Eddie Yeghiayan
Perloff, Marjorie. "Alterable Noons: The `Poèmes elastiques' of Blaise Cendrars and Frank O'Hara." Yearbook of English Studies (1985), 15:160-178.
Perloff, Marjorie. "Angst and Animism in the Poetry of Sylvia Plath." Journal of Modern Literature (1970), 1:57-74.
Perloff, Marjorie. "Another Emblem There: Theme and Convention in Yeat's `Coole Park and Ballyee, 1931'." JEGP (1970), 69:223-240.
Perloff, Marjorie. "Anthony Hecht, The Hard Hours." The Far Point [Winnipeg, Canada] (1969), 2:45-51.
Perloff, Marjorie."Apocalypse Then: Merwin and the Sorrows of Literary History." In Cary Nelson and Ed Folsom, eds., W.S. Merwin: Essays on the Poetry, pp. 122-144. Champaign, IL: University of Illinois Press, 1987.
Perloff, Marjorie. "The Autobiographical Mode of Goethe: Dichtung und Wahrheit and the Lyric Poems." Comparative Literature Studies (1970), 7:265-296.
Perloff, Marjorie. "Barthes and the Zero Degree of Genre." World Literature Today (Autumn 1985), 59(4):510-516.
Perloff, Marjorie. "Between the Shingle and the Dune." Parnassus (1978), 6(2):170-184.
Perloff, Marjorie. "Between Verse and Prose: Beckett and the New Poetry." Critical Inquiry (December 1982), 9(2):415-433.
Perloff, Marjorie. "Beyond The Bell Jar: Women Poets in Transition." South Carolina Review (1979), 11(2): 4-16.
Perloff, Marjorie. "Ca(n)non to the Right of us, Ca(n)non to the Left of Us: A Plea for Difference." NLH (Spring 1987), 18(3):633-656.
Perloff, Marjorie. "Canon and Loaded Gun: Feminist Poetics and the Avant-Garde." Stanford Literature Review (Spring 1987), 4(1):23-46.
Perloff, Marjorie. "The Challenge of the German Lyric: Goethe and Heine in Translation." American Poetry Review (September-October 1983), 12(5):10-17.
Perloff, Marjorie. "Challenge of German Lyric Letter." American Poetry Review (1984), 13(1):36.
Perloff, Marjorie. "Charles Olson and the `Inferior Predecessors': `Projective' Verse Revisited." ELH (1973), 40:285-306.
Perloff, Marjorie. "Cinderella Becomes the Wicked Stepmother: The Portrait of a Lady as Ironic Fairy Tale." Nineteenth-Century Fiction (1969), 23:413-433.
Perloff, Marjorie. "The Consolation Theme in Yeats' `In Memory of Major Robert Gregory'." Modern Language Quarterly (1966), 27:299-305.
Perloff, Marjorie. "Contemporary/Postmodern: The `New' Poetry." Bucknell Review (1980), 25(2):171-180.
Perloff, Marjorie."The Contemporary of Our Grandchildren: Pound's Influence." In George Bornstein, ed., Ezra Pound among the Poets, pp. 195-229. Chicago, IL: University of Chicago Press, 1985.
Perloff, Marjorie. "The Corn-Porn Lyric: Poetry 1972-73." Contemporary Literature (1975), 16(1):84-125.
Perloff, Marjorie. The Dance of the Intellect: Studies
in the Poetry of the Pound Tradition. Cambridge & New York: Cambridge University Press, 1985.
Paperback, 1987.
Perloff, Marjorie. "Death by Water: The Winslow Elegies of Robert Lowell." ELH (1967), 34:116-140
. Perloff, Marjorie. "Elizabeth Bishop: The Course of a Particular." Modern Poetry Studies (1977), 8:177-192.Perloff, Marjorie. "Essaying: Hot and Cool." Michigan Quarterly Review (Spring 1987), 26(2):404-412.
Perloff, Marjorie. "Extremist Poetry: Some Versions of the Sylvia Plath Myth." Journal of Modern Literature (1972), 2:581-588.
Perloff, Marjorie. "Fearlessly Holding Back Nothing: Robert Lowell's Last Poems." Agenda (1980), 18(3):104-114
.Perloff, Marjorie et al. "Fifteen Ways of Looking at a Tomlinson." PN Review (1977), 5:40-50.
