricerca dell'obblio nell'opera di Thomas Hardy." Strumenti Critici ( 1969), 3:263-285.
"Impossible Metaphor: Stevens's `The Red Fern' as Example." Yale French Studies ( 1985), 69:150-162.
"The Interpretation of Lord Jim ." In Morton W. Bloomfield, ed., The Interpretation of Narrative: Theory and Practice , pp. 211-228. Cambridge: Harvard Un iversity Press, 1970.
"Interview with J. Hillis Miller." In Imre Salusinszky, ed., Criticism in Society , pp. 208-240. New York & London: Methuen, 1987.
"Interview with J. Hillis Miller." PN Review ( 1983), 9(6): 32-34. Interview conducted by K. M. Newton.
"Interview with J. Hillis Miller, Yale, Fall 1979." Criticism (Spring 1982), 24(2): 99-125. Interview with Robert Moynihan. Reprinted in Robert Moynihan's A Rec ent Imagining: Interviews with Harold Bloom, Geoffrey Hartman, J. Hillis Miller, Paul de Man . Hamden, Conn.: Archon Books, 1986.
"Kenneth Burke." In International Encyclopedia of the Social Sciences , Vol. 18, pp. 78-81. New York: Free Press, 1979.
Edited (with Peter Brooks, Shoshana Felman)." The Lesson of Paul de Man" Yale French Studies , 69. New Haven, Conn.: Yale University Press, 1985. London: Hale, 1986.
"Limits of Pluralism. 3. Critic as Host." Critical Inquiry ( 1977), 3(3): 439-447.
The Linguistic Moment: From Wordsworth to Stevens . Princeton & Guildford: Princeton University Press, 1985. Pbk. 1987.
"The Linguistic Moment in `The Wreck of the Deutschland'." In Pete Abbs, ed., The Black Rainbow: Essays in the Present Breakdown of Culture , pp. 47-60. London: Heinemann, "Literary Criticism." New Republic (November 29, 1975), 173:30-33.
"The Literary Criticism of Georges Poulet." MLN ( 1963), 58:471-488.
"Literature and Religion." In James Thorpe, ed., Relations of Literary Study: Essays on Interdisciplinary Contributions , pp. 111-126. New York: Modern Language Association, 1967.
" Middlemarch , Chapter 85: Three Commentaries." Nineteenth-Century Fiction ( 1980), 35:432-453. Three commentaries by J. Hillis Miller, Barbara Hardy and Richard Po irier.
"Mr. Carmichael and Lily Briscoe: The Rhythm of Creativity in To the Lighthouse ." In Robert Kiely and John Hildebidle, eds., Modernism Reconsidered , pp. 167-189. Cambridge: Harvard University Press, 1983.
"Myth as `Hieroglyph' in Ruskin." Studies in the Literary Imagination ( 1975), 8(2): 15-18.
"Narrative and History." ELH (Fall 1974), 41:455-473.
"Narrative Middles: A Preliminary Outline." Genre ( 1978), 11:375-387.
"On Edge: The Crossways of Contemporary Criticism.' With `Postscript 1984'. With `Questions and Answers'." In Morris Eaves and Michael Fischer, eds., Romanticism and Contemporary Criticism , pp. 96-126. Ithaca & London: Cornell University Press, 1986. "Optic and Semiotic in Middlemarch ." In Jerome H. Buckley, ed. The Worlds of Victorian Fiction , pp. 125-145. Cambridge: Harvard Universit y Press, 1977.
"`Orion' in `The Wreck of the Deutschland'." MLN ( 1961), 76:509-514.
"Our Mutual Friend." In Ian Watt, ed., The Victorian Novel: Modern Essays in Criticism , pp. 123-132. New York: Oxford University Press, 1971.
"A Panel Discussion." J. Hillis Miller, James Cowan, James Gindin, Charles Rossman, Avrom Fleishman, John Unterecker. In Alan Warren Friedman, ed., Forms of Modern British Fiction , pp. 201-232. Austin: University of Texas Press, 1975.
Panelist with Barbara Johnson and Louis Mackey. "Marxism and Deconstruction: Symposium at the Conference of Contemporary Genre Theory and the Yale School 1 June 1984." In Robert Con Davis and Ronald Schleifer, eds., Rhetoric and Form: Deconstruction at Yale , pp. 75-97. Norman: University of Oklahoma Press, 1985.
Poets of Reality: Six Twentieth- Century Writers . Cambridge, Mass.: Belknap Press of Harvard University Press, 1965; London: Oxford University Press, 1966. New York: Atheneum, 1969.
"President's Column: Responsibility and the Joy of Reading." MLA Newsletter (Spring 1986), 18(1): 2.
"President's Column: Responsibility and the Joy (?) of Teaching." MLA Newsletter (Summer 1986), 18(2): 2.
"President's Column: The Obligation to Write." MLA Newsletter (Fall 1986), 18(3): 4-5.
"Presidential Address, 1986. The Triumph of Theory, the Resistance to Reading, and the Question of the Material Base." PMLA (May 1987), 102(3): 281-291.
"Problematic Ending in Narrative." Nineteenth-Century Fiction ( 1978), 33(1): 3-7.
"Recent Studies in the Nineteenth Century." Studies in English Literature 1500- 1900 (Autumn 1969), 9:737-753.
"Recent Studies in the Nineteenth Century." Studies in English Literature 1500- 1900 (Winter 1970), 10:183-214.
"Recent Work on Hardy." Victorian Studies (March 1967), 10:278-282.
