Books by the Speakers: A Bibliography Compiled by
Eddie Yeghiayan
L'Amour fou: Photography & Surrealism. London: Arts Council, 1986. Exhibition at the Hayward Gallery, London, July to September 1986.
Beverly Pepper: Sculpture in Place. Introduction by Douglas G. Schultz. Buffalo: Albright-Knox Art Gallery; New York: Abbeville Press, 1986. Published in conjunction with a major exhibition held at the Albright-Knox Art Gallery, September 13-November 2, 1986 and the San Francisco Museum of Modern Art from December 11, 1986-February 8, 1987, the Columbus Museum of Art, March 22-May 10, 1987, the Brooklyn Museum, June 5-August 24, 1987, and the Center for the Fine Arts, Miami from September 27-November 1, 1987.
"Contemporary Criticism." Markham, Ont.: Audio Archives
of Canada, 1979.
1 sound cassette: 1 7/8 ips.
"Corpus Delicti." In L'Amour fou:
Photography & Surrealism, pp. 56-112. Washington,
D.C.: Corcoran Gallery of Art; New York: Abbeville
Press, 1985.
Issued in conjunction with an exhibition held
at the Corcoran Gallery of Art, August-October, 1985.
Critical Perspectives in American Art, pp. 25-27. Introduction by Hugh M. Davies. Amherst: Fine Arts Center Gallery, University of Massachusetts, Amherst, 1976. Rosalind Krauss' text is followed by illustrations of works by Donald Judd, Robert Artschwager and Joel Shapiro. An Exhibition selected by Rosalind Krauss, Sam Hunter and Marcia Tucker. Fine Arts Center Gallery, University of Massachusetts/Amherst, April 10, 1976-May 9, 1976, American Pavillion, Venice Biennale, summer 1976.
"Death of a Hermeneutic Phantom: Materialization of the Sign in the Work of Peter Eisenman." In Peter Eisenman's Houses of Cards, pp. 166-184. New York: Oxford University Press, 1987.
Explosante-fixe: photographie &
surréalisme. Paris: Centre Georges
Pompidou/Hazan, 1986. Translation of L'Amour fou:
Photography & Surrealism (1985).
"Publié à l'occasion de l'exposition `Photographie
et surrealisme' au Musée national d'art moderne, Centre Georges
Pompidou, du 15 avril au 15 juin, 1985. Commissaire de
l'exposition: Alain Sayag, assisté de Marie-France Van Denbusche.
Cette exposition a été conçue par Rosalind Krauss et
Jane Livingston pour la Corcoran Gallery of Modern Art, Washington,
DC."
Includes:
"Préface," by Rosalind Krauss and Jane Livingston, pp.
8-10. (Translated by Dominique Le Bourg)
"La photographie au service du surréalisme," by Rosalind
Krauss, pp. 12-53 (Translated by Dominique Le Bourg)
"Grids, You Say." In Grids: Format and Image in 20th Century Art. New York: Pace Gallery, 1978. Exhibition at the Pace Gallery, December 16, 1978-January 20, 1979 and the Akron Art Institute, March 24-May 6, 1979.
"Introduction." Irving Penn, Earthly Bodies: 76 Photographs of the Female Nude, Negatives and Silver Prints Made in 1949-1950, pp. 2, 4, 6-7, 9. 11. New York: Marlborough Gallery, 1980. Catalogue of an exhibition held September 4- October 1, 1980 at the Marlborough Gallery.
"Joel Shapiro." In Joel Shapiro, pp. 3-12. Foreword by Stephen Prokopoff. Chicago: Museum of Contemporary Art, 1976. Exhibition organized by the Museum of Contemporary Art, Chicago, September 11 through November 7, 1976.
"Jules Olitski." In Jules Olitski: Recent Paintings. Foreword by Stephen S. Prokopoff and Wayne V. Andersen. Philadelphia: Falcon Press, 1968. 31 pp. An exhibition organized by the Institute of Contemporary Art, University of Pennsylvania, in collaboration with the Hayden Gallery, Massachusetts Institute of Technology. Exhibition dates: Institute of Contemporary Art, Philadelphia, February 21 to March 26, 1968, Massachusetts Institute of Technology, Cambridge, March 29 to April 23, 1968.
Line as Language: Six Artists Draw. Preface by Peter
C. Bunnell. Princeton, N.J.: The Art Museum, Princeton University, 1974.
Prepared in conjunction with an exhibition organized by
Rosalind Krauss of works by Mel Bochner, Sol LeWitt, Robert Morris,
Dorothea
Rockburne, Richard Serra, and Richard Tuttle, held February 23 to March
31, 1974, at The Art Museum, Princeton University.
"Magnetic Fields: The Structure." In Joan Miró: Magnetic Fields. New York: Solomon R. Guggenheim Foundation, 1972. Catalogue of an exhibition held at the Solomon R. Guggenheim Foundation Museum in July 1972, curated by Rosalind Krauss and Margit Rowell. Received the Frank Jewett Mather Award for distinction in art criticism.
"Objects of My Attention." In Man Ray:
Objects of My Attention, pp. [1-6.] New York:
Zabriskie Gallery, 1985.
Written in 1983.
Catalogue of an exhibition held January 23- February 23,
1985 at the Zabriskie Gallery, New York.
The Originality of the Avant-Garde and Other Modernist Myths. Cambridge, Mass.: MIT Press, 1985.
Passages in Modern Sculpture. New York: Grossman/Viking; London: Thames and Hudson, 1977.
"Paul Sharits." In Paul Sharits: Dream Displacement and Other Projects, pp. [1-14.] Buffalo, N.Y.: Albright-Knox Art Gallery, 1976. Published in conjunction with an exhibition of the same name at the Albright-Knox Art Gallery, September 28 to October 31, 1976.
"Problem Sets." In Francesca Woodman,
Photographic Work: Exhibition, pp. 40-51. Wellesley,
Mass.: Wellesley College Museum, 1986.
An exhibition
organized by Ann Gabhart in collaboration with Rosalind Krauss, held at
Wellesley College
Museum April 9-June 8, 1986, and Hunter College Art Gallery,
February 13- March 14, 1986.
Richard Serra/Sculpture. Edited and with an Introduction by Laura Rosenstock. New York: Museum of Modern Art, 1986. Published on the occasion of an exhibition curated by Rosalind Krauss with Laura Rosenstock at the Museum of Modern Art, New York, February 27-May 13, 1986.
The Sculpture of David Smith: A Catalogue Raisonné. Garland Reference Library of the Humanities, 73. New York: Garland, 1977.
Terminal Iron Works: The Sculpture of David Smith. Cambridge, Mass.: MIT Press, 1971.
Terminal Iron Works: The Sculpture of David
Smith.
Cambridge, Mass. & London: MIT Press, 1979.
Paperback edition of Terminal Iron Works: The
Sculpture of David Smith (1971).
"This New Art: To Draw in Space." In Julio Gonzalez: Sculpture & Drawings, October 2-31, 1981, pp. [1-6]. New York: Pace Gallery, 1981.