Perloff, Marjorie. "Four Times Five: Robert Creeley's The Island." Boundary 2 (1978), 6(3) & 7(1):491-507.
Perloff, Marjorie."Fragments of a Buried Life: John Ashbery's Dream Songs." In David Lehman, ed., Beyond Amazement: New Essays on John Ashbery, pp. 66-86. Ithaca, NY: Cornell University Press, 1980.
Perloff, Marjorie. "Frank O'Hara and the Aesthetics of Attention." Boundary 2 (1976), 4:779-806.
Perloff, Marjorie. Frank O'Hara: Poet among Painters. New York: Braziller, 1977.
Perloff, Marjorie. Frank O'Hara: Poet among Painters.
Austin, TX & London: University of Texas Press, 1979.
Paperback edition.
Originally published: New York: Braziller, 1977.
Perloff, Marjorie. "Frank O'Hara Reply Letter." TLS [Times Literary Supplement] (March 17, 1978), 3964:321.
Perloff, Marjorie. "The French Connection." Review of Paul Auster, ed., The Random House Book of Twentieth-Century French Poetry, and Stephane Mallarme's A Tomb for Anatole, and Jean-Pierre Cauvin and Mary Ann Caws, eds., Poems of Andre Breton: A Bilingual Anthology, and Francis Ponge's The Making of the Pre, and Aime Cesaire: The Collected Poetry. American Poetry Review (January-February 1984), 13(1):40-45.
Perloff, Marjorie. "From Image to Action: The Return of Story in Postmodern Poetry." Contemporary Literature (Fall 1982), 23(4):411-427.
Perloff, Marjorie. The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture. Chicago, IL & London: University of Chicago press, 1986.
Perloff, Marjorie. "Heart Mysteries: The Later Love Lyrics of W.B. Yeats." Contemporary Literature (1969), 10:266-283.
Perloff, Marjorie. "Holderlin Our Contemporary." Review of Friedrich Holderlin's Hymns and Fragments (tr. R. Sieburth). Parnassus (1986), 13(2):144-168.
Perloff, Marjorie. "Homeward Ho! Silicon Valley Pushkin." Review of Vikram Seth's The Golden Gate: A Novel in Verse." American Poetry Review (November-December 1986), 15(6):37-46.
Perloff, Marjorie. "Icon of the Fifties." Parnassus (Spring Winter 1985), 1213(21):282-285.
Perloff, Marjorie. "In Favor of One's Time (1954-1961): Frank O'Hara." American Poetry Review (May-June 1977), 6(3):6-16.
Perloff, Marjorie. "`An Intellectual Impasse.' Response to Robert Scholes' `Aiming a Canon at the Curriculum'." Salmagundi (Fall 1986), 72:125-130.
Perloff, Marjorie. "The Invention of Collage." New York Literary Forum (1983), 10-11:547.
Perloff, Marjorie. "Irony in Wallace Stevens' `The Rock'." American Literature (1964), 36:327-342.
Perloff, Marjorie. "Is There, Currently, an American Poetry? A Symposium." American Poetry (Winter 1987), 4(2).
Perloff, Marjorie."Lawrence's Lyric Theater: Bird, Beasts, and Flowers." In Peter Balbert and Phillip L. Marcus, eds., D.H. Lawrence: A Centenary Consideration, pp. 108-129. Ithaca, NY: Cornell University Press, 1985.
Perloff, Marjorie. "The Linear Fallacy. Response Letter." Georgia Review (1981), 36(4):935-936.
Perloff, Marjorie. "The Linear Fallacy." Georgia Review (Winter 1981), 35(4):855-868.
Perloff, Marjorie. "Lines Converging and Crossing: The `French' Phase of William Carlos Williams." Missouri Review (Fall 1978), 2(1):89-123.
Perloff, Marjorie. "A Lion in Our Living Room." American Poetry Review (1985), 14(2):35-46.
Perloff, Marjorie. "Literary Competence and the Formalist Model." Centrum: Working Papers of the Minnesota Center for Advanced Studies in Language, Style, and Literary Theory (Spring 1975), 3(1):34-44.
Perloff, Marjorie."`Lucent and Inescapable Rhythms: Metrical `Choice" and Historical Formation.' `What Is a Poet?'. " In Hank Lazer, ed., What Is a Poet? pp. 84-114, 185-225. Tuscaloosa, AL & London: University of Alabama Press, 1987.