"Review of Paul Ricoeur's Temps et récit: Tome III and Time and Narrative ." TLS [ Times Literary Supplement ] (October 9, 1987): 1104.
"TheRewording Shell: Natural Image and Symbolic Emblem in Yeat's Early Poetry." In Roland Hagenbuchle and Joseph T. Swann, eds., Poetic Knowledge: Circumference and Center , pp. 75-86. Bonn: Bouvier, 1980.
"The Search for Grounds in Literary Study." In Robert Con Davis and Ronald Schleifer, eds., Rhetoric and Form: Deconstruction at Yale , pp.19-36. Norman: University of Oklahoma Press, 1985.
"Some Implications of Form in Victorian Fiction." Comparative Literature Studies ( 1966), 3:109-118.
"The Sources of Dickens's Comic Art: From American Notes to Martin Chuzzlewit ." Nineteenth-Century Fiction (March 1970), 24:467-476.
"Stevens' Rock and Criticism as Cure (Part I)." Georgia Review (Spring 1976), 30(1): 5-31.
"Stevens' Rock and Criticism as Cure (Part II)." Georgia Review (Summer 1976), 30(2): 330-348.
"The Still Heart: Poetic Form in Wordsworth." New Literary History ( 1971), 2:297-310.
"The Stone and the Shell: The Problem of Poetic Form in Wordsworth's Dream of the Arab." Mouvements premiers: Etudes critiques offerts à Georges Poulet , pp. 125-147. Paris: 1972.
"The Theme of the Disappearance of God in Victorian Poetry." Victorian Studies ( 1963), 6:207-227.
"Theology and Logology in Victorian Literature." Journal of the American Academy of Religion ( 1979), Supplement, 47(2): 345-361.
"Theoretical and Atheoretical in Stevens." In Frank A. Doggett and Robert Buttell, eds., Wallace Stevens: A Celebration , pp. 274-285. Princeton: Princeton University Press, 1980.
"Theory and Practice: Response to Vincent Leitch." Critical Inquiry (Summer 1980), 6:609-614. Response to Vincent B. Leitch's "The Lateral Dance: The Deconstructive Criticism of J. Hil lis Miller," Critical Inquiry (Summer 1980), 6:593-608.
"Thomas Hardy: A Sketch for a Portrait." In De Ronsard à Breton: Hommages à Marcel Raymond , pp. 195-206. Paris: Corti, 1967.
Thomas Hardy: Distance and Desire . Cambridge, Mass.: Belknap Press of Harvard University Press; Oxford University Press, 1970.
"Thomas Hardy, Jacques Derrida, and the `Dislocation of souls'." In Joseph H. Smith and William Kerrigan, eds., Psychoanalysis and Literature , pp. 135-145. Baltimore: Johns Hopkins Universi ty Press, 1984.
"Three Problems of Fictional Form: First-Person Narration in David Copperfield and Huckleberry Flynn ." In Roy Harvey Pearce, ed., Experience in the Novel , pp. 21-48. Selected Papers from the English Institute. New York: Columbia University Press, 1968.
"Topography and Tropography in Thomas Hardy's `In Front of the Landscape'." In Mario J. Valdes and Owen Miller, eds., Identity of the Literary , pp. 73-91. Toronto: University of Toronto Press, 1985.
"Topography in The Return of the Native ." Essays in Literature (Fall 1981), 8(2): 119-134.
"`Tradition and Difference.'" Review of M. H. Abrams's Natural Supernaturalism . Diacritics (Winter 1972), 2(4): 6-13.
"Trollope's Thackeray." Nineteenth-Century Fiction (December 1982), 37(3): 350-357.
"The Two Allegories." In Morton W. Bloomfield, ed., Allegory, Myth, and Symbol , pp. 355-370. Cambridge: Harvard University Press, 1981.
"The Two Relativisms: Point of View and Indeterminacy in the Novel Absalom, Absalom! ." In Jean Betty Craige, ed., Relativism in the Arts , pp. 148-170. Athens: University of G eorgia Press, 1982.
"The Two Rhetorics: George Eliot's Bestiary." In G. Douglas Atkins and Michael L. Johnson, eds, Writing and Reading Differently: Deconstruction and the Teaching of Composition and Literature , pp. 101-1 14. Lawrence: University Press of Kansas, 1985.
"Virginia Woolf's All Souls' Day: The Omniscient Narrator in Mrs. Dalloway." In Melvin J. Friedman and John P. Vickery, eds., The Shaken Realist: Essays in Modern Literature in Honor of Frederick J. Hoffman , pp. 100-127. Baton Rouge: Louisiana State University Press, 1970.
"Wallace Stevens' Poetry of Being." ELH (March 1964), 31:86-105.
"Walter Pater: A Partial Portrait." Daedalus (Winter 1976), 105(1): 97-113.
"When Is a Primitive like an Orb?" In Mary Ann Caws, ed., Textual Analysis: Some Readers Reading , pp. 167-181. New York: MLA, 1986.
Edited, with an Introduction, pp. 1-14. William Carlos Williams: A Collection of Critical Essays . Twentieth Century Views. Englewood Cliffs, NJ: Prentice-Hall, Spectrum Book, 1966.
"William Carlos Williams: The Doctor as Poet." Plexus ( 1968), 3(4): 19-20.
"Williams' Spring and All and the Progress of Poetry." Daedalus ( 1970), 99(2): 405-434.
"Wuthering Heights and the Ellipses of Interpretation." Notre Dame English Journal ( 1980), 12:85-100.