Perloff, Marjorie."Lucent and Inescapable Rhythms: Metrical `Choice' and Historical Formation." In Robert Frank and Henry Sayre, eds., The Line in Postmodern Poetry, pp. 13-40. Champaign, IL: University of Illinois Press, 1988.
Perloff, Marjorie. "The Man Who Loved Women: The Medical Fictions of William Carlos Williams." Georgia Review (1980), 34:840-853.
Perloff, Marjorie. "Modern American Poets." Contemporary Literature (Winter 1981), 22(1):96-103.
Perloff, Marjorie. "Music for Words Perhaps: Reading/Hearing/Seeing John Cage's Roaratorio." Genre (Fall-Winter 1987),20(34):427-462.
Perloff, Marjorie."New Nouns for Old: `Language' Poetry, Language Game, and the Pleasure of the Text." In Matei Calinescu and Douwe Fokkema, eds., Exploring Postmodernism: Selected Papers Presented at a Workshop on Postmodernism at the 11th International Comparative Literature Congress, Paris, August 20-24, 1985, pp. 95-108. Amsterdam & Philadelphia, PA: Benjamins, 1987.
Perloff, Marjorie. "New Thresholds, Old Anatomies: Contemporary Poetry and the Limits of Exegesis." Iowa Review (1974), 5(1):83-99.
Perloff, Marjorie."Nonobstruction et interpénetration. La poétique de John Cage." Translated by Susan Santolini and Daniel Charles. Revue d'Esthetique (1988), 13-14-15:381-391.
Perloff, Marjorie. "On Sylvia Plath's `Tulips'." Paunch (1975), 42-43:105-109.
Perloff, Marjorie. "On the Road to Ariel: The
`Transitional' Poetry of Sylvia Plath." Iowa Review (1973), 4(2):94-110.
Reprinted in Edward Butscher, ed., Sylvia Plath: The Woman and
the Work, pp. 125-142. New York: Dodd,
Mead, 1977.
Perloff, Marjorie. "One of the Two Poetries." PN Review (1980), 19:47-51.
Perloff, Marjorie."Poètes Maudits of the Genteel Tradition: Lowell and Berryman." In Steven Gould Axelrod and Helen Deese, eds., Robert Lowell: Essays on the Poetry, pp. 99-116. Cambridge: Cambridge University Press, 1986.
Perloff, Marjorie. The Poetic Art of Robert Lowell. Ithaca, NY: Cornell University Press, 1973.
Perloff, Marjorie. The Poetics of Indeterminacy: Rimbaud to
Cage. Princeton, NJ: Princeton University Press, 1981.
Evanston, IL: Northwestern University Press, 1983.
Perloff, Marjorie. "Poetry Chronicle: 1970-71." Contemporary Literature (1973), 14:97-131.
Perloff, Marjorie. "Poetry as Word System: The Art of Gertrude Stein." American Poetry Review ( 1979), 8(5):33-35.
Perloff, Marjorie. "`A Portrait of the Publisher as Poet.' Review of James Laughlin's In Another Country: Poems 1935-1975." Parnassus (1980), 8(2):194-209.
Perloff, Marjorie. "The Portrait of the Artist as Collage-Text: Pound's Gaudier-Brzeska and the `Italic' Texts of John Cage." American Poetry Review (May-June 1982), 11(3):1929.
Perloff, Marjorie. "Postmodernism and the Impasse of Lyric."Formations (Fall 1984), 1(2):43-63.
Perloff, Marjorie. "Pound and Rimbaud: The Retreat from Symbolism." Iowa Review (Winter 1975), 6(1):91-117.
Perloff, Marjorie and Hugh Witemeyer. "The Pound-Joyce Connection." American Poetry (Spring 1984), 1(3):20-37.
Perloff, Marjorie. "Pound/Stevens: Whose Era?" NLH (Spring 1982), 13(3):485-510.
Perloff, Marjorie."Preface to 3rd edition." In James Vinson and D.L. Kirkpatrick, eds., Contemporary Poets, pp. viii-xiv. London & Chicago, IL: St. James Press, 1985.
Perloff, Marjorie. "`Private Lives/Public Images.' Review of Adrienne Rich's A Wild Patience has Taken Me This Far: Poems, 1978-1981, and Paul Monette's No Witnesses: Poems." Michigan Quarterly Review (1983), 22(1):130-142.
Perloff, Marjorie. "Realism and the Confessional Mode of Robert Lowell." Contemporary Literature (1970), 11:470-487.
Perloff, Marjorie. "Recharging the Canon: Some Reflections on Feminist Poetics and the Avant-Garde. Review of Susan Howe's My Emily Dickinson and Defenestration of Prague, Lorine Niedecker's From This Condensery and The Granite Pail, and Alicia Ostriker's Stealing the Language: The Emergence of Women's Poetry in America, and Herbert Leibowitz' Celebration of Women & Poetry. American Poetry Review (JulyAugust 1986), 15(4):12-20.
Perloff, Marjorie. "Reply to C. Eschelman." Contemporary Literature (1975), 16(4):527-530.
Perloff, Marjorie. "Reply to Tom Clark on Viktor Shklovsky. Letter." Partisan Review (1987), 54(4):654.
Perloff, Marjorie. "Response to Mary Klinzie's `The Rhapsodic Fallacy'." Salmagundi (Summer 1985), 67:146-149.
Perloff, Marjorie. Review of Frank O'Hara's Art Chronicles, 1954-1966. New Republic (March 11, 1975), 172(9):23-24.
Perloff, Marjorie. Review of Joseph N. Riddel's The Inverted Bell: Modernism and the Counterpoetics of William Carlos Williams. Modern Language Review (1976), 71(1):156-158.
Perloff, Marjorie. Review of Stephen Yenser's Circle to Circle: The Poetry of Robert Lowell. English Language Notes (1977), 14(3):231-235.
Perloff, Marjorie. Review of George Bornstein's Transformations of Romanticism in Yeats, Eliot, and Stevens. Wallace Stevens Journal (1977), 1(2):75-78.
Perloff, Marjorie. Review of Harold Bloom's Wallace Stevens: The Poems of Our Climate. American Literature (1977), 50(1):129-132
Perloff, Marjorie. Review of James Lovic Allen's Yeats and Modernism. Modern British Literature (1977), 2(1):5-16.
Perloff, Marjorie. Review of Sylvia Plath's Letters Home: Correspondence 1950-1963 and Edward Butscher's Sylvia Plath: Method and Madness. Resources for American Literary Study (Spring 1977), 7(1):77-85.
Perloff, Marjorie. Review of A.R. Ammons' The Snow Poems. American Poetry Review (1978), 7(5):5-11.
Perloff, Marjorie. Review of John Ahbery's Houseboat Days. American Poetry Review (1978), 7(5):5-11.
Perloff, Marjorie. Review of Samuel Beckett's Collected Poems in English and French. Parnassus (1978), 6(2):170-184.
Perloff, Marjorie. Review of Paul Christensen's Charles Olson: Call Him Ishmael and Robert Von Hallberg's Charles Olson: The Scholar's Art and Sherman Paul's Olson's Push: Origin, Black Mountain, and Recent American Poetry. Criticism (1979), 21(3):251-260.
Perloff, Marjorie. Review of Caroline King Barnard's Sylvia Plath. Western Humanities Review (1979), 33(4):365-368.
Perloff, Marjorie. Review of Northrop Frye's On Culture and Literature: A Collection of Review Essays. South Atlantic Bulletin (January 1979), 44(1):113-116.
Perloff, Marjorie. Review of Veronica Forrest-Thomson's Poetic Artifice: A Theory of Twentieth-Century Poetry. Contemporary Literature (1980), 21(2) :291-296.
Perloff, Marjorie. Review of Jacqueline Saunier-Ollier's William Carlos Williams: L'Homme et l'oeuvre poètique. William Carlos Williams Review (1980), 6(1):127-130.
Perloff, Marjorie. Review of Sylvia Plath's Collected Poems. Resources for American Literary Study (Autumn 1981), 11(2): 304-313.
Perloff, Marjorie. Review of Helen Vendler's Part of Nature, Part of Us--Modern AmericanPoets. Contemporary Literature (1981), 22(1):96-103.
Perloff, Marjorie. Review of David Lynch's Yeats: The Poetics of the Self and Stephen C. Foster and Rudolf E. Kuenzli, eds., Dada Spectrum: The Dialectics of Revolt. Modern Language Review (January 1981), 76:152-155.
Perloff, Marjorie. Review of Audrey T. Rogers' The Universal Drum: Dance Imagery in the Poetry of Eliot, Crane, Roethke, and Williams. Notes & Queries (1982), 29(3):273-275.
Perloff, Marjorie. Review of Peter Conrad's Imagining America. Modern Language Review (April 1982), 77:425-428.
Perloff, Marjorie. Review of Roger Cardinal's Figures of Reality: A Perspective on the Poetic Imagination. Modern Language Review (October 1982), 77:913-915.
Perloff, Marjorie. Review of John Haffenden's John Berryman: A Critical Commentary, and Ian Hamilton's Robert Lowell: A Biography and Eileen B. Simpson's Poets in their Youth: A Memoir. American Poetry Review (1983), 12(3): 32-38.
Perloff, Marjorie. Review of Charles Russell, ed., The Avant-Garde Today: An International Anthology. Modern Language Review (July 1983), 78:663-665.
Perloff, Marjorie. Review of Barry Ahearn's Zukofsky's `A': An Introduction. American Literature (1984), 56(2):296-298.
Perloff, Marjorie. Review of Cairns Craig's Yeats, Eliot, Pound, and the Politics of Poetry: Richest to the Richest. Contemporary Literature (1984), 25(1):88-92.
Perloff, Marjorie. Review of Michael Hamburger's The Truth of Poetry: Tensions in Modern Poetry from Baudelaire to the 1960's. Notes & Queries (1984), 31(4):549-550.
Perloff, Marjorie. Review of Eugene R. Kintgen's The Perception of Poetry. Esprit Créateur (1984), 24(3):85-86.
Perloff, Marjorie. Review of Piers Gray's T.S. Eliot's Intellectual and Poetic Development, 19091922, and Eric Gould's Mythical Intentions in Modern Literature. Modern Language Review (July 1984), 79:688-692.
Perloff, Marjorie. Review of Allen Ginsberg's Collected Poems 1947-1980. American Poetry Review (1985), 14(2): 35-46.
Perloff, Marjorie. Review of James E.B. Breslin's From Modern to Contemporary: American Poetry, 1945-1965, and Robert Von Hallberg's American Poetry and Culture, 1945-1980. English Language Notes (1986), 23(4):61-65.
Perloff, Marjorie. Review of Jean Weisgerber, ed., Les Avant-Gardes littéraires au XXe siècle, and Peter Burger's Theory of the Avant-Garde. Modern Language Review (April 1986), 81:426-427.
Perloff, Marjorie. Review of Harold Bloom's Agon: Towards a Theory of Revisionism. Modern Language Review (April 1986), 81:431-435.
Perloff, Marjorie. Review of Alastair Davies, ed., An Annotated Critical Bibliography of Modernism. Modern Language Review (October 1986), 81:993-994.
Perloff, Marjorie. Review of Charles Bernstein's Contents Dream: Essays 1975-1984, and Umberto Eco's Travels in Hyper Reality: Essays. Michigan Quarterly Review (1987), 26(2):404-412.
Perloff, Marjorie. Review of Andrei Codrescu, ed., American Poetry Since 1970: Up Late. American Book Review (1988), 10(2):12.
Perloff, Marjorie. Review of Edith Jarolim, ed., The Collected Poems of Paul Blackburn. Parnassus (1988), 14(2):197-214.
Perloff, Marjorie."Revolving in Crystal: The Supreme Fiction and the Impasse of Modernist Lyric." In Albert Gelpi, ed., Wallace Stevens: The Poetics of Modernism, pp. 41-64. Cambridge: Cambridge University Press, 1985.
Perloff, Marjorie. Rhyme and Meaning in the Poetry of Yeats. De proprietatibus litterarum. Series practica, 5. The Hague: Mouton, 1970.
Perloff, Marjorie. "A Ritual for Being Born Twice: Sylvia Plath's The Bell Jar." Contemporary Literature (1972), 13:507-522.
Perloff, Marjorie."The Shape of the Lines: Oppen and the Metric of Difference." In George Oppen: Man and Poet, pp. 215-229. Orono: National Poetry Foundation, University of Maine at Orono, 1981.
Perloff, Marjorie. "The Shipwreck of the Singular: George Oppen's Of Being Numerous." Ironwood (Fall 1985), 13(2):193-204.
Perloff, Marjorie. "Soft Touch". Review of Philip Levine's One for the Rose: Poems and Don't Ask, and Robert Bly's The Man in the Black Coat Turns: Poems and Talking All Morning. Parnassus (1982), 10(1):209-230.
Perloff, Marjorie. "Soundings: Zaum, Seriality, and the Recovery of the `Sacred'." Review of Velimir Khlebnikov's The King of Time: Poems, Fictions, Visions of the Future, and Jerome Rothenberg, ed., Technicians of the Sacred (2d ed.), and Leslie Scalapino's That They Were at the Beach, and Ron Silliman's Paradise. American Poetry Review (January-February 1986), 15(1):37-46.
Perloff, Marjorie. "Spatial Form in the Poetry of Yeats: The Two Lissadell Poems." PMLA (1967), 82:444-454.
Perloff, Marjorie."Sylvia Plath's `Sivvy' Poems: A Portrait of the Poet as Daughter." In Gary Lane, ed., Sylvia Plath: New Views on the Poetry, pp. 155-178. Baltimore, MD: Johns Hopkins University Press, 1979.
Perloff, Marjorie. "Symbolism/AntiSymbolism." Centrum: Working Papers of the Minnesota Center for Advanced Studies in Language, Style, and Literary Theory (1976), 4:69-103.
Perloff, Marjorie. "Tangled Versions of the Truth: Ammons and Ashbery at Fifty." American Poetry Review (September-October 1978), 7(5):5-11.
Perloff, Marjorie. "The Testing of Stanley Kunitz. " Iowa Review (1972), 3(1):93-103.
Perloff, Marjorie."To Give a Design: Williams and the Visualization of Poetry." In Carroll F. Terrell, ed., William Carlos Williams: Man and Poet, pp. 159-186. Orono: National Poetry Foundation, University of Maine at Orono, 1983.
Perloff, Marjorie. "The Tradition of Myself: The Autobiographical Mode of Yeats." Journal of Modern Literature (1975), 4:529-573.
Perloff, Marjorie. "Tradition and the Individual Talent." Southern Humanities Review (1976), 10:269-276.
Perloff, Marjorie. "Transparent Selves: The Poetry of John Ashbery and Frank O'Hara." Yearbook of English Studies (1978), 8:171-196.
Perloff, Marjorie."The Two Ariels: The (Re)Making of the
Sylvia Plath Canon." In Neil Fraistat, ed., Poems in Their Place:
The Intertextuality and Order of Poetic Collections, pp. 308-333. Chapel Hill, NC: University of North Carolina Press,
1986.
Reprinted from "The Two Ariels: The (Re)Making
of the Sylvia Plath Canon," American Poetry Review
(1984), 13(6):10-18.
Perloff, Marjorie. "The Two Poetries: The Postwar Lyric in Britain and America." Contemporary Literature (1977), 18(3): 263-278.
Perloff, Marjorie. "Unimpededness and Interpenetration: The Poetic of John Cage." TriQuarterly (Spring 1982), 54(2):76-88.
Perloff, Marjorie. "Violence and Precision: The Manifesto as Art Form." Chicago Review (1984), 34(2):65-101.
Perloff, Marjorie. "Williams in the Classroom." William Carlos Williams Newsletter (1977), 3(2):6-11.
Perloff, Marjorie."William Carlos Williams." In Helen Vendler, ed., Voices & Visions: The Poet in America, pp. 108-129. New York: Random House, 1987.
Perloff, Marjorie. "The Word as Such: LANGUAGE: Poetry in the Eighties." American Poetry Review (May-June 1984), 13(3):15-22.
Perloff, Marjorie. "Yeats and the Occasional Poem: `Easter 1916'." Papers on Language and Literature (1968), 4:308-328.
Perloff, Marjorie. "Yeats and Goethe." Comparative Literature (1971), 23:125-140.
Perloff, Marjorie and Claude Julien Rawson."`Yeats
and the Romantic Tradition.' `Yeats, Imagination and Symbolism.' [Sound
recording] 1 cassette." London: Audio Learning, 1978.
Discussion between Marjorie Perloff and C.J. Rawson.